Pour tout dire - Junior 1

This short documentary focuses on a Montreal public school where thousands of immigrant children learn English for the first time. Part of the Candid Eye series.

An adaptation of Louise Dupré’s acclaimed book of poetry, Higher Than Flames Will Go is a moving meditation on the vital importance of taking care of our children, a task that remains essential to humanity’s salvation.

Uprooted at age 5 or 6 to study in White schools, the children of the Wemotaci community are now scarred adults trying to recover their Atikamekw identity.

Since 2004, Wapikoni Mobile has been giving young Aboriginals the opportunity to speak out using video and music. This short documentary was made with the guidance of these travelling studios and is part of the 2007 Selection - Wapikoni Mobile DVD.

This animated short is a take on the "As Seen on TV" commercials, or the K-Tel ads of yesteryear. In this parody version, the ad attempts to sell an electronic device that allows one to speak fluent, effortless French.

Please note that this film was produced in 1979 and reflects certain attitudes and thinking of its era. The last scene of the film includes negative stereotyping of Jews living in Quebec. These stereotypes were wrong then and are wrong now. While the film does not represent today’s views as perspectives of Canadians (and the NFB) have evolved and we have become more conscious regarding issues of discrimination and minority rights, the film is presented in its original version because to do otherwise would be the same as claiming these stereotypes never existed.

This short fiction film about a young boy torn between conflicting loyalties is resolved with humour and wisdom. Sunday, 2 o'clock, is zero hour for Gaston. He must be in two places at once: performing at a music recital and playing hockey with his teammates. What is Gaston to do?

In the Kitcisakik community, the Algonquin language is dying out, just four generations after the federal government's assimilation policy came into effect.

Since 2004, Wapikoni Mobile has been giving Indigenous youth the opportunity to speak out using video and music.

Every child's favourite adventure story comes to life in a lavishly illustrated poem by Robert W. Service. Using camera-animated artwork by Yukon artist Ted Harrison, this production is designed to introduce the rich world of Canadian literature in an entertaining way and give students a good foundation for the appreciation of art.

The story of a prince who leaves school after his grade one graduation thinking he knows all there is to be happy. When he has grown up he meets Cinderella at his birthday party ball, but when she loses her glass slipper he cannot read her name on it. Thinking her name is "Umbrella" he searches far and wide shouting "Has anybody seen my Umbrella". After timely intervention of the prince's fairy godmother they are united. They get married and spend their honeymoon in grade two. Based on the popular children's book Has Anybody Seen My Umbrella by Max Ferguson.

This film interview affords a glimpse of a bold and learned mind illuminating important social issues. Responding to questions on the related topics of language, democracy, and the role of the modern university, acclaimed literary critic Northrop Frye explains why education is crucial: "A democracy cannot function without articulate citizens." Frye claims that the university is a place where individual liberty becomes possible, as students learn to question beliefs imposed by society. For Frye, reading and writing are "instruments of freedom."

This is a look at the daily life of a young couple. Both wife and husband suffer from cerebral palsy. Although every movement is made with effort, and every day is a struggle, they choose, instead of dependence on others, to marry, to have a child and to derive strength and courage from each other. By showing their problems, their needs and their hopes, this film reaches out for greater public understanding and acceptance of the physically disabled in our midst.

An animated film based on Stephen Leacock's witty account of a young man's first brush with banking. When he tries to make his deposit, he is so intimidated by the institution that nothing he says comes out right.