This documentary is the story of citizen activists opposing a methane tanker terminal practically on their doorstep. Lucid and compelling, the film shows citizen action pitted against powerful lobbies and reminds us to be vigilant faced with Quebec's environmental and energy-related issues over the coming years.

This feature-length documentary traces the journey of the Haisla people to reclaim the G'psgolox totem pole that went missing from their British Columbia village in 1929. The fate of the 19th century traditional mortuary pole remained unknown for over 60 years until it was discovered in a Stockholm museum where it is considered state property by the Swedish government.

In this feature-length documentary, filmmaker Patricio Henriquez seeks to untangle the web of lies surrounding the Chilean navy's training vessel, the Esmeralda. Heralded as a symbol of national pride, a dark secret lies behind the facade of the ship the Chileans call The White Lady: Following the 1973 coup d'état, it was used as a floating prison. Thirty years later, the victims of the dictatorship are demanding justice. The Dark Side of the White Lady is a fascinating journey to uncover the truth.

In this documentary, crop and animal farmers in Quebec, the Canadian West, the US Northeast and France offer solutions to the social and environmental scourges of factory farming. Driven by the forces of globalization, rampant agribusiness is harming the environmemt and threatening the survival of farms. The proliferation of GMO crops is a further threat to biodiversity as well as to farmers' autonomy. In Europe as well as North America, a current of resistance bringing together farmers and consumers insists that it is possible - indeed imperative - to grow food differently.

In this feature-length documentary, 8 Inuit teens with cameras offer a vibrant and contemporary view of life in Canada's North. They also use their newly acquired film skills to confront a broad range of issues, from the widening communication gap between youth and their elders to the loss of their peers to suicide. In Inuktitut with English subtitles.

Filmed at the Wing Fong Farm in Ontario, this documentary follows the tilling, planting and harvesting of Asian vegetables destined for Chinese markets and restaurants. On 80 acres of land, Lau King-Fai, her son and a half-dozen migrant Mexican workers care for the plants. For Yeung Kwan, her son, the farm represents personal and financial independence. For his mother, it is an oasis of peace. For the Mexican workers, it provides jobs that help support their children back home.

This feature documentary is a portrait of Peter Watkins, an Oscar®-winning British filmmaker who, for the past 4 decades, has proved that films can be made without compromise. With the proliferation of TV channels, documentaries are enjoying an unprecedented boom fuelled by audiences seeking an alternative to infotainment. But now documentary filmmaking, too, finds itself constrained by the imperatives of television. However, there is a rebel resisting this uniformity of the spirit. Pre-eminent among today's documentary filmmakers concerned about this mind-numbing standardization, Peter Watkins has never strayed from either his principles or the cause.

Afros, braids or corn-rows--hairstyles have always carried a social message, and few issues cause as many battles between Black parents and their daughters. To "relax" one's hair into straight tresses or to leave it "natural" inevitably raises questions of conformity and rebellion, pride and identity.

Today trend-setting teens proudly reinvent themselves on a daily basis, while career women strive for the right "professional" image, and other women go "natural" as a symbol of comfort in their Blackness. Filmmaker Nadine Valcin meets a range of women as they reveal how their hairstyles relate to their lives and life choices.

Black, Bold and Beautiful celebrates the bonds formed as women attend to each other's hair, while exploring how everyday grooming matters tap into lively debates on the position of Black people within Canada.

In a quest to rediscover the spiritual values of his own people, an African filmmaker from the Gourmantche tribe of Burkina Faso visits the Atikamekw of Northern Quebec. The resulting documentary is a dialogue between those who divine the future in the sand with those who use snow-encased sweat lodges to reconnect with the spiritual world.

Over the course of a decade Brooks, Alberta, transformed from a socially conservative, primarily white town to one of the most diverse places in Canada as immigrants and refugees flocked to find jobs at the Lakeside Packers slaughterhouse. This film is a portrait of those people working together and adapting to change through the first-ever strike at Lakeside.

This 1996 documentary takes a nostalgic ride through history to present the experiences of Black sleeping-car porters who worked on Canada's railways from the early 1900s through the 1960s. There was a strong sense of pride among these men and they were well-respected by their community. Yet, harsh working conditions prevented them from being promoted to other railway jobs until finally, in 1955, porter Lee Williams took his fight to the union.

Claiming discrimination under the Canada Fair Employment Act, the Black workers won their right to work in other areas. Interviews, archival footage and the music of noted jazz musician Joe Sealy (whose father was a porter) combine to portray a fascinating history that might otherwise have been forgotten.

This documentary reveals some of the hidden history of Blacks in Canada. In the 1930s in rural Ontario, a farmer buried the tombstones of a Black cemetery to make way for a potato patch. In the 1980s, descendants of the original settlers, Black and White, came together to restore the cemetery, but there were hidden truths no one wanted to discuss. Deep racial wounds were opened. Scenes of the cemetery excavation, interviews with residents and re-enactments—including one of a baseball game where a broken headstone is used for home plate—add to the film's emotional intensity.

