A stone's throw from downtown Montreal, quirky artists, blue-collar workers and unconventional families are being forced to leave their old neighbourhood as high-tech firms move in. Like in so many other cities, the tech companies arrive with the promise of a rosy future--but it's one built on demolitions, evictions and the conversion of low-rent property to high-priced condos.
This is a portrait of one building and its residents--people like Constanzo 'Fartman' Manna, an eccentric shipper and packer who's headed for Chile to marry the love of his life and bring her back to Montreal; artist Luc Bourbonnais, who is fighting desperately to hold on to the loft that inspires so much of his art; and Cuban émigré Rolando Zambrano, who ran a neighbourhood snack bar for nearly 30 years.
Shot over a period of six months and set to a pulsing Latin and rock soundtrack, 645 Wellington not only opens a window onto the lives of the building's residents but brings the building itself to life. We come to know the dark hallways, the corners and the doorways. We get
to know them well. Just as they are about to change, forever.
645 Wellington was produced as part of the
Reel Diversity Competition for emerging filmmakers of colour. Reel Diversity is a National Film Board of Canada initiative in partnership with CBC Newsworld.
The sense of belonging of eleven Montreal residents who share their local or international immigration experience is enriched by their understanding of elsewhere, others and globalization. Documentary #6261 proposes an artistic vision of the city of Montreal at the intersection of the hybrid identities of the people who live there.
This feature-length film about poverty in Montreal is set against a soundtrack that includes rap, blues, rock, and country and western music. The film deals with the universal themes of hunger, hope and love and is named after an actual Montreal restaurant that's been serving those in need for over 25 years. In French with English subtitles.
After repeated attempts to obtain service from the public transportation authorities, these suburban Ottawa residents finally decided to do it themselves. In this short film from the early 1970s, we watch as a group of Ottawa residents take action after getting the runaround from local transport authorities. The suburban residents had made numerous attempts to obtain bus service, but with much frustration and no success. Tired of waiting on the authorities, they decided to sort it out for themselves.
In Montréal, the St. Jacques Citizens' Committee set up a community health clinic, aided by volunteer doctors, nurses, dentists and medical students. This film shows discussion, planning, and the clinic in operation, and presents its problems and advantages as seen both by medical workers and by local residents. Members of the Citizens' Committee participated in the making of the film, from original planning through filming, selecting and editing.
The film explores the dimensions of the housing crisis in Canada, the definition of cooperative housing, and its possibilities as described by some of the people who are living in such dwellings today. Here, housing is owned and operated by people as users, not as investors. The film emphasizes an alternative in housing: security of tenure and mutual aid as the owner-families have come to value them.
This short documentary focuses on Toronto's Dufferin Grove Park - home to a playground, ice rinks, an organic farmer's market, a theatre troupe and numerous cultural activities. But when city inspectors raid the park on Christmas Eve and discover huge puppets, a baking oven and kitchen sharing the park's dedicated Zamboni building, the flourishing neighbourhood group is threatened with evacuation. This is a tongue-in-cheek look at what happens when a small community, including some wily puppets, takes on city hall.
From his shabby apartment in Montreal’s Centre-Sud borough, a writer finds inspiration in observing his neighbour Piton, who navigates poverty with some incredible ingenuity. Through this wildly funny pseudo-scientific allegory, graphic novelist turned filmmaker Richard Suicide draws us into the surreal, chaotic world of his book Chroniques du Centre-Sud, delivering a powerful portrait of a neighbourhood in the midst of a full-blown transformation. Produced by the NFB, this film is part of the Comic Strip Chronicles collection.
This short documentary features acclaimed author and activist Jane Jacobs' forthright, critical analysis of the problems and virtues of North American cities. Jacobs orients her fascinating observations around Toronto, to which she moved after leaving New York City because Toronto "is a city that still has options ... it hasn't made so many mistakes that it's bound to go downhill.” Her remarks, made in 1971, are prescient yet earnest and will interest all urban stakeholders. This colourful city film, accompanied by an upbeat, jazzy soundtrack, is a must-see for all civic and community groups—indeed, for all urban dwellers worldwide.
