In a series of captivating encounters, several young people try to find the ideal roommate, that rare gem with whom they can share their space—and their values. A complex and engaging picture of a generation accustomed to playing all their identity cards, Living Together maps a mosaic of cultures and ideas, with explorations of community, individualism and the right to housing in constant interplay.
Inside a shelter, participants in a talking circle share their experiences of intimate partner violence as a way to regain their dignity and strength to act. Powerfully empathetic, Afterwards creates a space of sisterhood and solidarity—a chorus of voices breaking down the walls of silence.
Danielle Sturk tackles the thorny issue of sexual violence against teens by boldly asking: Why? Young men, witnesses to the prevailing culture, and young women survivors of sexual assault share their personal reflections in the hopes of sparking the dialogue needed to end gender-based violence. Because things only change when people start talking and taking action.
A compelling call for justice, Stolen Time follows charismatic elder rights lawyer Melissa Miller as she takes on the corporate for-profit nursing-home industry—an industry notorious for its lack of transparency and accountability. As the legal battle unfolds, families, frontline caregivers and change-makers chronicle an urgent crisis with ramifications—and inspiration—for us all.
With candor, humour and courage, a group of African-Canadian women challenge cultural taboos surrounding female sexuality and fight to take back ownership of their bodies. Combining her own journey with personal accounts from some of her radiant, endearing friends, co-director Habibata Ouarme explores the phenomenon of female genital mutilation and the road to individual and collective healing, both in Africa and in Canada.
In A Quiet Girl, adopted Montreal filmmaker Adrian Wills discovers, on camera and in real time, the startling truths of his complex beginnings in Newfoundland. Shocking details drive Wills to the core of his birth mother’s resilience, and ultimately his own. In this moving feature documentary that combines 16mm footage and contemporary images with deeply personal conversations, Wills’ voyage transforms from an urgent search for identity into a quest to give a quiet girl her voice.
At a critical moment in the history of the written word, as humanity’s archives migrate to the cloud, one filmmaker goes on a journey around the globe to better understand how she can preserve her own Romanian and Armenian heritage, as well as our collective memory. Blending the intellectual with the poetic, she embarks on a personal quest with universal resonance, navigating the continuum between paper and digital—and reminding us that human knowledge is above all an affair of the soul and the spirit.
In this Mathieu Fournier documentary on the first viral phenomenon of the digital age, Ghyslain Raza (the “Star Wars Kid”) breaks his silence and reflects on his story for the first time. In doing so, he also explores our collective experience living in an online world in which we have to make peace with our digital shadows.
The Perfect Story offers a riveting, intimate look at the ethical and moral challenges sparked by the relationship between a foreign correspondent and a young Somali refugee. By revealing the boundaries of journalism and filmmaking, the film questions what stories are told, why, and who gets to tell them.
More than a decade after the worldwide financial crisis of 2007–08, what does globalization mean today? Filmmaker-philosopher Jean-Daniel Lafond takes us behind the scenes of the International Economic Forum of the Americas, a massive annual gathering at which economists, financiers and politicians hold forth on the key issues of the day. Featuring first-hand testimonials by nearly two dozen influential men and women, The End of Certainties unfolds as a multi-voice meditation on the state of the world. This observational documentary offers a cogent assessment of globalization—and its ideals, disillusionment, fears and hopes—and the quest for a new humanism, characterized by greater inclusiveness and fairness.
WARNING: This film discusses the topic of childhood sexual assault. Viewer discretion is advised.
Why be silent about the most serious matters? Doesn’t silence perpetuate suffering? From the 1950s to the 1980s, Catholic priests sexually abused many young boys in the francophone towns of New Brunswick. These scandals only came to light when the victims were in their fifties, provoking shock and outrage in the media and the public. Why did the affected communities keep silent so long, preferring secrecy to justice and truth? Profiting from their positions of influence to impose a “pious silence” on their parishioners, authority figures built an abusive system that tells us as much about the type of oppression specific to the Acadian population as it does about the blanket denials issued by the Catholic Church. Called to confront the power of this collective silence, veteran filmmaker Renée Blanchar meets with survivors in an attempt to untangle the deeply rooted reasons for this secrecy. With The Silence, she takes us as close as she can to the humanity of these broken men, revealing the forces that, today as in the past, have the power to unite or divide Acadian communities.