This documentary tells the story of a young man’s struggle to balance his African traditions and new Canadian home. Arinze Eze was born in Canada and raised in Nigeria. An engineer by trade, he returned to his birthplace after 20 years. There, he starts a new career in the arts and falls in love with Canadian woman. All is well until his parents come for a visit. How will they react to this new life?

Renee Thompson is trying to make it as a top fashion model in New York. She's got the looks, the walk and the drive. But she’s a black model in a world where white women represent the standard of beauty. Agencies rarely hire black models. And when they do, they want them to look “like white girls dipped in chocolate.”

The Colour of Beauty is a shocking short documentary that examines racism in the fashion industry. Is a black model less attractive to designers, casting directors and consumers? What is the colour of beauty?

This film is part of the Work For All series, produced by the National Film Board of Canada, with the participation of Human Resources and Skills Development Canada.

Phil Comeau shines a spotlight on the Ordre de Jacques-Cartier, a powerful secret society that operated from 1926 to 1965, infiltrating every sector of Canadian society and forging the fate of French-language communities. Through never-before-heard testimony from former members of the Order, along with historically accurate dramatic reconstructions, this film paints a gripping portrait of the social and political struggles of Canadian francophone-minority communities.

How does a man suddenly abandon his family in favour of an isolated life in a monastery? What is the legacy of Léonard's father's sudden departure? Mon père, le roi captures the painful memories of the son and ex-wife of a man turned “king” of a religious cult. Together with the filmmaker, they take to the road to visit the man who abandoned them 45 years ago. For Léonard, it is also a return to the prison where he spent part of his childhood, after having been abducted by his father.

This documentary was made as part of the Tremplin program, with the collaboration of Radio-Canada.

Murray Siple's feature-length documentary follows a group of homeless men who have combined bottle picking with the extreme sport of racing shopping carts down the steep hills of North Vancouver. This subculture shows that street life is much more than the stereotypes portrayed in mainstream media.

The film takes a deep look into the lives of the men who race carts, the adversity they face and the appeal of cart racing despite the risk. Shot in high-definition and featuring tracks from Black Mountain, Ladyhawk, Vetiver, Bison, and Alan Boyd of Little Sparta.

This documentary reveals the exploratory work of a team from the University of Montreal who seek to understand the states of grace experienced by mystics and those who meditate. Filmmaker Isabelle Raynauld offers up scientific research that suggests that mystical ecstasy is a transformative experience and could contribute to people's psychic and physical health, treat depression and speed up the healing process when combined with conventional medicine. In French with English subtitles.

This documentary pokes fun at the ways in which Inuit people have been treated as “exotic” documentary subjects by turning the lens onto the strange behaviours of Qallunaat (the Inuit word for white people). The term refers less to skin colour than to a certain state of mind: Qallunaat greet each other with inane salutations, repress natural bodily functions, complain about being cold, and want to dominate the world. Their odd dating habits, unsuccessful attempts at Arctic exploration, overbearing bureaucrats and police, and obsession with owning property are curious indeed.

A collaboration between filmmaker Mark Sandiford and Inuit writer and satirist Zebedee Nungak, Qallunaat! brings the documentary form to an unexpected place in which oppression, history, and comedy collide.

This feature documentary is a candid journey into the world of 4 young Canadian women who work as well-paid hostesses in exclusive Japanese nightclubs. Lured by adventure and easy money, these modern-day geisha find themselves caught up in the mizu shobai—the complex "floating water world" of Tokyo clubs and bars. Drawn by fast money, some women become consumed by the lavish lifestyle and forget why they came; one hostess calls this "losing the plot." With a pulsating visual style, Tokyo Girls captures the raw energy of urban Japan and its fascination with the new.

This feature documentary is a portrait of Herbert Norman, the Canadian ambassador to Egypt who leapt to his death in 1957. During his remarkable career, Norman had been a trusted aide of General MacArthur in post-war Japan and later played a key role in the Suez crisis. But for years, a US Senate subcommittee probed his past while the FBI accumulated a huge file on him, refusing to accept an RCMP investigation that cleared him of being a communist spy. Interviews with key players and dramatizations help reconstruct Herbert Norman's life.

In the ruthless “attention economy” of the Internet, young influencers gamble everything for fame-‘n’-fortune. A startling and timely study of contemporary celebrity, Anything for Fame ventures into the virtual Wild West to profile an ambitious—and reckless—new breed of content creator.

This short documentary examines the role of social media in the lives of teenagers. To the younger generation, social media is more than just a communication tool: it’s a way of life, a sphere in which to explore and create their own universes -- often at the expense of face-to-face interaction. As young Nya enters adulthood, she takes a critical look at how social media has impacted and continues to influence the shaping of her identity, experiences and values.

This film was made as part of the Tremplin program, in collaboration with Radio-Canada.

This full-length documentary offers a fascinating behind-the-scenes look at our national sport, hockey. Taking in an entire season of the Baie-Comeau Drakkar, this film reveals the daily lives of players and managers on this Quebec Major Junior Hockey League team.

