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645 Wellington

2002 54 min
Leaving soon

A stone's throw from downtown Montreal, quirky artists, blue-collar workers and unconventional families are being forced to leave their old neighbourhood as high-tech firms move in. Like in so many other cities, the tech companies arrive with the promise of a rosy future--but it's one built on demolitions, evictions and the conversion of low-rent property to high-priced condos. This is a portrait of one building and its residents--people like Constanzo 'Fartman' Manna, an eccentric shipper and packer who's headed for Chile to marry the love of his life and bring her back to Montreal; artist Luc Bourbonnais, who is fighting …

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645 Wellington

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A stone's throw from downtown Montreal, quirky artists, blue-collar workers and unconventional families are being forced to leave their old neighbourhood as high-tech firms move in. Like in so many other cities, the tech companies arrive with the promise of a rosy future--but it's one built on demolitions, evictions and the conversion of low-rent property to high-priced condos.

This is a portrait of one building and its residents--people like Constanzo 'Fartman' Manna, an eccentric shipper and packer who's headed for Chile to marry the love of his life and bring her back to Montreal; artist Luc Bourbonnais, who is fighting desperately to hold on to the loft that inspires so much of his art; and Cuban émigré Rolando Zambrano, who ran a neighbourhood snack bar for nearly 30 years.

Shot over a period of six months and set to a pulsing Latin and rock soundtrack, 645 Wellington not only opens a window onto the lives of the building's residents but brings the building itself to life. We come to know the dark hallways, the corners and the doorways. We get to know them well. Just as they are about to change, forever.

645 Wellington was produced as part of the Reel Diversity Competition for emerging filmmakers of colour. Reel Diversity is a National Film Board of Canada initiative in partnership with CBC Newsworld.
  • director
    Kaveh Nabatian
  • editor
    Maxime Chalifoux
  • cinematographer
    Ali Reggab
  • additional photography
    Allan Edgar
    Costanzo Manna
    Alex Margineanu
    Kaveh Nabatian
    Peter Pons
    Ève-Barbara Robidoux
    Shannon Walsh
  • stills photographer
    Rawi Hage
  • sound recordist
    Marco Fania
  • additional sound
    Danny Fania
  • production assistant
    Robert Yates
    Philippe Blanchard
    Nahani Grenier
  • sound editor
    Marco Fania
  • music editor
    Kaveh Nabatian
  • music consultant
    Rich Parry
  • online editing
    Sylvain Desbiens
  • digital editing technician
    Danielle Raymond
  • title design
    Louise Overy
  • post-production co-ordinator
    Claude Cardinal
  • studio clerk
    Evelyn Reid
    Sia Koukoulas
  • program administrator
    Nickie Merulla
    Marie Tonto-Donati
  • associate producer
    Ravida Din
  • producer
    Germaine Ying Gee Wong
  • executive producer
    Sally Bochner

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Education

Ages 13 to 18
School subjects

Warning: Borderline nudity; woman is shown with only nipples and genitalia (barely) covered. 

Lesson Launcher: This film is an abstract look at the impact of gentrification on residents in a loft commercial/residential building in Montreal. 

Overview Questions: 

  • Describe how the different lofts have been divided into residential and “commercial” spaces. 
  • What types of art are presented in this film? What influence might their physical space have on their art? 
  • As gentrification has taken place, what evidence is there that the neighbourhood has changed?  
  • What evidence is there that the internet companies that are moving in are “killing the neighbourhood for the sake of profit?” 

Follow up Activities 

  • Read the Ottawa Citizen article “From east to west, Canadians confront gentrification”  
  • Research the gentrification of artist spaces and the effect gentrification has on artist and/or low-income communities.  
  • Investigate which levels of government are responsible for gentrification using examples from the article above. 
645 Wellington
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