Dots

This short documentary is a film about a film. In 1961, Norman McLaren produced a record of New Yorkers watching his short animation New York Lightboard in action in Times Square. The film within this film was produced as a promotion of travel and tourism in Canada. New York Lightboard Record depicts the reactions—awe, confusion, amusement—of onlookers and passersby.

Norman McLaren a dessiné à la plume, directement sur la pellicule, non seulement les images de ce film, mais aussi les sons. Ce procédé lui a donc permis de se passer de caméra et d'appareil d'enregistrement. Le titre est inscrit en plusieurs langues. (Titres multilingues ajoutés en 1949.)

This experimental short film by Norman McLaren is a playful exercise in intermittent animation and spasmodic imagery. Playing with the laws relating to persistence of vision and after-image on the retina of the eye, McLaren engraves pictures on blank film creating vivid, percussive effects.

An experiment in pure design by film artists Norman McLaren and Evelyn Lambart. Lines, ruled directly on film, move with precision and grace against a background of changing colors, in response to music specially composed for the films. Lines - Vertical is accompanied by composer Maurice Blackburn on the electronic piano.

An experiment in film animation in which 'stars' and 'stripes' perform acrobatics to a sprightly march tune. The film was made without a camera, by Norman McLaren drawing and colouring directly on film. The title is in eight languages. Rereleased with multilingual titles in 1949.

Along with Around Is Around, one of two 3-D films commissioned by the British Film Institute for the Festival of Britain. Photographed paper cutouts and images drawn directly on film stock were given single-frame animation. Stereoscopy was achieved by photographing and drawing two visuals (one for the left eye, one for the right eye) with controlled displacement of the elements in relationship to each other. The hand-drawn sound was also composed and recorded on two separate bands for stereoscopic playing.

This animated short by Norman McLaren serves as a wartime savings campaign. Symbolic figures, drawn directly on 35mm film stock, move and dance against a simple painted background. The score is "Pinetop's Boogie Woogie," by Albert Ammons.

This publicity clip for Canada Post is Norman McLaren's first film for the NFB. For this animated short, McLaren drew symbols by pen onto clear 35 mm stock, which was then superimposed on a photographed painted background. Benny Goodman's rendition of Jingle Bells provides the accompaniment.

In this short animation film, the "boogie" is played by Albert Ammons and the "doodle" is drawn by Norman McLaren. Made without the use of a camera, Boogie-Doodle is a rhythmic, brightly coloured film experiment.

A gay fantasia of patterned sound in which Norman McLaren salutes the West Indies, painting the spirit of fiesta on film to the lively beat of an island tune by Trinidad's Grand Curacaya Orchestra.

An experimental film in which both sound and visuals were created entirely by McLaren drawing directly upon the film with ordinary pen and ink. The titles are in eight languages. Rereleased with multilingual titles in 1949.