This experimental short documents the clash, sometimes obsessive, sometimes glorifying, between humans and their mechanized environment. Using photographs, the animator creates varying perspectives through optical manipulation and changing colour, achieving bold and provocative effects.
Warning: This film contains flashing images and stroboscopic sequences
The NFB's 16th Oscar®-nominated film.
Arthur Lipsett's first film is an avant-garde blend of photography and sound. It looks behind the business-as-usual face we put on life and shows anxieties we want to forget. It is made of dozens of pictures that seem familiar, with fragments of speech heard in passing and, between times, a voice saying, "Very nice, very nice." It was critically acclaimed and plays frequently in festivals and film schools around the world.
This animated short film attempts to answer the eternal questions, What is dying? and How does it feel? Based on recent studies, case histories and some of the ancient myths, the afterlife state is portrayed as an awesome but methodical working-out of all the individual's past experiences. Film without words.
The NFB's 24th Oscar®-nominated film.
This short film by Norman McLaren is a cinematic study of the choreography of ballet. A bare, black set with the back-lit figures of dancers Margaret Mercier and Vincent Warren create a dream-like, hypnotic effect. This award-winning film comes complete with the visual effects one expects from this master filmmaker.
Animator Paul Driessen sets eight interlocking tales to the music of Vivaldi's Four Seasons in this animated short. Toying with traditional storytelling structures, Driessen allows his stories to unfold simultaneously in eight different windows on screen. Like Vivaldi, he uses the seasons to delineate the work.
This short Guy Maddin film tells the story of inventor Nihad Ademi, who harnesses the power of the aurora borealis in Winnipeg in 1939. Ademi uses this power to broadcast images of Canada to its own citizens from coast to coast, but in the process angers he the government.