This short film is a portrait of Tofino, BC intertidal artist Pete Clarkson as he crafts his most ambitious and personal project to date: a memorial to the 2011 Great East Japan earthquake and tsunami. He, like so many of us around the world, was deeply affected by the disaster. Years later, as splintered and mangled timber and other objects started to wash ashore, the disaster hit home again for Clarkson, and the inspiration for his memorial was born. In Clarkson’s caring hands, the remnants from the Tohoku region take on a life of their own as he shapes them into a unique public sculpture. The result is an evocative memorial that is a site of remembrance and contemplation, and an emotional bridge connecting an artist, his community and a people an ocean away.
This Emmy-nominated feature film is an intimate and evocative journey into the hearts, minds and eyes of Georgia O’Keeffe, Emily Carr and Frida Kahlo - 3 of the 20th century’s most remarkable artists. The film uses the women’s own words, taken from their letters and diaries, to reveal 3 individual creative processes in all their subtle and fascinating variety.
In a pounding critique of Canada's colonial history, this short film draws parallels between the annihilation of the bison in the 1890s and the devastation inflicted on the Indigenous population by the residential school system.This film is part of Souvenir, a series of four films addressing Indigenous identity and representation by reworking material in the NFB's archives.
In five short minutes, this short film destroys any remaining shreds of the myth of a fair and just Canada. Children forced from their homes and sent to residential schools, families examined like livestock in crowded tuberculosis clinics, tainted water and land, poisoned for industry and profit at the cost of Indigenous lives, and the list goes on. But filmmaker Jeff Barnaby's message is clear: We are still here. Featuring the music of Tanya Tagaq.This film is part of Souvenir, a series of four films addressing Indigenous identity and representation by reworking material in the NFB's archives.
This short film, crafted entirely out of NFB archival footage by First Nations filmmaker Caroline Monnet, takes us on an exhilarating journey from the Far North to the urban south, capturing the perpetual negotiation between the traditional and the modern by a people moving ever forward.Part of the Souvenir series, it's one of four films by First Nations filmmakers that address Indigenous identity and representation, reframing Canadian history through a contemporary lens.
This short documentary tells the story of Tony Chachai, a young Indigenous man in search of his identity. Moved by the desire to reconnect with his Atikamekw roots, he delivers a touching testimony on the journey that brought him closer to his family and community. On the verge of becoming a father himself, he becomes increasingly aware of the richness of his heritage and celebrates it by dancing in a powwow.This film was produced as part of Tremplin NIKANIK, a competition for francophone First Nations filmmakers in Quebec.
This short documentary takes a look at the changing face of PEI's agricultural industry. Once famous for its spuds and red mud, this tiny island province now has higher than average cancer and respiratory illness rates. Is there a link to industrialized farming? Rather than dwelling on PEI’s worrisome monocropping practices, Island Green dares to ask: What if PEI went entirely organic?
The stirring words of PEI-born poet Tanya Davis are coupled with beautiful imagery and poignant stories from the island’s small but growing community of organic farmers, reminding us that we can rob the land only so much before it robs us of the nourishment we need for life. Island Green is ultimately a story of hope and healthy promise.
In this feature documentary, Richard Desjardins and Robert Monderie continue in the same provocative vein as their earlier Forest Alert, this time turning their lens on Canada's mining industry. Using striking images, rare archival footage and interviews, The Hole Story analyzes company profits and the impact of mining on the environment and workers’ health.
In this non-narrative short, director Sophie Dupuis documents the daily lives of sailors aboard the frigate HMCS Ottawa on a mission in the Pacific Ocean, somewhere between the coasts of British Columbia and California. Composed of a series of contrasting scenes, the film immerses us in a maelstrom of sound and images, revealing the unique facets of a widely unknown world.
Critic-turned-filmmaker Katherine Monk trains her lens on DJ Rhiannon Rozier in this short film about breaking the glass ceiling in a music industry dominated by men. The Vancouver-raised, university-educated Rozier was so intent on making a career in the Electronic Dance Music (EDM) scene that she did something she never thought she’d do: she posed for Playboy.
In Abitibi, hundreds of kilometres from the city, thousands of workers go North, as did Jos Montferrand and François Paradis. Working as brush cutters, these 21st-century lumberjacks discover Quebec's boreal forest. Far from their families, they spend 5 or 6 months a year in logging camps that mirror a new Quebec, those of French-Canadian descent and neo-Quebecers from Africa, Eastern Europe and Asia. All have come to earn a living in the forest. Filmmaker Stéphanie Lanthier invites us to spend an entire season inside this northern micro society. Using a direct cinema technique in the style of Pierre Perrault, she documents the lives of the brush cutters.