The phenomenon of perinatal grief has largely gone unrecognized; parents who live through the experience frequently find themselves isolated, with no resources to support them. Co-directed by Samuel-A. Caron and France Gallant, Moments of Life breaks the silence on this sensitive subject. We follow a group of bereaved parents who organize to offer support in their region, driven by a determination to reduce isolation. This film is both a conversation-starter and a source of hope and inspiration.
What is fatphobia and what can be done to overcome it? With poetic illustrations and painful, compelling testimony, Tales of Ordinary Fatphobia offers multiple examples of the psychological effects of weight-based discrimination and bullying on adolescent girls.
Into the Light features the liberating life stories and powerful words of inspiring Quebec women of African origin who’ve regained control over their lives after suffering from domestic violence. The film transcends prejudice and breaks the silence, pulling back the curtain on a poorly understood, hidden world, while testifying to the tremendous power that comes from overcoming isolation and accepting one’s self. It’s a luminous dive into the quest for personal healing and universal humanity. This is Togo-born director Gentille M. Assih’s third documentary. If you’re at risk, here’s how to watch the film more privately. First, close this page and clear your browsing history. Next, open a new private window (instead of simply opening a new window) and paste this address into the private window: https://www.nfb.ca/film/into-the-light/. This will prevent the film’s page from appearing in your browsing history.
Set in the lush Haitian countryside as well as the icy landscapes of Quebec, Will Prosper’s documentary Kenbe la, Until We Win chronicles the inspiring journey of Alain Philoctète, an artist and activist who dreams of developing a permaculture project in his native country even as he fights an ongoing battle with cancer.
In 1937, tens of thousands of Haitians and Dominicans of Haitian descent were exterminated by the Dominican army on the basis of anti-black racism. Fast-forward to 2013: the Dominican Republic’s Supreme Court stripped the citizenship of anyone with Haitian parents, retroactive to 1929, rendering more than 200,000 people stateless. Director Michèle Stephenson’s new documentary follows the grassroots campaign of a young attorney named Rosa Iris, as she challenges electoral corruption and fights to protect the right to citizenship for all people.
When an extraordinary new resident – Balakrishna, an Indian elephant – arrived in the town of East River, Nova Scotia, in 1967, no one was more in awe of the creature than young Winton Cook, who became inseparable from his mammoth new friend. Using painterly animation, photographs and home-movie treasures, Balakrishna transmits the wistfulness of childhood memories, while evoking themes of friendship and loss, and issues of immigration and elephant conservation.
This short documentary offers an Indigenous perspective on the devastating experience of searching for a loved one who has disappeared. Volunteer activist Kyle Kematch and award-winning writer Katherena Vermette have both survived this heartbreak and share their histories with each other and the audience. While their stories are different, they both exemplify the beauty, grace, resilience, and activism born out of the need to do something.
On August 9, 2016, a young Cree man named Colten Boushie died from a gunshot to the back of his head after entering Gerald Stanley’s rural property with his friends. The jury’s subsequent acquittal of Stanley captured international attention, raising questions about racism embedded within Canada’s legal system and propelling Colten’s family to national and international stages in their pursuit of justice. Sensitively directed by Tasha Hubbard, nîpawistamâsowin: We Will Stand Up weaves a profound narrative encompassing the filmmaker’s own adoption, the stark history of colonialism on the Prairies, and a vision of a future where Indigenous children can live safely on their homelands.
Conviction envisions alternatives to prison through the eyes of women behind bars and those fighting on the front lines of the decarceration movement. Not another ‘broken prison’ film, this collaboration is a ‘broken society’ film—an ambitious and inspired re-build of our community, from the inside out. The film compels viewers to examine why we imprison the most vulnerable among us, and at what cost.
A conservative Indo-Canadian family in small-town British Columbia must come to terms with a devastating secret: three sisters were sexually abused by an older relative beginning in their childhood years. After remaining silent for nearly two and a half decades, the sisters finally decide to come forward—not only to protect other young relatives, but to set an example for their daughters as well.
Some grapple with the challenge of treating other human beings decently. Others are just… assholes, claims Professor Aaron James in his New York Times bestselling book, Assholes: A Theory. This intellectually provocative film takes a playful approach to uncovering why asshole behaviour is on the rise in the workplace, in government, and at home.
