In this animated short, the selfishness of the bourgeoisie and the oppression and exploitation of its servants take centre stage as a puppet show presents the tragicomedy of a society in its death throes.
An allegory of mankind heading for disaster, this animated short is a tragic vision inspired by the 4th movement of Mussorgsky’s Pictures at an Exhibition. Drawing on the composer’s brilliant ability to evoke work and labour in his music, animator Patrick Bouchard brings earth to life through animated clay sculptures, creating a tactile nightmare in which man is his own slave driver.
The NFB’s 70th Oscar®-nominated film.
This stop-motion animated film takes viewers on an exhilarating existential journey into the fully imagined, tactile world of Madame Tutli-Putli. As she travels alone on the night train, weighed down with all her earthly possessions and the ghosts of her past, she faces both the kindness and menace of strangers. Finding herself caught up in a desperate metaphysical adventure, adrift between real and imagined worlds, Madame Tutli-Putli confronts her demons.
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An animator dissects his own body, extracting memories, emotions and fears that will nurture his work. As he cuts into his skin with a scalpel, various symbolic objects recalling his past emerge. Reaching the heart after cracking his ribs, he succeeds in identifying the burden he’s been dying to cast off.
This animated short evokes the tragic death of Dédé Fortin, frontman, and vocalist of the Québécois band Les Colocs. To the soundtrack of “Dehors novembre,” one of the band’s songs, animator Patrick Bouchard weaves of dark tale of death and ruin, as they unfold in the dark of night, in November, the Month of the Dead. Not for children.
This animated short is a visual representation of Goethe's poem, The ErlKing that uses sand-on-glass animation set to the music of Franz Schubert. The moving images, resembling woodcuts, capture the haunting, nightmarish quality of the tale of the ErlKing who steals and kills a little boy.
Borrowing from classical mythology, this very short film illustrates the story of Syrinx, the nymph who attempts to escape the goat-god Pan’s amorous advances by fleeing to a nearby river for help, only to be transformed into hollow reeds. Syrinx is the first film by Ryan Larkin, an Oscar®-nominated director who began his animation career in Norman McLaren’s student group. The technique employed is charcoal sketches on paper; the accompanying music is Claude Debussy’s “Syrinx” for solo flute.
This animation short is an adaptation of Michel Tremblay's short story "The Devil and the Mushroom." A tale of supernatural power, greed and violence, it involves a sinister stranger who single-handedly transforms a quiet village into the scene of a phantasmagoric nightmare.
The NFB's 29th Oscar®-nominated film.
In this animated short, director Peter Foldès depicts one man’s descent into greed and gluttony. Rapidly dissolving and ever-evolving images create a contrast between abundance and want. One of the first films to use computer animation, this satire serves as a cautionary tale against self-indulgence in a world still plagued by hunger and poverty.