Réalisé par Léa Pool, ce long métrage documentaire explique comment la réalité dévastatrice du cancer du sein, que les experts en marketing considèrent comme une « cause de rêve », est occultée par la brillante histoire à succès du petit ruban rose. Le cancer du sein est devenu l’enfant chéri du marketing social. Des milliers de gens marchent, courent et consomment pour appuyer la cause. Chaque année, on amasse des millions de dollars au profit de la lutte au cancer du sein. Mais où va réellement tout cet argent et à quoi sert-il exactement?
Marguerite Paquin lives in a seniors’ home where 14 nuns from her religious congregation have succumbed to COVID-19. The film takes us from the grandeur of the landscapes of Côte-Nord, Quebec, where Marguerite has worked for 47 years, into the room where she sits confined today, finding a sort of liberation through prayer and unshakeable solidarity with her sisters who are suffering.
This documentary focuses on the Yukon's Far North, where 280 Aboriginal people live in the village of Old Crow. Deep in this wilderness, the health of the children is a source of concern—the rise in obesity, diabetes and delinquency rates underscores the extent to which health and social problems are linked. With compassion and insight, this film shows how a handful of parents took control of a situation to ensure a future for their children.
In the voiceover for this animated short, a young woman attempts to describe herself, casting her life in the ideal light that society expects. The film’s imagery, however, tells a different story, poignantly illustrating the intense anxiety that comes with the quest for perfection and the pursuit of happiness. A film that’s both funny and moving, and above all, profoundly human.
This animated short presents two friends who meet in a Paris café – one single, the other in an open relationship. As they catch up on each other's lives, it becomes clear that the real story is playing out in what's not said. The result is a penetrating look at female friendships, and the sometimes-complex amorous relationships of modern times.This film is part of the Comic Strip Chronicles, a collection of shorts celebrating the strong affinity between comic strips and animated film. Inspired by moments of everyday life, these films showcase the playful imaginations of renowned artists Guy Delisle, Zviane, Aude Picault, Lewis Trondheim, and Jean Matthieu Tanguy. Produced by the NFB, Canal+, and Sacrebleu.
This short documentary looks at how the community of London, Ontario, has implemented a plan to address the issue of domestic violence. These efforts, spearheaded by police, lawyers, doctors, transition house staff, women's groups, and social services agencies have turned London into a rare model community. There, The London Battered Women's Advocacy Clinic and "Changing Ways," a therapy program for men who batter, contribute to the city's innovative attempt to break the cycle of violence. Moving On is part of the The Next Step, a 3-film series about the services needed by and available to battered women.
This short animation celebrates menopause through the story of Mabel. She’s juggling work, teenagers and an elderly mom. Now she’s got hot flashes and chin hairs! Before you can say "estrogen," purple-haired Mabel finds herself the heroine of her own adventure. Colourful computer animation and a rich musical score offer a reassuring look at one of the most important passages in a woman's life.
This short film recreates the experience of Sylvie, a battered woman who seeks shelter in a Montréal transition house. Faced with the threat of violence, loneliness, the lack of financial resources or information about services, the victim is often understandably reluctant to seek help. Emphasizing the importance for women of speaking out, the film also points out the role of the transition house in putting victims of abuse in touch with appropriate legal and social services. Sylvie’s Story is part of The Next Step, a 3-film series about the services needed by and available to battered women.
This film contains scenes of nudity and/or sexuality. Viewer discretion is advised.
This feature documentary delves into the rich history of Canadian queer women’s experiences in the mid-20th century. Compelling, often hilarious and always rebellious, the women interviewed in this film recount stories about their search for the places where openly gay women gathered in urban centres. Contemporary interviews, archival footage, and a stylized fictional narrative based on the pulp novels of the 1950s are woven throughout this simultaneously funny, heartbreaking, and empowering film. Forbidden Love brings an important and empowering history of lesbian sexuality in Canada out of the closet.
Raised in a refugee camp in the West Bank while her mother was in prison, Walaa dreams of becoming a policewoman in the Palestinian Security Forces (PSF). Despite discouragement from her family, even her beloved brother Mohammed, Walaa applies and gets in. But her own rebellious behaviour and complicated relationship with her mother are challenging, as are the circumstances under which she lives.
Following Walaa from 15-21, with an intimate POV, What Walaa Wants is the compelling story of a defiant young girl navigating formidable obstacles, learning which rules to break and follow, and disproving the negative predictions from her surroundings and the world at large.
Taken in by a loving family at the age of eight weeks, Alanna grew up in the majestic wilderness of the Yukon mountains. Because her mother drank heavily during pregnancy, Alanna’s development was seriously compromised. She has fetal alcohol syndrome. She will never be like other kids.
Tackling the subject with sensitivity, Julie Plourde’s documentary speaks to the heart. Alanna is a wake-up call about a tragedy that’s largely underestimated by the public but of growing concern to health professionals around the world. In French with English subtitles.
This documentary was made as part of the Tremplin program, with the collaboration of Radio-Canada.
Can a woman fully achieve self-realization while at the same time giving herself to the role of wife and mother? This is one question raised in this film documentary. Introspective, partly biographical, the film delves into the emotions of joy, anticipation and anxiety that a young mother experiences during the last several weeks before the birth of her second child. There is some footage from Czechoslovakia concerning maternity: a natural childbirth in a hospital delivery room and state nursery care for the children of working mothers.