When death haunts a high school in a small town in the late 1990s, everyone is forever transformed. In this gentle, prismatic film, Samara returns to the town she fled as a teen to re-immerse herself in the memories still lurking there, in its spaces and within the dusty boxes of diaries, photos and VHS tapes. 1999 is not a ghost story, but the ghosts are palpable at every turn. The snow-covered streets, the school’s hallways and lockers are preserved as in a dream. The absences left by the relentless teenage suicides still shimmer with questions, trauma and regret. Samara encounters people who are as breathtaking as they are heartbroken, and, finally, 16 years later, the community strengthens itself by sharing the long-silenced memories. Ultimately the film weaves together multiple voices in a collective essay on how grief is internalized—and how, as children, we so painfully learn to articulate our desire to stay alive.
While walking on the street one night in a small town in Canada, Scott Jones, a gay musician, is attacked and paralyzed from the waist down; what follows is a brave and fragile journey of healing and the transformation of a young man’s life. From the first raw moments in the hospital to a disquieting trip back to the place he was attacked, Scott is constantly faced with the choice of losing himself in waves of grief or embracing love over fear. Filmed over three years by Scott’s close friend, Love, Scott is an intimate and visually evocative window into queer experience, set against a stunning score by Sigur Rós.
Featuring a diverse cast—including celebrated philosophers, trauma surgeons, factory workers, refugees, and politicians—What Is Democracy? connects past and present, emotion and the intellect, the personal and the political, to provoke and inspire. If we want to live in democracy, we must first ask what the word even means.
Our People Will Be Healed, Alanis Obomsawin’s 50th film, reveals how a Cree community in Manitoba has been enriched through the power of education. The Helen Betty Osborne Ininiw Education Resource Centre in Norway House, north of Winnipeg, receives a level of funding that few other Indigenous institutions enjoy. Its teachers help their students to develop their abilities and their sense of pride.
Over five years, acclaimed filmmaker Andrea Dorfman follows the heartbreaking yet uplifting story of the girls of Meru and their brave steps toward meaningful equality for girls worldwide. In Kenya, one in three girls will experience sexual violence before age 18, yet police investigations are the exception. In The Girls of Meru, a multinational team led by Canadian lawyer Fiona Sampson and Tumaini Shelter head Mercy Chidi Baidoo builds the case of 11 girls to pursue an unheard of legal tactic. Together they created legal history.
In Picture This, a new documentary by Jari Osborne, we meet Andrew Gurza, a self-described “queer cripple” who has made it his mission to make sex and disability part of the public discourse.
The Dispossessed examines the global food crisis from the viewpoint of farmers in various countries, exploring how their situation relates to the economic crisis, rural exodus, and dwindling natural resources.
Céline Baril’s latest film takes us across three continents on a quest driven by a simple yet original idea: to shine a spotlight on the inimitable Davids of this world. The 24 Davids in this film are of varying ages and professions, ranging from cosmologist to recycler; together, they construct a playful “ecosystem” of ideas that touches on every sphere of knowledge and carries within it the power to radically transform. 24 Davids offers a melting pot of heady thoughts and politics in a refreshingly freewheeling cinematic format, probing the mysteries of the universe and the challenges of living together.
This short documentary follows several refugee families during their first 19 days in Canada, as they navigate an unfamiliar terrain that has suddenly become their home. Located in the quiet Calgary neighbourhood of Bridgeland, the Margaret Chisholm Resettlement Centre is the starting point for government-assisted refugees who arrive in the city. During the 19-day timeline established by the federal government, an initial assessment is done and refugees are assisted with everything from airport reception and orientation to referrals, documents, and counselling.
19 Days reveals the human side of the refugee resettlement process. A unique look at the global migration crisis and one particular stage of asylum, it lays plain the realities faced on the difficult road towards integration.
Theater of Life captures the remarkable story of how renowned chef Massimo Bottura, joined by 60 of the world’s top chefs, transformed food destined for the dumpster into delicious and nutritious meals for Italy’s hungriest residents—refugees, recovering addicts, former sex workers, and other disadvantaged people. A visual feast in itself, the film puts a human face on its powerful message of social justice and the environmental impact of food waste.
Hunting mangoes in Bali, elusive rare durian in Borneo, scouring Renaissance paintings for ancient, lost figs, uncovering the secrets of taste-bud-altering Miracle Fruit: The Fruit Hunters tells a story of adventure, desire and obsession.
This feature documentary tells the stories of 5 asylum seekers who flee their native countries to escape homophobic violence. They face hurdles integrating into Canada, fear deportation and anxiously await a decision that will change their lives forever.
