Begone Dull Care

In this short animation film, the "boogie" is played by Albert Ammons and the "doodle" is drawn by Norman McLaren. Made without the use of a camera, Boogie-Doodle is a rhythmic, brightly coloured film experiment.

This experimental short film by Norman McLaren is a playful exercise in intermittent animation and spasmodic imagery. Playing with the laws relating to persistence of vision and after-image on the retina of the eye, McLaren engraves pictures on blank film creating vivid, percussive effects.

In this colourful animated short by renowned filmmaker Evelyn Lambart, a handsome frog courts and wins a mouse for his bride. The story was inspired by a popular old folk song and nursery rhyme, originally published in 1548. Sung by Derek Lamb to lute accompaniment.

The film’s ending, which is also taken from the original song, might not be suitable for some audiences, especially very young audiences. Parental discretion is advised.

This animated short by Norman McLaren serves as a wartime savings campaign. Symbolic figures, drawn directly on 35mm film stock, move and dance against a simple painted background. The score is "Pinetop's Boogie Woogie," by Albert Ammons.

This animated short by Norman McLaren features synchronization of image and sound in the truest sense of the word. To make this film, McLaren employed novel optical techniques to compose the piano rhythms of the sound track, which he then moved, in multicolor, onto the picture area of the screen so that, in effect, you see what you hear.

This short experimental animation tempts the eye with gradually unfolding yet increasingly complex movement, colour and sound. Reminiscent of the mid-20th-century style of “op art,” McLaren and Lambart’s film follows a single tiny square as it divides and multiplies, eventually forming a colourful, hypnotic mosaic set to the animators’ precise and deliberate musical orchestration.

Brilliantly mixing animated sequences and archival footage, Marie-Josée Saint-Pierre paints a touching portrait of virtuoso pianist Oscar Peterson. As with her previous films (McLaren’s Negative and Jutra), Saint-Pierre pursues her bold and personal approach with this animated documentary of Oscar Peterson at the twilight of an exceptional career, as he wistfully meditates on the price of fame and the impacts of the artist’s life on family life. From the young prodigy’s beginnings in Little Burgundy to his triumphs on the international stage alongside the biggest stars of his time, Oscar explores the profound solitude of an artist constantly on tour, and the difficulty in reconciling his professional success with his role as husband and father. Set to the tunes of Peterson’s sometimes catchy, sometimes melancholy-tinged compositions, the film alternates between animated sequences and footage of radio and video interviews to tell a heartfelt story about a life in jazz.

An experiment in pure design by film artists Norman McLaren and Evelyn Lambart. Lines, ruled directly on film, move with precision and grace against a background of changing colors, in response to music specially composed for the films. Lines - Horizontal is accompanied by American folk musician Pete Seeger on wind and string instruments.

Norman McLaren explains how he makes synthetic sound on film. With an oscilloscope he first demonstrates what familiar sounds look like on the screen; next, how sound shapes up on a film's sound track; and then what synthetic sounds sound like when drawn directly on film. This technique is also demonstrated in Dots and Loops.

A superb visual trick that will mystify its audience, this animated film transforms the commonplace into magic.

The NFB's 13th Oscar®-nominated film.

In this short film, a chair, animated by Evelyn Lambart, refuses to be sat upon, forcing a young man to perform a sort of dance with the chair. The musical accompaniment is by Ravi Shankar and Chatur Lal. This virtuoso film is the result of a collaboration between Norman McLaren and Claude Jutra.