In Toronto, Izabel, Bebeth, Natasha, Benoît, Grace and Jean, members of Ontario’s “working poor” directly affected by the economic crisis, agree to take part in group sessions organized by filmmaker Geoff Bowie. They talk about having to work multiple jobs to get by, describe the stress generated by financial vulnerability, and courageously explain their strategies for getting out of their difficult situation. Touching, insightful and full of hope, Courage is a participatory social-issues film that emphasizes the importance of mutual aid and succeeds admirably in condemning the taboo of poverty.
This feature documentary tells the stories of 5 asylum seekers who flee their native countries to escape homophobic violence. They face hurdles integrating into Canada, fear deportation and anxiously await a decision that will change their lives forever.
Directed by John Kastner, this feature documentary about violence, mental illness, and the rights of victims tells the story of a troubled young man who stabbed a complete stranger 6 times in a crowded shopping mall while gripped by psychosis. Twelve years later, his victim, who miraculously survived, is terrified to learn that he’s out, living in the community under supervision. He’s applying for an absolute discharge, and if he succeeds, he’ll no longer be required to take the anti-psychotic drugs that control his mental illness. With unprecedented access to the patient, the victim, and the mental institution, the film looks at both sides of the debate and puts a human face on the complex ethical issues raised.
The people of the Attawapiskat First Nation, a Cree community in northern Ontario, were thrust into the national spotlight in 2012 when the impoverished living conditions on their reserve became an issue of national debate. With The People of the Kattawapiskak River, Abenaki director Alanis Obomsawin quietly attends as community members tell their own story, shedding light on a history of dispossession and official indifference. “Obomsawin’s main objective is to make us see the people of Attawapiskat differently,” said Robert Everett-Green in The Globe & Mail. “The emphasis, ultimately, is not so much on looking as on listening—the first stage in changing the conversation, or in making one possible.” Winner of the 2013 Donald Brittain Award for Best Social/Political Documentary, the film is part of a cycle of films that Obomsawin has made on children’s welfare and rights.
This feature film uses Michael Crummey’s seminal piece of Newfoundland literature to examine cultural change and modern relationships. As in Crummey’s collection of poems and stories, there is a decisive theme of the artist investigating his ancestors to discover himself. Filmmaker Justin Simms offers viewers a timely reflection on compassion, storytelling and identity.
This feature documentary by renowned director and cinematographer Vic Sarin is a personal yet global investigation into the history and current state of colourism: the discrimination within one ethnicity based on differences in skin tone. Sarin travels the globe to discuss this complex cross-cultural social issue with individuals whose lives it affects, including a Filipina entrepreneur whose business has flourished within the billion-dollar skin-whitening industry. Hue leads viewers on a thoughtful and surprising journey to the heart of a painful and pervasive social issue that not only polices appearance, but also class, gender, and geography.
In this personal documentary, award-winning photographer and filmmaker Nance Ackerman invites us into the lives of a determined family for a profound experience of child poverty in one of the richest countries in the world. 20 years after the House of Commons promised to eliminate poverty among Canadian children, 8-year-old Isaiah is trying hard to grow up healthy, smart and well adjusted despite the odds stacked against him. Isaiah knows he's been categorized as "less fortunate," and his short life has seen more than his share of social workers, food banks and police interventions. His parents struggle to overcome a legacy of stereotypes, abuse and dysfunction. More than anything, they want Isaiah and his siblings to have access to opportunities they never had. Ackerman spent 2 years with Isaiah and his family. As her portrait of the family unfolds with the help of Isaiah's creative input, curiosity and zest for life, so do Ackerman's own feelings about the responsibilities of Canadians to raise all children as our best investment in the nation's future.
Feminism has shaped the society we live in. But just how far has it brought us, and how relevant is it today? This feature documentary zeroes in on key concerns such as violence against women, access to abortion, and universal childcare, asking how much progress we have truly made on these issues. Rich with archival material and startling contemporary stories, Status Quo? uncovers answers that are provocative and at times shocking.
Illuminating a new paradigm for domestic-violence prevention, A Better Man offers a fresh and nuanced look at the healing and revelation that can happen for everyone involved when men take responsibility for their abuse. It also empowers audience members to play new roles in challenging domestic violence, whether it’s in their own relationships or as part of a broader movement for social change.
To Learn more about A Better Man and access additional resources, visit A Better Man project
In this feature documentary, Richard Desjardins and Robert Monderie continue in the same provocative vein as their earlier Forest Alert, this time turning their lens on Canada's mining industry. Using striking images, rare archival footage and interviews, The Hole Story analyzes company profits and the impact of mining on the environment and workers’ health.
In this documentary, Paul Cowan delivers unprecedented access to the United Nations Department of Peacekeeping, and the determined and often desperate manoeuvres to avert another Rwandan disaster, this time in the Democratic Republic of Congo (the DRC). The film cuts back and forth between the United Nations headquarters in New York and events on the ground in the DRC. We are with the peacekeepers in the 'Crisis Room' as they balance the risk of loss of life on the ground with the enormous sums of money required from uncertain donor countries. We are with UN troops as the northeast Congo erupts and the future of the DRC, if not all of central Africa, hangs in the balance. As Secretary General Kofi Annan tells the General Assembly at the conclusion of The Peacekeepers: "History is a harsh judge. The world will not forgive us if we do nothing." Whether the world's peacekeeper did enough remains to be seen.