Norman McLaren voulait faire du cinéma « une forme d’expression aussi simple, intime et excitante que les arts traditionnels comme le dessin, la peinture et la sculpture ». Non content de créer uniquement les images de ses films, il s’est mis à composer sa propre musique en dessinant, gravant et photographiant des motifs directement sur la bande sonore de la pellicule, ce qui a fait de lui un pionnier de la musique électronique bien avant l’invention du synthétiseur. Norman McLaren : musicien animé célèbre cette exploration en dévoilant des séquences jamais vues auparavant de ce maître du cinéma.
Un personnage prend vie sur une table d'animation. L'animateur le dessine et le manipule à l'aide de matériaux différents. Il se met alors à marcher, à sautiller, nous permettant d'apprécier au même moment différentes techniques d'animation. Film sans paroles.
The Wobble Incident is an erratic journey through layers of cinematic illusion. When the First Sound rings out in a silent cartoon world, two characters experience momentous change as their universe goes bananas. NOTE: While the original version of this film is a 3D animation produced on Sandde, the streaming version is available in 2D only.
In this short animation film, the "boogie" is played by Albert Ammons and the "doodle" is drawn by Norman McLaren. Made without the use of a camera, Boogie-Doodle is a rhythmic, brightly coloured film experiment.
This animated short from Malcolm Sutherland is an engaging dance of shapes and sounds. The "game" is played by opening the box, unfolding the board and placing shapes on it that you manipulate with your hands. There are no winners or losers in this game; the fun is in the creative way the forms unfold. Features a score by Luigi Alleman and music by Ravi Shankar.
This feature doc tells the story of the improbable friendship between acclaimed Quebec singer Félix Leclerc and the intriguing Frank Randolph Macpherson. A chemical engineer from Jamaica, Macpherson immigrated to Quebec in 1917 and was the inspiration for the popular song that Leclerc named after him. But this is also a story about memory: it was animator Martine Chartrand’s memory of this song that compelled her to create the striking animated short MacPherson, made by filming paintings on glass using 35mm film. A sympathetic look at an artist at work, Finding Macpherson takes audiences on a personal journey, exploring the imperceptible yet powerful connections that bind us to each other.
In this animated short, filmmaker Chris Hinton and composer Michael Oesterle leap back and forth between picture and sound. The dynamic movement of Hinton's visual art dances in syncopation with the bold musical strokes of an original modern classical composition. Without words.
This feature length documentary is a journey into Norman McLaren’s process of artistic creation. A cinematic genius who made films without cameras and music without instruments, McLaren produced 60 films in a stunning range of styles and techniques, collecting over 200 international awards and world recognition. Drawing on McLaren's private film vaults, a gold mine of experimental footage and uncompleted films, this film explores McLaren's methods, including his celebrated "pixillation" technique.
This animated short by Norman McLaren features synchronization of image and sound in the truest sense of the word. To make this film, McLaren employed novel optical techniques to compose the piano rhythms of the sound track, which he then moved, in multicolor, onto the picture area of the screen so that, in effect, you see what you hear.
Walter Homburger helped bring Glenn Gould and a succession of other great musicians to the attention of the world. Using shadow puppets and silhouettes, this short documentary captures the irrepressible spirit of a great impresario, manager and orchestra administrator who has devoted his life to furthering classical music in Canada.
This short documentary profiles an imaginative inventor and craftsman who makes whimsical stringed instruments out of unlikely items. In his hands, shovels, rakes, baseball bats, and stop signs become beautiful and functional guitars, violins, banjos, and fiddles.
After a near-death experience, retired machinist Lorne Collie embarked on his creative journey, and this heartening film offers a folksy, one-of-a-kind portrait of Collie's spirit and talent. Through weathered doc footage and hand-crafted animation, the film shows that Collie is having more fun than he’s had in a long time and feeling more than alive.All his life, Michel Pagliaro (Pag) has been on a quest for the perfect 3:15 minute song. Following in the tradition of rockers like Eddy Cochran, Bo Diddley and Chuck Berry, Pagliaro's songs belie their initial simplicity. Director Eric Tessier captures Pag in all his ragged glory, from the wicked glint in his eye to his razor sharp suit.
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