Mettant en vedette des oeuvres d'artistes canadiens et internationaux des années 1970 jusqu'à aujourd'hui, ce vidéo constitue une introduction à la richesse et à la diversité de la collection d'art contemporain du Musée des beaux-arts du Canada. Conçu en neuf parties, C'est quoi ça? Comprendre l'art contemporain commente des peintures, des sculptures, des installations et des photographies. Il explore des questions fondamentales suscitées par l'art contemporain : Pourquoi semble-t-il si simple? Comment doit-on le regarder? Ce documentaire offre un aperçu intime de ce qui motive les artistes à créer et il examine la variété des matériaux qu'ils utilisent ainsi que l'influence de la photographie et des nouvelles technologies sur leur façon de travailler. C'est quoi ça? s'intéresse également à la fonction de la langue et de l'histoire dans le développement de l'art des Premières Nations du Canada
This documentary takes us on a visual journey through different cultures and range of human experiences and shows the many uses of our hands; working, communicating, creating art and music, expressing our sensuality, manipulating weapons and as instruments of healing and worship.
Interweaving poetry, painting, photography, music and sculpture, this feature documentary is an innovative look at the lives and work of Canadian men and women artists of Italian origin. Broaching issues of identity and culture, the film explores the relationship between the immigrant experience and the creative process.
A film featuring architect, sculptor, and musician Nobuo Kubota in a sound-sculpture performance. From within a cage-like structure filled with traditional musical instruments and sound-making devices fashioned from ordinary objects and toys, Kubota creates an aural/visual montage of musical notes and noises. Praised by music educators as a valuable tool for teaching creativity in sound exploration and musical innovation, the film reveals the infinite percussion possibilities of simple objects and presents a portrait of a versatile performer whose imagination has led him far beyond the confines of conventional music.
A general look at the Québec art scene--what painters and sculptors say about their work, about the place of art in society, and what has fired Québec's particular interest in art. The views of well-known artists are heard, as well as those of several museum directors, art critics, and some members of the lay public who confess to be not entirely in accord with the more modern art forms.
There is a moment during the construction of a canoe when its true form is revealed. A hull drops into place. The elegant arc of a bow cuts forth. A similar process sometimes occurs in life, when a person finally discovers their true path.
The feature documentary Voices Across the Water follows two master boat builders as they practise their art and find a way back to balance and healing.
This feature-length documentary traces the journey of the Haisla people to reclaim the G'psgolox totem pole that went missing from their British Columbia village in 1929. The fate of the 19th century traditional mortuary pole remained unknown for over 60 years until it was discovered in a Stockholm museum where it is considered state property by the Swedish government.Director Gil Cardinal combines interviews, striking imagery and rare footage of master carvers to raise questions about ownership and the meaning of Indigenous objects held in museums.
In this follow-up to his 2003 film, Totem: the Return of the G'psgolox Pole, filmmaker Gil Cardinal documents the events of the final journey of the G'psgolox Pole as it returns home to Kitamaat and the Haisla people, from where it went missing in 1929.
This short documentary is a portrait of Andrew Qappik, a world-renowned Inuit printmaker from Pangnirtung, Nunavut. Originally inspired by images in the comic books he read as a child, Andrew now finds his subjects in the stories, traditions and day-to-day events of his world.
In I Can Make Art Like Andrew Qappik, he captivates his student audience by creating a soapstone relief print before their very eyes. Then it's the kids' turn. They explore Andrew's symbolic imagery - and their own - as they each create a self-portrait relief point.
In this revealing study of Norval Morrisseau, filmed as he works among the lakes and woodlands of his ancestors, we see a remarkable Indigenous artist who emerged from a life of obscurity in the North American bush to become one of Canada's most renowned painters. Morrisseau the man is much like his paintings: vital and passionate, torn between his Ojibway heritage and the influences of the white man's world. Jack Pollock, the Toronto art gallery owner who discovered Morrisseau's paintings in the early 1960s, comments on what makes them so unique.
Directed by Ariane Louis-Seize, this tribute film was created as a gift for Lorraine Pintal, director of Montreal’s Théâtre du Nouveau Monde. Featuring some of the most memorable characters and performers of Pintal’s career, the film’s succession of surreal scenes from different dramatic worlds introduces viewers to the exceptional woman of theatre, stage director, and friend whom they consider to be the “ghost light” of Quebec theatre.