People, housing, funds and expertise: getting them together isn't easy, but it can be done. The film deals with the planning and procedures involved in setting up a co-op, whether that means building one, or buying and rehabilitating existing housing. People living in different kinds of co-ops talk about them, and how they function.
A case study of municipal government and the influence of citizens acting as a group. The case study is that of Edmonton, but the problems shown are those of many cities: urban renewal, traffic congestion, zoning, etc.
This feature documentary is a portrait of the downtown Toronto neighbourhood of Dundas and Sherbourne, where the gap between rich and poor is growing wide. There, middle-class homeowners, angry radicals, desperate drug addicts and people simply looking for a place to lay their head are embattled in a bitter struggle for space. Angel, a prostitute and drug addict, dodges the law. Bed-and-breakfast owner Renée rails against the sex and drug trade. Community organizer John Clarke advocates direct action in defence of the poor. And at the eye of this storm is Reverend Jeannie Loughrey, whose drop-in centre provides much-needed help for the poor, yet homeowners accuse the centre of harbouring criminals and are lobbying to shut it down. Contains coarse language and scenes of drug use.
This feature documentary takes a look at how the Halifax/Dartmouth community in Nova Scotia was stimulated by a week-long session held by a panel of specialists from different fields who met with members of this urban community to consider the future of the area and the responsibility of the citizens and government in planning the future.
This documentary presents a before-and-after picture of people in a large-scale public housing project in Toronto. Due to a housing shortage, they were forced to live in squalid, dingy flats and ramshackle dwellings on a crowded street in Regent Park North; now they have access to new, modern housing developments designed to offer them privacy, light and space.
This experimental animation film examines society's deification of architecture and urbanization in the modern world and the impact on our relationship to nature. This is Sutherland’s first professional film and was made with the NFB Hothouse program for emerging filmmakers.
Yorkville Avenue, Toronto, received newspaper prominence after it became what the papers called a "hippie haven." This film records what happened after the young people staged demonstrations to have the street closed to traffic, and civic authorities used corresponding persuasions to keep it open as a necessary traffic artery. The main confrontation takes place at a council meeting in City Hall, to which spokesmen for the young people have come to present their case. Here the film provides opportunity to judge both their attitudes and those of the city administration.
A girl takes a wild ride on the metro in Montreal. Travelling from station to station, she encounters an array of colourful characters in a bizarre musical journey that’s peppered with hilarious and unexpected incidents. This joyful, heartwarming animated film portrays Montreal in all its vitality, creativity and diversity, with plenty of humour and good cheer, to the tune of Kate and Anna McGarrigle’s timeless hit “Complainte pour Ste-Catherine.”
John is a 30-year old that operates PC Clinic Air, a wireless Internet café in his apartment building. He wants to provide Internet access at an affordable rate, and considers his work in the public interest. Currently, his customers pay half of what they would with any of Ghana’s major network providers. In addition, his clients save the cost of purchasing a modem, or Internet stick. People use the Wi-Fi on their mobile phones, laptops or smart TVs.
The Patel family prays in their apartment morning and night, using their cell phones and their laptop computers to connect with live-streaming from Hindu temples around the world.
Filmed in a squatter community of Labangon in Cebu, Philippines, Holding Our Ground is the inspiring story of a group of women who have organized collectively to pressure their government for land reform, to establish their own money-lending system and to create shelters for street kids. A story of grassroots organizing that can be a model in both hemispheres.
This feature documentary takes us to the heart of the Jane-Finch "Corridor" in the early 1980s. Covering six square blocks in Toronto's North York, the area readily evokes images of vandalism, high-density subsidized housing, racial tension, despair and crime. By focusing on the lives of several of the residents, many of them black or members of other visible minorities, the film provides a powerful view of a community that, contrary to its popular image, is working towards a more positive future.
Shows a campaign launched in Halifax in 1967 to probe the core of poverty in that city--low incomes, ill health and inadequate housing affect more than twelve thousand people in the central area. The project combines the efforts of local agencies with those of government agencies to alleviate these conditions.
