Mosaic

This animated short by Norman McLaren features synchronization of image and sound in the truest sense of the word. To make this film, McLaren employed novel optical techniques to compose the piano rhythms of the sound track, which he then moved, in multicolor, onto the picture area of the screen so that, in effect, you see what you hear.

This animated short by Norman McLaren and René Jodoin is a play on motion set against a background of multi-hued sky. Spheres of translucent pearl float weightlessly in the unlimited panorama of the sky, grouping, regrouping or colliding like the stylized burst of some atomic chain reaction. The dance is set to the musical cadences of Bach, played by pianist Glenn Gould.

An experiment in pure design by film artists Norman McLaren and Evelyn Lambart. Lines, ruled directly on film, move with precision and grace against a background of changing colors, in response to music specially composed for the films. Lines - Horizontal is accompanied by American folk musician Pete Seeger on wind and string instruments.

This experimental short film by Norman McLaren is a playful exercise in intermittent animation and spasmodic imagery. Playing with the laws relating to persistence of vision and after-image on the retina of the eye, McLaren engraves pictures on blank film creating vivid, percussive effects.

An animated film by Norman McLaren and Evelyn Lambart that endows arithmetic with lively humour. The screen becomes a numerical free-for-all as digits meet in playful encounter, add and subtract, jostle, attack and elude one another.

In this extraordinary short animation, Evelyn Lambart and Norman McLaren painted colours, shapes, and transformations directly on to their filmstrip. The result is a vivid interpretation, in fluid lines and colour, of jazz music played by the Oscar Peterson Trio.

The Telidon System is a telephone communication process which enables the exchange of visual information.

In this short animation by Evelyn Lambart, a greedy little blue jay carries away whatever his beak can grasp. Berries, birds' eggs (nests and all), and even the sun in the sky go into his secret cache. Nothing is safe from his consuming avarice. But, as in Lambart’s film Fine Feathers, there is a moral tucked away. The blue jay learns a lesson about the importance of sharing, and he and his friends are all the merrier for it.

An experiment in pure design by film artists Norman McLaren and Evelyn Lambart. Lines, ruled directly on film, move with precision and grace against a background of changing colors, in response to music specially composed for the films. Lines - Vertical is accompanied by composer Maurice Blackburn on the electronic piano.

This feature length documentary is a journey into Norman McLaren’s process of artistic creation. A cinematic genius who made films without cameras and music without instruments, McLaren produced 60 films in a stunning range of styles and techniques, collecting over 200 international awards and world recognition. Drawing on McLaren's private film vaults, a gold mine of experimental footage and uncompleted films, this film explores McLaren's methods, including his celebrated "pixillation" technique.

Development in long-range travel and the growing importance of the Arctic and Antarctic regions make it necessary to understand how maps may be misleading. Experiments with a grapefruit illustrate the difficulty of presenting a true picture of the world on a flat surface and it is concluded that the globe is the most accurate way of representing the earth.