In the second installment, "Concrete" explores how, in New York City and globally, residential high-rises and public housing attempted to foster social equality in the 20th century. The film is narrated and directed by Katerina Cizek in collaboration with the New York Times em>.
In the first installment, "Mud" traces the historical roots of the residential highrise, from the biblical Tower of Babel to the tenement buildings of New York. The film is narrated by singer-songwriter Feist, and is directed by Katerina Cizek in collaboration with the New York Times em>.
In the final installment, "Home" consists of images from New York Times readers, who submitted personal pictures of their lives in high-rises from around the world. Montreal musician Patrick Watson wrote the music for the film.
In the third installment, "Glass" examines the recent proliferation of luxury condos and the growing segregation between the rich and poor. The film is narrated by the singer-songwriter of Cold Specks, and is directed by Katerina Cizek in collaboration with the New York Times em>.
This documentary examines the history and current reality of Toronto’s Flemingdon Park. Now a subsidized housing project, it was built in 1961 as a trendy urban utopia. A decade later it was sold, and Flemingdon became home to refugees and new immigrants. Once a model of urban planning, Flemingdon Park's flip side is a history of violence and racism that residents have fought to overcome. Yet despite challenges, the community succeeds in making people from around the world feel at home in a different kind of utopia–one where differences are celebrated and new visions are possible.
This short documentary examines the complex range of issues affecting urban transport in developing countries. After examining cost and available technology, as well as the different needs of the industrialized middle class and the urban poor, the film proposes some surprising solutions.
People, housing, funds and expertise: getting them together isn't easy, but it can be done. The film deals with the planning and procedures involved in setting up a co-op, whether that means building one, or buying and rehabilitating existing housing. People living in different kinds of co-ops talk about them, and how they function.
Featuring a diverse cast—including celebrated philosophers, trauma surgeons, factory workers, refugees, and politicians—What Is Democracy? connects past and present, emotion and the intellect, the personal and the political, to provoke and inspire. If we want to live in democracy, we must first ask what the word even means.
This short documentary affords us an unusual and privileged view of the old city of Jerusalem, before and after the redevelopment of certain key sectors took place in the early 1970s. The man appointed to try to reconcile the need for change with traditional values is Montreal architect Moshe Safdie. His plans, shown in scale models, are in harmony with ancient architecture and encompass the “innocent doorways” that lead from walled streets to pleasant courtyards.
The Eye Witness series is a collection of short documentaries featuring Canadian news stories from the 1940s and '50s. This segment includes Prairie Harbour: The Port of Flowing Grain, a look at the lakehead cities of Fort William and Port Arthur, funnelling centres for western grain on its way to world markets. In Modern Miracle: Surgery is Safe, the appendectomy of patient Henry Brown demonstrates the advances in modern medicine. Co-Op Carpenters: Home-Made Community illustrates the principles behind the cooperative housing program for veterans in Carleton Heights near Ottawa.
This Colin Low documentary from 1959 depicts Venice in all its splendor. In the tradition of Venetian painter Canaletto, the film captures the great Italian city’s elusive beauty and fabled landscapes, where spired churches and turreted palaces soar into a blue Mediterranean sky. Narration by William Shatner.