Cathy, who lives on her rural property outside St. John’s NFLD, has an aging mother who lives in Ottawa. Instead of sending her to a home, Cathy had several wifi connected sensors installed in her mum’s home and is able to keep tabs on her mother.
"Incredible Miracle" is a team of teenage boys who are world champion e-sports (competitive video gaming) players. They live, work and train on video games together in a highrise compound in central Seoul, often not leaving the premises for days on end.
New online tools have begun to offer a way to bridge the divide between a new generation of Armenians and Azerbaijanis activists brought up unable to remember the time when both lived side by side together in peace. One of them is Ahmed Mukhtar, a 28-year-old Internally Displaced Person (IDP) from Aghdam. Working as a photojournalist, Mukhtar photographs the plight of other IDPs in Azerbaijan, and also trains IDP children in using photography to document their lives. In a country where the mainstream media is government-controlled, the Internet is Mukhtar’s only way to publish images.
This short animation takes a look at the redemptive power of food, wine, music and love through the eyes of our protagonist, Chuck. A husband and father, Chuck is jovially cooking dinner and listening to Chopin when his wife Sylvie spontaneously invites a group of boisterous colleagues over for dinner. The festivities begin to spiral out of control, and Chuck must find his way through a planned diner à deux that has turned into pandemonium. Filmmaker Bruce Alcock follows the fine tradition of beloved food films such as Babette’s Feast, using the preparation of a meal as a vehicle for exploring the grand themes of love and life through simple yet evocative line drawings.
Vocational and academic education programs are introduced as a way to prepare Indigenous people for city life in this short documentary film. As families move out to northern Ontario's Elliot Lake from neighbouring reserves, programs such as these are used to integrate them into society. Through this film, we hear from some of the families who stayed, and some who returned.
Invisible City is a moving story of two boys from Regent Park crossing into adulthood – their mothers and mentors rooting for them to succeed; their environment and social pressures tempting them to make poor choices. Turning his camera on the often ignored inner city, Academy-award nominated director Hubert Davis sensitively depicts the disconnection of urban poverty and race from the mainstream.
This short documentary is part of a series hosted by American historian, sociologist, philosopher of technology, and literary critic Lewis Mumford, who was particularly noted for his study of cities and urban architecture. This episode presents an outline of the opposed natures—creative and destructive—of the city throughout history. In this film, the focus is on the elements that created the first cities about 5000 years ago, and the forces that now threaten our "most precious collective invention."
This short film tells the story of what happens when the world around you changes but you remain the same. Legault is an elderly gentleman whose aging cabin now sits in a new suburb of Montreal. No longer surrounded by fields and woods, it has become an eyesore in a newly developing neighbourhood. A warm and humorous story about learning to change with the times.
A story about a young Indigenous man from a reserve near Calgary and the problems he faces when he finds himself thrust into the world of the white man. Joe Lonecloud contracts tuberculosis and is taken to the Charles Camsell Indian Hospital in Edmonton. There he learns that he will never be able to return to the vigorous activity of the outdoors. In learning a trade and getting a job he encounters prejudice, which makes his adjustment all the more difficult.
In a series of captivating encounters, several young people try to find the ideal roommate, that rare gem with whom they can share their space—and their values. A complex and engaging picture of a generation accustomed to playing all their identity cards, Living Together maps a mosaic of cultures and ideas, with explorations of community, individualism and the right to housing in constant interplay.
This visual love letter crafted by filmmaker Luc Bourdon uses clips from 120 NFB films to pay tribute to the city of Montreal in the '50s and '60s, with hat tips to its famous figures, places and residents.
Able to navigate by reading the Earth’s magnetic field, at home on land, air and water, geese straddle the territory between ancient instincts and the contemporary world. Combining beauty, humour and profound empathy, director Karsten Wall’s exquisitely observed film essay embeds in the daily life of these iconic animals to reveal a deeper message of continuity and connection.
