Quilt

This experimental short film by Norman McLaren is a playful exercise in intermittent animation and spasmodic imagery. Playing with the laws relating to persistence of vision and after-image on the retina of the eye, McLaren engraves pictures on blank film creating vivid, percussive effects.

This animated short by Norman McLaren and René Jodoin is a play on motion set against a background of multi-hued sky. Spheres of translucent pearl float weightlessly in the unlimited panorama of the sky, grouping, regrouping or colliding like the stylized burst of some atomic chain reaction. The dance is set to the musical cadences of Bach, played by pianist Glenn Gould.

In this short film, which mixes live action with cutout and embroidery animation, a group of children finds a magic quilt that is their passport to a voyage of discovery. They step inside the quilt and as they travel through its velvet farmlands and satin cities, they experience the multiculturalism of Canada. The quilt is torn and the magic broken when a quarrel breaks out. Once the quilt is repaired and harmony restored, the children have learned that patience and goodwill are needed to mend and maintain quilts, friendships, and nations.

In this extraordinary short animation, Evelyn Lambart and Norman McLaren painted colours, shapes, and transformations directly on to their filmstrip. The result is a vivid interpretation, in fluid lines and colour, of jazz music played by the Oscar Peterson Trio.

In this short drama, Peter accidentally breaks a glass bowl intended as a birthday gift for his mother. Mr. and Mrs. Deichmann and their daughter Anneke, all artisans in clay, come to the rescue and make him one of their designs while Peter watches. Every stage, from the first turn of the potter's wheel to the final glazing and baking, is shown.

Eye Witness was a series of short monthly newsreels produced by the NFB during the post-war period. Each installment included several short reports on issues dear to Canadians. In episode No. 34, we see: The Fireman Is a Grocer, which takes a closer look at the voluntary fire department in Kentville, Nova Scotia; Artistry in Clay and Cloth, which introduces us to a Czech artist skilled in ceramics and a group of artists from Montreal who create novel designs with silk screens and colourful dyes; and Winter Morning, which offers a glimpse of a day in the life on the Wiebe farm in Saskatchewan.

In this award-winning animation-documentary, we meet two unusual artists. Ryan Larkin was once a brilliant filmmaker who ended up on the streets in Montreal. Chris Landreth is a rising star in animation beginning to experience the kind of adulation Larkin received decades earlier.

With excerpts from both men's Oscar®-nominated works, this film delves into the tale of Larkin’s descent and the fascinating relationship that developed between the two men. It is a poignant study of artists, addiction and creativity.

This short documentary pays tribute to the craftsmen everywhere whose work adds color and richness to life. Filmed in the Canadian Arctic, Finland, India, Nigeria, Japan, Mexico, and Poland, it shows the special skills of artisans working at their crafts - stone sculpture, pottery, ceramics, weaving, dyeing, puppet making, embroidery. Each indigenous skill is a reflection of the culture of the country.

This short animation is a dizzying celebration of sound, colour and movement. Here, multitudes of CMYK symbols, pulled off flaps of cereal boxes and other common printed materials, have been isolated and assembled. Freed from their workaday origins, these objects become moving artwork. Coloured dots pulsate, crosshairs roll and primary shapes dance. The result: an unrestrained riot of colour and energy.

This wartime publicity trailer by Norman McLaren focuses on wartime inflation and the role of price control. Single-frame animation is used with pen drawings made directly on 35mm film stock. Music is by Louis Applebaum, a leading composer and advocate for the arts in Canada.

This animated short by Norman McLaren is a publicity message for a war bond campaign. Symbols, a stick man and lettering are drawn directly on 35mm film stock and synchronized with a brass band rendition of Sousa's march "The Thunderer."