Cityscape

This animated short film attempts to answer the eternal questions, What is dying? and How does it feel? Based on recent studies, case histories and some of the ancient myths, the afterlife state is portrayed as an awesome but methodical working-out of all the individual's past experiences. Film without words.

Animator Ryan Larkin does a visual improvisation to music performed by a popular group presented as sidewalk entertainers. His take-off point is the music, but his own beat is more boisterous than that of the musicians. The illustrations range from convoluted abstractions to caricatures of familiar rituals. Without words.

The NFB's 26th Oscar®-nominated film.

Animator Ryan Larkin uses an artist's sensibility to illustrate the way people walk. He employs a variety of techniques--line drawing, colour wash, etc.--to catch and reproduce the motion of people afoot. The springing gait of youth, the mincing step of the high-heeled female, the doddering amble of the elderly--all are registered with humour and individuality, to the accompaniment of special sound. Without words.

This animation short by Ryan Larkin (Walking, Street Musique, etc.) recounts some “comical experiences” Larkin had during his many years as a panhandler in Montreal. It tells the story of Astral Pan, a street beggar (voiced by Larkin himself), who takes us on a wild journey from the sidewalks of a wintry Montreal day, to the gates of Heaven and Hell and back. The great filmmaker passed away before finishing his film. Spare Change was completed by a friend, producer and singer-songwriter Laurie Gordon, assisted by a team of young, devoted animators.

Original music by Laurie Gordon's band Chiwawa, featuring the single "Do It For Me."

A particularly creative example of the pinscreen animation technique, this film is about an artist who steps inside his painting and wanders about in a landscape peopled with symbols that trigger unexpected associations. Film without words.

This experimental short film by Norman McLaren is a playful exercise in intermittent animation and spasmodic imagery. Playing with the laws relating to persistence of vision and after-image on the retina of the eye, McLaren engraves pictures on blank film creating vivid, percussive effects.

This experimental short documents the clash, sometimes obsessive, sometimes glorifying, between humans and their mechanized environment. Using photographs, the animator creates varying perspectives through optical manipulation and changing colour, achieving bold and provocative effects.

Warning: This film contains flashing images and stroboscopic sequences

This film is part of a series of television programs including interviews with the directors of short animated films as well as the films themselves. This video includes 2 animated shorts: Quilt (by Gayle Thomas), an animated tribute to patchwork quilting and Scant Sanity (by John Weldon), an exploration into the nature of the mind and reality in which a person seeking job counseling receives psychiatric treatment instead, thereupon becoming convinced of the reality of his own internal world.

In this extraordinary short animation, Evelyn Lambart and Norman McLaren painted colours, shapes, and transformations directly on to their filmstrip. The result is a vivid interpretation, in fluid lines and colour, of jazz music played by the Oscar Peterson Trio.

In this short film, a young man, a girl and a dog attempt to fly with wings more symbolic than practical. Music by poet Leonard Cohen, performed by The Stormy Clovers.

In this award-winning animation-documentary, we meet two unusual artists. Ryan Larkin was once a brilliant filmmaker who ended up on the streets in Montreal. Chris Landreth is a rising star in animation beginning to experience the kind of adulation Larkin received decades earlier.

With excerpts from both men's Oscar®-nominated works, this film delves into the tale of Larkin’s descent and the fascinating relationship that developed between the two men. It is a poignant study of artists, addiction and creativity.