Far from home and cut off from family and friends, Montreal’s Indigenous homeless population is the focus of No Address. Dreams of a better life in the big city can be met with harsh realities, as the individuals in this documentary recount. Often trying to flee circumstances created by colonialism and the effects of assimilation, the First Nations and Inuit people in this work share frank stories about their lives and the paths that took them to the streets of Montreal. Alanis Obomsawin presents an honest, stark portrayal of endemic homelessness while giving voice to those so often overlooked or made invisible on the streets of every city in Canada.
This feature-length documentary examines the reality of New York City in the 1970s, a place that had become a symbol of urban disaster. The 2 projects profiled attempt to tackle the problem of America’s biggest city: in a dilapidated part of the Bronx, a co-operative citizens’ movement tries to rejuvenate urban life; and WNET-TV uses its programming as an open forum for the public debate on urban issues.
This documentary is a portrait of Point St. Charles, one of Montreal’s notoriously bleak neighbourhoods. Many of the residents are English-speaking and of Irish origin; many of them are also on welfare. Considered to be one of the toughest districts in all of Canada, Point St. Charles is poor in terms of community facilities, but still full of rich contrasts and high spirits – that is, most of the time.
Citizens of Point St. Charles, a bilingual district in Montréal's inner city, found a solution to the lack of adequate legal aid in their community by forming a legal clinic with salaried lawyers and student volunteers from university law faculties. In this film citizens and volunteers talk about the project, how it was initiated, and how it now serves the needs of people who lack the money for the fees of legal professionals.
This short film explores the problems and potentials of small towns in the Drumheller Valley region of Alberta. Citizen participation in the growth and improvement of the region is encouraged through the Task Force on Urbanization and the Future. However, the Task Force initiative is eventually curtailed, as unemployment and uncertainty enter the picture. The film provides an interesting portrait of a region in socio-economic flux.
Inspired by a real-life news item, this animated short paints a pulsating portrait of a mixed-use, working-class neighbourhood where young families cross paths with prostitutes, their interactions leaving unpredictable ripples in the motley fabric of urban life.
This short animation begins with a mysterious man lying unconscious on the ground in the middle of a bustling metropolis. A crowd of passers-by forms around him, each person attempting to guess what is going on. While the crowd's babbling feeds the rumour mill, it never occurs to any of the onlookers—not the scientist, or the cop, or the businessman, or the punk, or the old lady—to just go and help the poor guy. Rumors is a wickedly funny and biting social satire from the Groupe Kiwistiti, a Quebec-based auteur animation group.
In the final installment, "Home" consists of images from New York Times readers, who submitted personal pictures of their lives in high-rises from around the world.
Montreal musician Patrick Watson wrote the music for the film.
In the third installment, "Glass" examines the recent proliferation of luxury condos and the growing segregation between the rich and poor.
The film is narrated by the singer-songwriter of Cold Specks, and is directed by Katerina Cizek in collaboration with the New York Times.
In the second installment, "Concrete" explores how, in New York City and globally, residential high-rises and public housing attempted to foster social equality in the 20th century.
The film is narrated and directed by Katerina Cizek in collaboration with the New York Times.
This short film is a series of vignettes of life in Saint-Henri, a Montreal working-class district, on the first day of school. From dawn to midnight, we take in the neighbourhood’s pulse: a mother fussing over children, a father's enforced idleness, teenage boys clowning, young lovers dallying - the unposed quality of daily life.
A collaborative work made in the spirit of cinéma-vérité, St-Henri, the 26th of August was directed by Shannon Walsh and16 fellow documentary filmmakers. Chronicling life in a former working-class Montreal neighbourhood over a 24-hour period, St-Henri, the 26th of August follows several compelling stories and characters. The film is an homage to the 1962 Hubert Aquin classic À Saint-Henri le cinq septembre.
This film documents a community's struggle to survive in the face of government indifference and the political and financial clout of industrial developers. In 1953 the residents of Bridgeview, British Columbia, were promised sewers; following years of debate, frustration, meetings and verbiage, construction started in 1977. The film interviews some of the residents, who state their opinions frankly both to the camera and at meetings. When the film was shown at the Habitat conference in Vancouver, 1976, press coverage noted: "The Third World is merely twenty miles from the site of Habitat."
