Mexico Today

For decades, Colombia has ranked first among countries in the number of social leaders assassinated. From 2002 to 2009, more than 470 leaders were killed by paramilitary militias in the pay of companies ready to do anything to crush the unions. Among these unscrupulous corporate brands were bottling plants of Coca-Cola company products.

These unpunished crimes spur U.S. activists Dan Kovalik, Terry Collingsworth and Ray Rogers into an ambitious crusade against the soft drink giant, accusing them of turning a blind eye to the misdeeds brought to their attention. By following the relentless efforts of this unshakeable trio, The Coca-Cola Case takes us on a fascinating legal road-movie, against a backdrop of denunciation campaigns claiming: Stop Killer Coke!

After five years of struggle, will Coca-Cola yield in the end? And on the verge of a settlement, what will the victims choose—cash, or power and integrity?

In 1937, tens of thousands of Haitians and Dominicans of Haitian descent were exterminated by the Dominican army on the basis of anti-black racism. Fast-forward to 2013: the Dominican Republic’s Supreme Court stripped the citizenship of anyone with Haitian parents, retroactive to 1929, rendering more than 200,000 people stateless. Director Michèle Stephenson’s new documentary follows the grassroots campaign of a young attorney named Rosa Iris, as she challenges electoral corruption and fights to protect the right to citizenship for all people.

Celebrate Black Canadian cinema with the NFB. Explore our collection of films from Black filmmakers across Canada.

Inspired by the people and landscape of Colombia's Banana Zone, Nobel Prize-winning author Gabriel Garcia Marquez created the Buendia family and the village of Macondo, placing them at the centre of his acclaimed novel, One Hundred Years of Solitude. Among the events described in Marquez' novel is the 1928 Banana Strike and the subsequent murder of 3 000 banana workers by the Colombian Army. My Macondo sets out in search of Marquez' legendary village and the truth behind that incident. Is the fictional village of Macondo a real place with a real history? Did the slaughter of the strikers actually take place? In trying to answer these questions, My Macondo explores the nature of history and myth, and poses questions about fiction and truth.

Some phone calls can turn your life upside down. That's what happened to filmmaker Germán Gutiérrez when he got a call from Colombia informing him there had just been an assassination attempt on his older brother Oscar, a political activist hated by the establishment but adored by the disenfranchised. In this film, Germán Gutiérrez, who has been living in Montreal for the past thirty years, recounts his quest to find the hired gunmen who tried to kill Oscar, and also to expose the roots of the violence that has taken hold of his native country.

Between March and October 2000, millions of people around the world took to the streets to denounce poverty and violence against women. The historic World March of Women was a bold initiative of the Québec Federation of Women and represented a turning point in global solidarity.

Director Sophie Bissonnette invited five filmmakers from around the world to cover the march. She also asked each one to film an innovative project. In Senegal a community battles female genital mutilation through education. In Australia a women's circus teaches survivors of sexual assault to become skilled performers. In India a group of low-caste women mediate domestic disputes in informal women's courts. Native women in Ecuador offer leadership training programs to create women leaders. In the United States, Linda Carney describes why she founded Survival Inc. for poor women in Boston: this wealthy city refused her and her son welfare benefits unless she quit her minimum-wage job.

Set against the backdrop of a song, A Score for Women's Voices ends at the UN, where women deliver 5 million cards signed during the marches. Their goal? To change the world!

Some subtitles.

In this film, Jack Scott, a Vancouver newspaper columnist, visits Bolivia, South America, to bring us a report on conditions in that country and on the technical assistance program undertaken in the late 1950s by member countries of the United Nations, including Canada. We hear from Canada's Dr. Hugh Keenleyside, who headed a U.N. Commission, and from specialists from other countries who are helping to create a new economy for Bolivia.

This film brings a report from Jack Scott, a Vancouver newspaper columnist, about a United Nations-sponsored migration program in Bolivia in which icampesinos r--tin miners of the Andes mountains--are being moved from the desolate Altiplano to more fertile lowlands. We hear most of the story from one of the miners who describes the skepticism with which his people first met the ideas and what it eventually came to mean to them in terms of new dwellings, land to cultivate, and work to support their families.

This documentary from Min Sook Lee (Tiger Spirit) follows a poverty-stricken father from Central Mexico, along with several of his countrymen, as they make their annual migration to southern Ontario to pick tomatoes. For 8 months a year, the town's population absorbs 4,000 migrant workers who toil under conditions, and for wages, that no local would accept. Yet despite a fear of repercussions, the workers voice their desire for dignity and respect.

This feature-length documentary from 1974 takes viewers inside Fidel Castro's Cuba. A movie-making threesome hope that Fidel himself will star in their film. The unusual crew consists of former Newfoundland premier Joseph Smallwood, radio and TV owner Geoff Stirling and NFB film director Michael Rubbo. What happens while the crew awaits its star shows a good deal of the new Cuba, and also of the three Canadians who chose to film the island.

In this feature documentary, a Chilean filmmaker returns to the motherland for the first time in 23 years. Time is passing. A generation of young Chileans has grown up with no knowledge of the facts surrounding the military coup of September 11, 1973. In his suitcase, The Battle of Chile his 3-part cinéma vérité chronicle of the political tensions in Chile in 1973 and of the violent counterrevolution against the democratically elected government of Salvador Allende. His documentary toured the world but was never seen in Chile. Discreetly, he shows it to his friends and a small group of students. After the screening, the young people are in a state of shock. They have an urgent need to know the truth, for it is they who must build the Chile of tomorrow. In Spanish with English subtitles

Five centuries after the "discovery" of America by the Europeans, the Indigenous Peoples of Guatemala and Bolivia affront difficult times. What is left of their culture? What will their future hold?