The Dispossessed examines the global food crisis from the viewpoint of farmers in various countries, exploring how their situation relates to the economic crisis, rural exodus, and dwindling natural resources.
In this documentary, crop and animal farmers in Quebec, the Canadian West, the US Northeast and France offer solutions to the social and environmental scourges of factory farming. Driven by the forces of globalization, rampant agribusiness is harming the environmemt and threatening the survival of farms. The proliferation of GMO crops is a further threat to biodiversity as well as to farmers' autonomy. In Europe as well as North America, a current of resistance bringing together farmers and consumers insists that it is possible - indeed imperative - to grow food differently.
More than a decade after the worldwide financial crisis of 2007–08, what does globalization mean today? Filmmaker-philosopher Jean-Daniel Lafond takes us behind the scenes of the International Economic Forum of the Americas, a massive annual gathering at which economists, financiers and politicians hold forth on the key issues of the day. Featuring first-hand testimonials by nearly two dozen influential men and women, The End of Certainties unfolds as a multi-voice meditation on the state of the world. This observational documentary offers a cogent assessment of globalization—and its ideals, disillusionment, fears and hopes—and the quest for a new humanism, characterized by greater inclusiveness and fairness.
Set to beautiful, pastoral images, We Are What We Eat introduces us to people bringing together their love of good food and passion for environmental protection. We meet wheat and strawberry producers, along with a wine grower and a chef — each doing things at their own pace, while resisting the demands of agribusiness.
This documentary from 1945 explains The Veteran's Land Act, which provided for low-cost loans to veterans who wished to purchase properties and re-establish themselves in Canada after the war. The loans were for properties ranging from town lots to full-scale farms. The Act also provided aid in purchasing farm machinery, fishing boats, building materials and livestock. Produced by the NFB for the Canadian Department of Veterans Affairs.
Some dreamers have the power to inspire us, bring us together, and help us reconnect with our humanity. Alain Philoctète, a Haitian artist and activist who settled in Quebec, returns to the country of his birth to develop a permaculture project with local farmers. There, he has an emotional reunion with family members and his former comrades in arms, whose ideals remain unshaken despite the lingering aftermath of the 2010 earthquake and political instability. However, Alain, who is suffering from cancer, has to undergo treatment in Montreal, where his loved ones provide the same degree of affection and solidarity as he receives in Haiti. Director Will Prosper films this inspiring dreamer on his hopeful quest, chronicling the challenges of exile and illness with the personal, knowing touch of a longtime friend. With a rich score composed by Jenny Salgado, Kenbe la, Until We Win offers a cinematic journey that will move viewers to ponder the importance of embracing ideals and passing them on.
In 1937, tens of thousands of Haitians and Dominicans of Haitian descent were exterminated by the Dominican army on the basis of anti-black racism. Fast-forward to 2013: the Dominican Republic’s Supreme Court stripped the citizenship of anyone with Haitian parents, retroactive to 1929, rendering more than 200,000 people stateless. Director Michèle Stephenson’s new documentary follows the grassroots campaign of a young attorney named Rosa Iris, as she challenges electoral corruption and fights to protect the right to citizenship for all people.
Celebrate Black Canadian cinema with the NFB. Explore our collection of films from Black filmmakers across Canada.
This short documentary from The Grasslands Project explores the struggles of small Prairie farms. “These small farms are a thing of the past,” laments Herb Pidt, whose family homesteaded on this land in the 1920s. The Pidt family scraped a living out of these harsh, dry prairies and, though poor, always managed to put food on the table. But that era has come to an end, and, as Herb touchingly explains, he’s the last one on the farm and there’s no one left to keep the home place together.
On August 9, 2016, a young Cree man named Colten Boushie died from a gunshot to the back of his head after entering Gerald Stanley’s rural property with his friends. The jury’s subsequent acquittal of Stanley captured international attention, raising questions about racism embedded within Canada’s legal system and propelling Colten’s family to national and international stages in their pursuit of justice. Sensitively directed by Tasha Hubbard, nîpawistamâsowin: We Will Stand Up weaves a profound narrative encompassing the filmmaker’s own adoption, the stark history of colonialism on the Prairies, and a vision of a future where Indigenous children can live safely on their homelands.
Economist Armine Yalnizyan offers a radically honest and deliciously sweet review of our absurdly dysfunctional economic system and what we must do in order to survive and thrive in the 21st century.
Listen to the full audio interview with Armine Yalnizyan
Part of THE CURVE, a collection of social distancing stories that bring us together. Enjoy more works from this series here .
Featuring a diverse cast—including celebrated philosophers, trauma surgeons, factory workers, refugees, and politicians—What Is Democracy? connects past and present, emotion and the intellect, the personal and the political, to provoke and inspire. If we want to live in democracy, we must first ask what the word even means.