In Sainte-Anne-du-Bocage in Caraquet, New Brunswick, Acadian artists Renée Blanchar, France Daigle, René Cormier and Allain Roy launch several community projects to bring back the former Youth Club built by Acadie’s first architect, Nazaire Dugas.
This feature documentary delves into the rich history of Canadian queer women’s experiences in the mid-20th century. Compelling, often hilarious and always rebellious, the women interviewed in this film recount stories about their search for the places where openly gay women gathered in urban centres. Contemporary interviews, archival footage, and a stylized fictional narrative based on the pulp novels of the 1950s are woven throughout this simultaneously funny, heartbreaking, and empowering film. Forbidden Love brings an important and empowering history of lesbian sexuality in Canada out of the closet.
This short documentary transports us to the Saint-Félicien racetrack, where engines are running hot and excitement has reached a fever pitch. With its thunderous soundtrack, jarring backfires and choking clouds of smoke, Martin Bureau's Hell Runs on Gasoline!takes us deep inside a chaotic battle to the finish. Race cars hit the track, accidents pile up and the flames of burning engines wreak havoc - an infernal vision that soon dissipates into an eerily silent cemetery of abandoned carcasses.
Part love story, part international thriller, and a gripping chronicle of an unprecedented media and sociological hoax, this feature documentary travels from San Francisco and Washington to Istanbul, Tel Aviv and Beirut in a quest to reveal the true identity of the person behind the popular blog A Gay Girl in Damascus. Who is this Syrian-American revolutionary who goes by the name of Amina Arraf? Not even Montrealer Sandra Bagaria, with whom Amina is carrying an online affair, seems to know for sure. As the Syrian uprising gains momentum, the blog attracts a huge following. But it’s Amina’s subsequent abduction that sparks an international outcry to free her. Telling a detective story that involves various intelligence agencies and top-tier global media, the film tells a thoroughly modern tale of technology, love and news-as-spectacle questions the ways in which people connect in today’s virtual world.
Grassroots in Dry Lands tells the story of three unconventional social workers united by a common vision that transcends the antagonisms between their countries. Nuha, from Nablus (Occupied Palestinian Territories), Talal, from East Amman (Jordan), and Amit, from Sderot (Israel) are empowering some of the region’s most disenfranchised, war-scarred communities in an effort to build a just and civil society.
In this feature-length documentary from Alanis Obomsawin, the filmmaker returns to the village where she was raised to craft a lyrical account of her own people. After decades of tirelessly recording others' stories, she focuses this film on her own.
Produced by the National Film Board of Canada and the New York Times, A Short History of the Highrise is an interactive documentary that explores the 2,500-year global history of vertical living and the issue of social equality in an increasingly urbanized world.
The centerpiece of the project is four short films. The first three (Mud, Concrete and Glass) draw on the New York Times’ extraordinary visual archives, a repository of millions of photographs that, for the most part, have not been seen in decades. Each film is intended to evoke a chapter in a storybook, with rhyming narration and photos brought to life through intricate animation. The fourth chapter (Home) comprises images submitted by the public and set to music. The interactive experience incorporates the films and, like a visual accordion, allows viewers to dig deeper into the project’s themes through additional archival materials, text and microgames.
In the final installment, "Home" consists of images from New York Times readers, who submitted personal pictures of their lives in high-rises from around the world.
Montreal musician Patrick Watson wrote the music for the film.
In the first installment, "Mud" traces the historical roots of the residential highrise, from the biblical Tower of Babel to the tenement buildings of New York.
The film is narrated by singer-songwriter Feist, and is directed by Katerina Cizek in collaboration with the New York Times.
In the third installment, "Glass" examines the recent proliferation of luxury condos and the growing segregation between the rich and poor.
The film is narrated by the singer-songwriter of Cold Specks, and is directed by Katerina Cizek in collaboration with the New York Times.
In the second installment, "Concrete" explores how, in New York City and globally, residential high-rises and public housing attempted to foster social equality in the 20th century.
The film is narrated and directed by Katerina Cizek in collaboration with the New York Times.
Julia Kwan’s feature-length documentary Everything Will Be captures a significant moment of time in Vancouver’s Chinatown, with the influx of condos and new, non-Chinese businesses. The film follows a year in the life of several Chinatown denizens, including a 90-year-old Chinese newspaper street vendor and a second-generation tea shop owner, as they navigate this community in flux.