Fyoog

Please stand clear of the doors... This very short surreal hybrid of stop-motion and 2D animation is a story about a dream about a train, inspired by found sound of a Toronto subway car.

Produced as part of the 11th edition of the NFB’s Hothouse apprenticeship.

Ce court métrage d'animation 2D raconte l'histoire d'un monstre qui rôde dans une maison, telle une ombre insaisissable venue troubler le sommeil d'un gamin et de ses deux sœurs. Avec une terrifiante habileté, il s'infiltre tour à tour dans leurs pensées pour réveiller leurs plus grandes peurs. Pour l'adolescente, la pire crainte serait de ne pas correspondre à l'idéal de beauté véhiculé par les médias.

D'où viennent ces monstres qui nourrissent leur sentiment d'insécurité? Pourquoi exercent-ils tant de pouvoir? Conçu pour de jeunes spectateurs, ce film d'animation plein d'humour favorisera les échanges sur l'origine des angoisses suscitées par l'image corporelle. Film sans paroles.

The main protagonist of this short, surreal film is a man obsessed with control. In an automated world drained of all emotion, he is tortured by vague longings. Will he be able to transcend his obsessions and fears?

This short animation presents the haunting story of two brothers who share the scars, though not the memories, of an untold history that has driven them to existential extremes. Combining high-speed camerawork, striking art direction and intricate animation sequences, acclaimed visual artist and filmmaker Randall Lloyd Okita crafts a poetic elegy to connectedness and survival.

Mamori transports us into a black-and-white universe of fluid shapes, dappled and striated with shadows and light, where the texture of the visuals and of the celluloid itself have been transformed through the filmmaker’s artistry. The raw material of images and sounds was captured in the Amazon rainforest by filmmaker Karl Lemieux and avant-garde composer Francisco López, a specialist in field recordings. Re-filming the photographs on 16 mm stock, then developing the film stock itself and digitally editing the whole, Lemieux transmutes the raw images and accompanying sounds into an intense sensory experience at the outer limits of representation and abstraction. Fragmented musical phrases filter through the soundtrack, evoking in our imagination the clamour of the tropical rainforest in this remote Amazonian location called Mamori.

In this short animation, Oscar®-winning director Chris Landreth (Ryan, 2004) uses a common social gaffe—forgetting somebody’s name—as the starting point for a mind-bending romp through the unconscious. Inspired by the classic TV game show Password, the film features a wealth of animated celebrity guests who try to prompt our beleaguered protagonist to remember his old pal's name. Finally, he realizes he must surrender to his predicament and jump head-first into his subconscious to find the answer.

In 1948, Paul-Émile Borduas' Refus global manifesto proclaimed the end of the "reign of fear" embodied by the Duplessis regime. Fifty years later, all the history books mention this document which laid the foundations of modern Quebec. Daughter of one of the signatories, filmmaker Manon Barbeau takes a fresh look at this period. She went to meet the sons and daughters of Barbeau, Borduas, Mousseau and Riopelle, "children of Refus global" who, like her, suffered the consequences of their parents' revolutionary gesture. None of them emerged unscathed from a childhood made up of worries and abandonment, but also of a richness that only art can bring. Especially when it appears to us, as it does here, in the light of emotion.

Un personnage prend vie sur une table d'animation. L'animateur le dessine et le manipule à l'aide de matériaux différents. Il se met alors à marcher, à sautiller, nous permettant d'apprécier au même moment différentes techniques d'animation. Film sans paroles.

In this short animation film, the "boogie" is played by Albert Ammons and the "doodle" is drawn by Norman McLaren. Made without the use of a camera, Boogie-Doodle is a rhythmic, brightly coloured film experiment.

The NFB's 29th Oscar®-nominated film.

In this animated short, director Peter Foldès depicts one man’s descent into greed and gluttony. Rapidly dissolving and ever-evolving images create a contrast between abundance and want. One of the first films to use computer animation, this satire serves as a cautionary tale against self-indulgence in a world still plagued by hunger and poverty.

The NFB's 11th Oscar®-nominated film.

This short film depicts how a small Canadian city, bearing the name of Stratford and by a river Avon, created its own renowned Shakespearean theatre. The film tells how the idea grew, how a famous British director, international stars and Canadian talent were recruited, and how the Stratford Shakespearean Festival finally became a triumphant reality.

For more background information about this film, please visit the NFB.ca blog.