Admired and treated like professionals, junior hockey players are teenagers absorbed by their future. Trainers, shareholders, agents, scouts and parents: all eyes are fixed on these elite young players, even though only a tiny number of them will succeed in playing at the highest level.

This short film follows a group of teenage boys eager to emulate the muscle-filled bodies of their media heroes. Revealing the lengths these boys are willing to go to achieve their goal, this film explores the use of supplements and the temptations of steroids. The boys relate their experiences, desires and motivations to the audience, who are left to draw their own conclusions.

The film is designed to provoke discussion among teenagers about body image and where lines should be drawn between healthy and dangerous behaviour.

This documentary presents a few individuals for whom the Internet has become a way to connect with like-minded souls in surprising ways: a cyber punk based on an anti-aircraft rig in the English Channel who operates a rogue Web server, a monk developing "wireless prayer technology," a "gamer" who re-creates himself in an online game, a retired couple living in an Internet-controlled seniors' complex and a divorcée who exchanges vows online with a man she's never met.

These provocative 20-minute movies made by high school students provide an insider's look at youth culture. Made by four 17-year-old directors with help from a professional crew, Salt is a four-part filmzine: four films, four flavours, four windows into youth culture that explore alternative education, Montreal's flourishing independent music scene, the troubling practice of self-mutilation and a quest for the punk subculture.

In their predominantly white high school in Halifax, a group of black students face daily reminders of racism, ranging from abuse (racist graffiti on washroom walls), to exclusion (the omission of black history from textbooks). They work to establish a Cultural Awareness Youth Group, a vehicle for building pride and self-esteem through educational and cultural programs. With help from mentors, they discover the richness of their heritage and learn some of the ways they can begin to effect change.

With candor, humour and courage, a group of African-Canadian women challenge cultural taboos surrounding female sexuality and fight to take back ownership of their bodies. Combining her own journey with personal accounts from some of her radiant, endearing friends, co-director Habibata Ouarme explores the phenomenon of female genital mutilation and the road to individual and collective healing, both in Africa and in Canada.

Danielle Sturk tackles the thorny issue of sexual violence against teens by boldly asking: Why? Young men, witnesses to the prevailing culture, and young women survivors of sexual assault share their personal reflections in the hopes of sparking the dialogue needed to end gender-based violence. Because things only change when people start talking and taking action.

In 2015, Victoria-based trans activist Courtney Demone launched the viral online campaign #DoIHaveBoobsNow, in which she posted topless photos of her transition on social media while undergoing hormone replacement therapy. One year later, Courtney revisits the global conversation she catalyzed on social media censorship policies and the sexualization of feminine bodies, and reflects on the impacts of being thrust into the critical spotlight as a visible trans activist and queer feminist.

This film tells the moving story of one woman fighting for her rights and preserving her dignity. Made as part of the Work for All project in 2006, an NFB and HRSDC-Labour initiative to combat racism in the workplace. In French with English subtitles.

Santiago, Chile. September 11, 1973. A military dictatorship seizes power and wields it for 17 years. Thousands of men disappear. "Donde estan? (Where are they?)," ask the women, their partners in la cueca, the traditional Chilean courtship dance. Surmounting their grief, the women speak out and struggle to restore democracy. Their lives suspended, they continue to dance la cueca sola, alone.

This documentary by Marilu Mallet tells the stories of five women who suffered under dictatorship and emerged as heroes under democracy. The threads of the five stories are closely intertwined with the history of Chile, encouraging reflection on the burden of heritage, the relativity of happiness and the power of memory. Navigating through the past but firmly moored in the present, the film expresses an entire nation's faith in a future in which such a thing will never happen again.

Between March and October 2000, millions of people around the world took to the streets to denounce poverty and violence against women. The historic World March of Women was a bold initiative of the Québec Federation of Women and represented a turning point in global solidarity.

Director Sophie Bissonnette invited five filmmakers from around the world to cover the march. She also asked each one to film an innovative project. In Senegal a community battles female genital mutilation through education. In Australia a women's circus teaches survivors of sexual assault to become skilled performers. In India a group of low-caste women mediate domestic disputes in informal women's courts. Native women in Ecuador offer leadership training programs to create women leaders. In the United States, Linda Carney describes why she founded Survival Inc. for poor women in Boston: this wealthy city refused her and her son welfare benefits unless she quit her minimum-wage job.

Set against the backdrop of a song, A Score for Women's Voices ends at the UN, where women deliver 5 million cards signed during the marches. Their goal? To change the world!

Some subtitles.

Afros, braids or corn-rows--hairstyles have always carried a social message, and few issues cause as many battles between Black parents and their daughters. To "relax" one's hair into straight tresses or to leave it "natural" inevitably raises questions of conformity and rebellion, pride and identity.

Today trend-setting teens proudly reinvent themselves on a daily basis, while career women strive for the right "professional" image, and other women go "natural" as a symbol of comfort in their Blackness. Filmmaker Nadine Valcin meets a range of women as they reveal how their hairstyles relate to their lives and life choices.

Black, Bold and Beautiful celebrates the bonds formed as women attend to each other's hair, while exploring how everyday grooming matters tap into lively debates on the position of Black people within Canada.