Court métrage d’animation présentant des jeux de couleurs, de formes et de sons. En guise de musique, Norman McLaren a dessiné des sons synthétiques et il les a photographiés sur la bande sonore en conservant un parallélisme absolu entre le son et l'image. Synchromie est un film de « son animé » dans le vrai sens du terme.
In this short animation film, the "boogie" is played by Albert Ammons and the "doodle" is drawn by Norman McLaren. Made without the use of a camera, Boogie-Doodle is a rhythmic, brightly coloured film experiment.
This animated short by Norman McLaren features synchronization of image and sound in the truest sense of the word. To make this film, McLaren employed novel optical techniques to compose the piano rhythms of the sound track, which he then moved, in multicolor, onto the picture area of the screen so that, in effect, you see what you hear.
In this animation film, Norman McLaren imparts unusual activity to an old French-Canadian nonsense song. Simple white cut-outs on pastel backgrounds, many by Evelyn Lambart, provide lively illustrations. The folksong "Mon Merle" is sung in French by the Trio Lyrique of Montreal.
Le 26e film de l’ONF à être nommé aux Oscars®
Court métrage d’animation sur la marche et ses plaisirs. Les couleurs en détrempe sont l'une des techniques impressionnantes utilisées dans ce film par Ryan Larkin. Pas de commentaires. Une trame sonore qui comble le silence.
In this extraordinary short animation, Evelyn Lambart and Norman McLaren painted colours, shapes, and transformations directly on to their filmstrip. The result is a vivid interpretation, in fluid lines and colour, of jazz music played by the Oscar Peterson Trio.
This animated short by Norman McLaren and René Jodoin is a play on motion set against a background of multi-hued sky. Spheres of translucent pearl float weightlessly in the unlimited panorama of the sky, grouping, regrouping or colliding like the stylized burst of some atomic chain reaction. The dance is set to the musical cadences of Bach, played by pianist Glenn Gould.
The Wobble Incident is an erratic journey through layers of cinematic illusion. When the First Sound rings out in a silent cartoon world, two characters experience momentous change as their universe goes bananas. NOTE: While the original version of this film is a 3D animation produced on Sandde, the streaming version is available in 2D only.
The main protagonist of this short, surreal film is a man obsessed with control. In an automated world drained of all emotion, he is tortured by vague longings. Will he be able to transcend his obsessions and fears?
In this animated short, two chimney sweepers clear all the memories from their victim's brain in a quest to determine what goes on in a man's head. A chilling film filled with fearsome puppets inhabiting a world of strange objects.
This short animation is a dizzying celebration of sound, colour and movement. Here, multitudes of CMYK symbols, pulled off flaps of cereal boxes and other common printed materials, have been isolated and assembled. Freed from their workaday origins, these objects become moving artwork. Coloured dots pulsate, crosshairs roll and primary shapes dance. The result: an unrestrained riot of colour and energy.
All his life, Michel Pagliaro (Pag) has been on a quest for the perfect 3:15 minute song. Following in the tradition of rockers like Eddy Cochran, Bo Diddley and Chuck Berry, Pagliaro's songs belie their initial simplicity. Director Eric Tessier captures Pag in all his ragged glory, from the wicked glint in his eye to his razor sharp suit.
Ages 11 to 17
Arts Education - Music
History and Citizenship Education - Culture and Currents of Thought (1500-present)
Media Education - Film Animation
Technology Education - Communications and Technology
Have film, media, and arts students examine the synchronization of colour, line, movement, and sound. Initiate a variety of projects: in a lesson on synchronicity and rhythm, view film without sound, imagine the sound track, and then after viewing, practise creating rhythmic sound for a series of images; create simple digital flip animations to music; digitally duplicate McLaren's technique; respond through brush and paint while listening only.