In this short animation by Evelyn Lambart, a greedy little blue jay carries away whatever his beak can grasp. Berries, birds' eggs (nests and all), and even the sun in the sky go into his secret cache. Nothing is safe from his consuming avarice. But, as in Lambart’s film Fine Feathers, there is a moral tucked away. The blue jay learns a lesson about the importance of sharing, and he and his friends are all the merrier for it.
In this short cut-out animation by Evelyn Lambart, two duelling birds get the urge to change their plumage. A blue jay wants to be decked out in the green of cedar, and a loon dons the burnished red of oak leaves, but neither bird foresees the consequences of vanity. A strong gust of wind teaches both birds that their natural, well-anchored feathers provided better protection than their costumes.
In this colourful animated short by renowned filmmaker Evelyn Lambart, a handsome frog courts and wins a mouse for his bride. The story was inspired by a popular old folk song and nursery rhyme, originally published in 1548. Sung by Derek Lamb to lute accompaniment.
The film’s ending, which is also taken from the original song, might not be suitable for some audiences, especially very young audiences. Parental discretion is advised.
In this animated short, Evelyn Lambart uses her well-known style of animation – paper figures and brightly colored backgrounds – to revisit Aesop’s tale of 2 mice with vastly different lifestyles. Ultimately, the film suggests it is far better to live simply and in peace than to live in luxury amidst danger.
This short animation by artist and animator Evelyn Lambart offers a wordless plea for the right of all living creatures to a clean, unpolluted environment. With rich colour and intricate animated motion, the film features birds, butterflies and other woodland creatures succumbing to air pollution caused by human inventions.
This animated short by Evelyn Lambart is a visual adaptation of the famous Aesop fable "The Lion and the Mouse," in which a mouse proves to a lion that the weak and small may be of help to those much mightier than themselves.
Animation pioneer Evelyn Lambert recalls arriving at the NFB in the 1940s, her celebrated collaborations with Norman McLaren and her approach to her solo work.
This interview is part of Making Movie History: A Portrait in 61 Parts.
This short experimental animation tempts the eye with gradually unfolding yet increasingly complex movement, colour and sound. Reminiscent of the mid-20th-century style of “op art,” McLaren and Lambart’s film follows a single tiny square as it divides and multiplies, eventually forming a colourful, hypnotic mosaic set to the animators’ precise and deliberate musical orchestration.
This animated short about literacy introduces us to Meena, a young girl who hates books even though her parents love to read. Books are everywhere in Meena's house, in cupboards, drawers and even piled up on the stairs. Still, she refuses to even open one up. But when her cat Max accidentally knocks down a huge stack, pandemonium ensues and nothing is ever the same again.
Part of the Talespinners collection, which uses vibrant animation to bring popular children’s stories from a wide range of cultural communities to the screen.
This animated short tells the story of Anansi, a little spider who is tired of being snubbed by other the jungle animals, especially Mr. Tiger. As Anansi plots and schemes to change things, he realizes he can't gain respect by putting others down.
Part of the Talespinners collection, which uses vibrant animation to bring popular children’s stories from a wide range of cultural communities to the screen.
Development in long-range travel and the growing importance of the Arctic and Antarctic regions make it necessary to understand how maps may be misleading. Experiments with a grapefruit illustrate the difficulty of presenting a true picture of the world on a flat surface and it is concluded that the globe is the most accurate way of representing the earth.
In this extraordinary short animation, Evelyn Lambart and Norman McLaren painted colours, shapes, and transformations directly on to their filmstrip. The result is a vivid interpretation, in fluid lines and colour, of jazz music played by the Oscar Peterson Trio.