Toronto Jazz

Brilliantly mixing animated sequences and archival footage, Marie-Josée Saint-Pierre paints a touching portrait of virtuoso pianist Oscar Peterson. As with her previous films (McLaren’s Negative and Jutra), Saint-Pierre pursues her bold and personal approach with this animated documentary of Oscar Peterson at the twilight of an exceptional career, as he wistfully meditates on the price of fame and the impacts of the artist’s life on family life. From the young prodigy’s beginnings in Little Burgundy to his triumphs on the international stage alongside the biggest stars of his time, Oscar explores the profound solitude of an artist constantly on tour, and the difficulty in reconciling his professional success with his role as husband and father. Set to the tunes of Peterson’s sometimes catchy, sometimes melancholy-tinged compositions, the film alternates between animated sequences and footage of radio and video interviews to tell a heartfelt story about a life in jazz.

Shot in 1987 at the Montréal International Jazz Festival, this documentary film presents musical performances and conversations between three jazz pianists with remarkably different styles--Soviet Leonid Chizhik, Black Montrealer Oliver Jones, and French-Canadian Jean Beaudet. It introduces viewers to the diversity of interpretation within today's jazz world, explores the roots of modern jazz and the specific formative influences on the musicians profiled, and reaches for a definition of twentieth-century jazz.

This feature documentary uses music to reveal the many faces of jazz, New Orleans style. Colourful and alive with music, the film captures the street life and traditions of this vibrant city and explores the roots of the music that springs from the soul of the African-American community.

This feature documentary offers a glimpse of contemporary Cuba’s rich musical culture through the experiences of renowned Canadian soprano sax player and flautist Jane Bunnett. Jane and her husband, trumpeter Larry Cramer, are surrounded by the charm of Old Havana as they connect with some of the city's finest musicians—like singers Bobby Carcasses and Amado Dedeu —for a recording session. Bunnett and Cramer then venture to small towns like Cienfuegos and Camaguey, where they hook up with local musicians and visit music schools. Global music fans will be captivated by the performances of Los Muñequitos de Matanzas, a celebrated Afro-Cuban rumba group, and Desandann, a 10-member a cappella choir that sings in Haitian Creole.

In this extraordinary short animation, Evelyn Lambart and Norman McLaren painted colours, shapes, and transformations directly on to their filmstrip. The result is a vivid interpretation, in fluid lines and colour, of jazz music played by the Oscar Peterson Trio.

Show Girls celebrates Montreal's swinging Black jazz scene from the 1920s to the 1960s, when the city was wide open. Three women who danced in the legendary Black clubs of the day - Rockhead's Paradise, The Terminal, Café St. Michel - share their unforgettable memories of life at the centre of one of the world's hottest jazz spots. From the Roaring Twenties, through the Second World War and on into the golden era of clubs in the fifties and sixities, Show Girls chronicles the lives of Bernice, Tina and Olga - mixing their memories with rarely seen footage of the era. Their stories are told against a backdrop of the fascinating social and political history that made Montreal a jazz and nightclub hotspot for decades. It is a story of song and dance, music and pride.

Oliver Jones, one of Canada's foremost jazz pianists, tours Nigeria with his bassist and drummer, discovering in Africa the roots of much of today's music. Hearing and absorbing the musical sources of blues, spirituals, calypso rhythms and more, he reflects that for a Black jazz artist, a trip to Africa is a voyage home.

In this short animation film, the "boogie" is played by Albert Ammons and the "doodle" is drawn by Norman McLaren. Made without the use of a camera, Boogie-Doodle is a rhythmic, brightly coloured film experiment.

This informal black-and-white portrait of Leonard Cohen shows him at age 30 on a visit to his hometown of Montreal, where the poet, novelist and songwriter comes "to renew his neurotic affiliations." He reads his poetry to an enthusiastic crowd, strolls the streets of the city, relaxes in this three-dollar-a-night hotel room and even takes a bath.

This 1959 feature documentary is a foray into Canada’s art milieu. What is it like to be a Canadian artist? Answering this central question are Teresa Stratas, winner of Metropolitan Opera auditions; acclaimed lyric tenor Léopold Simoneau and his talented wife, soprano Pierrette Alarie; the National Ballet Company of Canada’s artistic director, Celia Franca and leading male dancer, David Adams; as well as jazz pianist Oscar Peterson, whom we visit at 3 o'clock in the morning at Boston's Storyville Club. The film also includes interviews with radio and television actor John Drainie, Christopher Plummer and Jean Gascon, director of Montreal's Théâtre du Nouveau Monde.

This feature-length documentary from 1974 takes viewers inside Fidel Castro's Cuba. A movie-making threesome hope that Fidel himself will star in their film. The unusual crew consists of former Newfoundland premier Joseph Smallwood, radio and TV owner Geoff Stirling and NFB film director Michael Rubbo. What happens while the crew awaits its star shows a good deal of the new Cuba, and also of the three Canadians who chose to film the island.