Waiting for Raif

For decades, Colombia has ranked first among countries in the number of social leaders assassinated. From 2002 to 2009, more than 470 leaders were killed by paramilitary militias in the pay of companies ready to do anything to crush the unions. Among these unscrupulous corporate brands were bottling plants of Coca-Cola company products.

These unpunished crimes spur U.S. activists Dan Kovalik, Terry Collingsworth and Ray Rogers into an ambitious crusade against the soft drink giant, accusing them of turning a blind eye to the misdeeds brought to their attention. By following the relentless efforts of this unshakeable trio, The Coca-Cola Case takes us on a fascinating legal road-movie, against a backdrop of denunciation campaigns claiming: Stop Killer Coke!

After five years of struggle, will Coca-Cola yield in the end? And on the verge of a settlement, what will the victims choose—cash, or power and integrity?

Feminism has shaped the society we live in. But just how far has it brought us, and how relevant is it today? This feature documentary zeroes in on key concerns such as violence against women, access to abortion, and universal childcare, asking how much progress we have truly made on these issues. Rich with archival material and startling contemporary stories, Status Quo? uncovers answers that are provocative and at times shocking.

Against the backdrop of the camera’s meditative wandering through the places that created Quebec, Where the Land Ends explores and questions the historical narrative, as a group of young people who were not old enough to vote in the 1995 referendum express their views. They seem to have decided, on their own, to create a new “Terre des Hommes” (Man and His World).

The people of the Attawapiskat First Nation, a Cree community in northern Ontario, were thrust into the national spotlight in 2012 when the impoverished living conditions on their reserve became an issue of national debate. With The People of the Kattawapiskak River, Abenaki director Alanis Obomsawin quietly attends as community members tell their own story, shedding light on a history of dispossession and official indifference. “Obomsawin’s main objective is to make us see the people of Attawapiskat differently,” said Robert Everett-Green in The Globe & Mail. “The emphasis, ultimately, is not so much on looking as on listening—the first stage in changing the conversation, or in making one possible.” Winner of the 2013 Donald Brittain Award for Best Social/Political Documentary, the film is part of a cycle of films that Obomsawin has made on children’s welfare and rights.

Also available on the Alanis Obomsawin, A Legacy DVD box set

Online release: November 30, 2012 The Algonquin once lived in harmony with the vast territory they occupied. This balance was upset when the Europeans arrived in the 16th century. Gradually, their Aboriginal traditions were undermined and their natural resources plundered. Today, barely 9,000 Algonquin are left. They live in about 10 communities, often enduring abject poverty and human rights abuses. These Aboriginal people are suffering the threat to their very existence in silence. Richard Desjardins and Robert Monderie have decided to sound the alarm before it's too late.

In 1937, tens of thousands of Haitians and Dominicans of Haitian descent were exterminated by the Dominican army on the basis of anti-black racism. Fast-forward to 2013: the Dominican Republic’s Supreme Court stripped the citizenship of anyone with Haitian parents, retroactive to 1929, rendering more than 200,000 people stateless. Director Michèle Stephenson’s new documentary follows the grassroots campaign of a young attorney named Rosa Iris, as she challenges electoral corruption and fights to protect the right to citizenship for all people.

Celebrate Black Canadian cinema with the NFB. Explore our collection of films from Black filmmakers across Canada.

The Perfect Story offers a riveting, intimate look at the ethical and moral challenges sparked by the relationship between a foreign correspondent and a young Somali refugee. By revealing the boundaries of journalism and filmmaking, the film questions what stories are told, why, and who gets to tell them.

This full-length documentary tells the story of modern Korea, a nation divided in half. The psychic scar shared by families divided during the Korean War in the 1950s is symbolized by the Demilitarized Zone (DMZ) dividing communist North from capitalist South. Along this infamous border, filmmaker Min Sook Lee begins an emotion-charged journey into Korea’s broken heart, exploring the rhetoric and realism of reunification through the extraordinary stories of ordinary people. An eloquent tale of longing and hope, Tiger Spirit is an unforgettable portrait of Korea at a crossroads.

In this feature-length documentary, filmmaker Patricio Henriquez seeks to untangle the web of lies surrounding the Chilean navy's training vessel, the Esmeralda. Heralded as a symbol of national pride, a dark secret lies behind the facade of the ship the Chileans call The White Lady: Following the 1973 coup d'état, it was used as a floating prison. Thirty years later, the victims of the dictatorship are demanding justice. The Dark Side of the White Lady is a fascinating journey to uncover the truth.

High Wire examines the reasons that Canada declined to take part in the 2003 US-led military mission in Iraq, shining a spotlight on the diplomatic tug of war that took place behind the scenes with our neighbours to the south, who have often adopted an interventionist foreign policy to serve their own economic and geopolitical interests. Canada’s historic refusal could have had disastrous consequences, but a number of key players and other analysts remind us of the terrible price we pay when diplomacy fails.

This short documentary offers an Indigenous perspective on the devastating experience of searching for a loved one who has disappeared. Volunteer activist Kyle Kematch and award-winning writer Katherena Vermette have both survived this heartbreak and share their histories with each other and the audience. While their stories are different, they both exemplify the beauty, grace, resilience, and activism born out of the need to do something.