When morning arrives in Society of Clothes, a shirt and a pair of pants step outside the closet, transforming into a human figure. In this world, everyone exists only as clothes. They wander into the streets, bodiless and faceless, performing absurd daily tasks
This gripping documentary takes a powerful look at the lives of people with substance use disorder in Vancouver’s Downtown Eastside. Filmmaker Veronica Alice Mannix follows Constable Al Arsenault and six other police officers on their daily beat, documenting their unique relationships with people who speak candidly about their painful past experiences, their drug addiction, and life on the street.
This short 1954 film from the Faces of Canada series follows Montreal taxi driver Gerry Lane as he takes various customers to their chosen destinations.
Thursday, shot from filmmaker Galen Johnson's high-rise apartment during COVID-19 “lockdown” in Winnipeg, captures people going about their daily routines in the city's eerily empty streets, yards and parking lots, on their balconies and on the riverbanks. The extreme distance and the diminutive scale of humans is paired with sound close-ups—a combination that embodies the strange, heightened intensity of feeling of the time, knowing an era-defining tragedy is happening yet being so physically removed.
There’s No Place Like This Place, Anyplace chronicles the transformation of a much-loved Toronto landmark, the Honest Ed’s block, through the stories of its community members who are forced to relocate when it is sold to a developer.
In the last forty years, Canada has seen a major population shift of Indigenous peoples to the urban centres like Toronto which has become home to the largest urban Indigenous population in the country (an estimated 65,000).
Today's urban Indigenous peoples (both those with a direct connection to land-based reservation life, and those who have always lived in cities) are developing an urban Indigenous culture. They are discovering ways to integrate important expressions of traditional culture into city life, including the tradition of the Elder: a person of great wisdom who dispenses advice, settles disputes, and acts as a model and arbitrator of acceptable behaviour.
Meet Vern Harper, Urban Elder, who walks the "Red Road" in a fast-paced, urban landscape. The camera follows Vern as he leads a sweat lodge purification ceremony, watches his 11-year-old daughter Cody at a classical ballet rehearsal, conducts a private healing ceremony, participates in a political march of 150,000 people, and counsels Indigenous prisoners at Warkworth Federal Prison.
In his own voice, Vern Harper tells the Urban Elder story of how he reaches into the past for his people's traditions, blending those old ways into the present so that the future can be a time of personal growth and spiritual strength.
This short film was an experiment in using video recordings and closed circuit television to stimulate social action in a poor Montreal neighbourhood. A citizen's committee filmed people's concerns and then played back the tapes for the community. Upon recognizing their common problems, people began to talk about joint solutions. It proved an important and effective method of promoting social change.
This fascinating documentary looks at obesity. Stockholm’s Dr. Stephan Rossner, an obesity specialist, proves beyond doubt that obesity is a man-made epidemic. Super-sized fast foods and a $12 billion ad industry are proving to be lethal when mixed with a car-dominated culture, urban sprawl and labour-saving technologies. This film was launched by the NFB and the CBC in partnership with the Heart and Stroke Foundation of Canada and Physical and Health Education Canada.
Toronto is the example used in this film, which deals not only with the mechanics of urban transportation, but also with many of the underlying political and economic tensions. Perhaps more important than any answers it offers, are the questions it raises.
The Zoo follows the parallel lives of a polar bear cub in a popular city zoo and a Chinese boy who visits him until they’re both in their twilight years.
Being young is tough, especially if you're Black, Latino, Arab or Asian. In a city like Montreal, you can get targeted and treated as a criminal for no good reason. Zero Tolerance reveals how deep seated prejudice can be. On one side are the city's young people, and on the other, its police force. Two worlds, two visions. Yet one of these groups is a minority, while the other wields real power. One has no voice, while the other makes life-and-death decisions.
When a policy of zero tolerance to crime masks an intolerance to young people of colour, the delicate balance between order and personal freedom is upset. A blend of cinéma vérité and personal testimonies, this hard-hitting film will broaden your mind and change your way of thinking. In French with English subtitles.