Hothouse 11 - Fyoog

Inspired by found sound of baby noises, this very short animation takes a good hard look at the bizarre behaviour of people working out in a gym.

Produced as part of the 11th edition of the NFB’s Hothouse apprenticeship.

Incorporating found sound of an English language lesson, this very short animation depicts a visual descent into madness triggered by the effort to keep it all together—even when it seems damn near impossible.

Produced as part of the 11th edition of the NFB’s Hothouse apprenticeship.

In this very short animation, an apparition reveals itself through celluloid and transmits vestiges of a forgotten provenance. Have the onlookers interpreted its signs correctly or was the message misunderstood? Inspired by found sound of two people’s discovery of a mysterious event in the sky.

Produced as part of the 11th edition of the NFB’s Hothouse apprenticeship.

Hand-drawn charcoal drawings movingly depict the loneliness and bewilderment of a child seeking safety in a war zone, in this timely very short animation that uses found sound to explore the powerlessness of the refugee experience.

Produced as part of the 11th edition of the NFB’s Hothouse apprenticeship.

A modern adaptation of the myth of Hercules, BAM tells the story of a young boxer struggling to negotiate between his shy, bookish nature and a divinely violent temper.  Where does this rage come from? Is it psychological or environmental - or is it something altogether more primordial?

This short animation is set to the words of poet Hélène Dorion. In the film, a man and a woman's love for each other rivals only their affection for the written word. Literature accompanies the murmur of their lives and the harmony of their feelings. Filmmaker Félix Dufour-Laperrière’s imagery parallels Dorion’s words to articulate the familiar cycles of longing, loss, and desire.

Printed manually on a vintage tabletop press using hand-carved linoleum blocks, this very short animation is about a new parent who learns about free expression and the power of letting go. Inspired by the filmmaker’s new baby boy and found sound.

Produced as part of the 11th edition of the NFB’s Hothouse apprenticeship.

This funny short animation was written and created by Tali (At Home with Mrs. Hen) and is inspired by the filmmaker’s misadventures as a school bus driver in the Eastern Townships. Our protagonist dreams of becoming a bus driver in order to cruise down quiet country lanes and connect with nature, her young charges and their parents. But her idyllic view of her new job is sorely tested after she meets her surly boss, named Killer, and discovers that winding roads can prove treacherous in winter, especially with a faulty clutch. Through her cheeky humour and oblique look at the reality of people living in the Quebec countryside, Tali delivers a film that is unique, witty and touching.

This short animation presents the haunting story of two brothers who share the scars, though not the memories, of an untold history that has driven them to existential extremes. Combining high-speed camerawork, striking art direction and intricate animation sequences, acclaimed visual artist and filmmaker Randall Lloyd Okita crafts a poetic elegy to connectedness and survival.

Mamori transports us into a black-and-white universe of fluid shapes, dappled and striated with shadows and light, where the texture of the visuals and of the celluloid itself have been transformed through the filmmaker’s artistry. The raw material of images and sounds was captured in the Amazon rainforest by filmmaker Karl Lemieux and avant-garde composer Francisco López, a specialist in field recordings. Re-filming the photographs on 16 mm stock, then developing the film stock itself and digitally editing the whole, Lemieux transmutes the raw images and accompanying sounds into an intense sensory experience at the outer limits of representation and abstraction. Fragmented musical phrases filter through the soundtrack, evoking in our imagination the clamour of the tropical rainforest in this remote Amazonian location called Mamori.

In this short animation, Oscar®-winning director Chris Landreth (Ryan, 2004) uses a common social gaffe—forgetting somebody’s name—as the starting point for a mind-bending romp through the unconscious. Inspired by the classic TV game show Password, the film features a wealth of animated celebrity guests who try to prompt our beleaguered protagonist to remember his old pal's name. Finally, he realizes he must surrender to his predicament and jump head-first into his subconscious to find the answer.