Adieu bipède

Le 26e film de l’ONF à être nommé aux Oscars®

Court métrage d’animation sur la marche et ses plaisirs. Les couleurs en détrempe sont l'une des techniques impressionnantes utilisées dans ce film par Ryan Larkin. Pas de commentaires. Une trame sonore qui comble le silence.

Un personnage prend vie sur une table d'animation. L'animateur le dessine et le manipule à l'aide de matériaux différents. Il se met alors à marcher, à sautiller, nous permettant d'apprécier au même moment différentes techniques d'animation. Film sans paroles.

In this short animation film, the "boogie" is played by Albert Ammons and the "doodle" is drawn by Norman McLaren. Made without the use of a camera, Boogie-Doodle is a rhythmic, brightly coloured film experiment.

Animator Ryan Larkin does a visual improvisation to music performed by a popular group presented as sidewalk entertainers. His take-off point is the music, but his own beat is more boisterous than that of the musicians. The illustrations range from convoluted abstractions to caricatures of familiar rituals. Without words.

The NFB's 29th Oscar®-nominated film.

In this animated short, director Peter Foldès depicts one man’s descent into greed and gluttony. Rapidly dissolving and ever-evolving images create a contrast between abundance and want. One of the first films to use computer animation, this satire serves as a cautionary tale against self-indulgence in a world still plagued by hunger and poverty.

While the townspeople in the village square raucously celebrate Christmas, a homeless man rescues a discarded box from the garbage. The box turns out to be magical, and it takes him on a spiritual journey far more fantastic than any of the villagers are likely to experience.

In this animated short, Roch Carrier recounts the most mortifying moment of his childhood. At a time when all his friends worshipped Maurice "Rocket" Richard and wore his number 9 Canadiens hockey jersey, the boy was mistakenly sent a Toronto Maple Leafs jersey from Eaton's. Unable to convince his mother to send it back, he must face his friends wearing the colours of the opposing team. This short film, based on the book The Hockey Sweater, is an NFB classic that appeals to hockey lovers of all ages.

In this animation film, Norman McLaren imparts unusual activity to an old French-Canadian nonsense song. Simple white cut-outs on pastel backgrounds, many by Evelyn Lambart, provide lively illustrations. The folksong "Mon Merle" is sung in French by the Trio Lyrique of Montreal.

Watch an early experiment using computers to animate film. The result is a dazzling vibration of geometric forms in vivid colour, an effect achieved by varying the speed at which alternate colours change, so producing optical illusions. In between these screen pyrotechnics there appears a simple line form gyrating in smooth rhythm. Sound effects are created by registering sound shapes directly on the soundtrack of the film.

Based on a Jewish folk tale adapted by playwright John Lazarus, this animated short tells the story of Shmendrik, a simpleton living in a small Polish village. Weary of daily life in his native Chelm, Shmendrik sets out on a quest for knowledge that brings him to a new Chelm, a place eerily reminiscent of his old Chelm. An amusing take on our tendency to romanticize what we don't have.

A film in which both sound and image were created with a minimum of photographic or electronic equipment. The images are a few simple geometric forms--squares, circles, lines, ellipses--arranged and counter-arranged to generate an increasing number of perceived images. Their appearance on the screen is as percussive as the sound that accompanies them.