"Saltspring Island... close to a city, but full of magical, almost untouched places. A small town with a Saturday market. And in the middle of the island... trees, lots of trees." When the roar of chainsaws shatters the quiet of this idyllic setting, director Mort Ransen and other residents awake to an unexpected intrusion. A logging operation is underway in a central pristine valley. Within hours, a group of islanders rallies to oppose the cutting--only to discover that a logging company has purchased one of the largest expanses of undeveloped wilderness in the Southern Gulf Islands. Concerned about its potentially devastating impact on Saltspring's ecology, economy and natural beauty, the residents set out to stop the logging. The award-winning director of Margaret's Museum, Mort Ransen, turns his camera on his own community to document a lively and provocative debate. On one side--the developers, who defend their right to do what they want on private land. On the other--Saltspring residents, who blockade roads, chain themselves to logging trucks and lobby government to protect their island.
This documentary examines the battle strategies of citizens, scientists, loggers, environmentalists and First Nations people who are fighting over the liquidation of public forests and, with it, a way of life.
This short documentary shows initiatives kids take to transform bare pavement into dream schoolyards. Some grow trees for shade, and vegetables for a food bank. Others build a greenhouse or a rooftop garden, while others yet construct a courtyard pond as an outdoor classroom and refuge for wildlife.
A Crack in the Pavement is a two-part video set that shows children, teachers and parents how they can work together to 'green' their school grounds and make positive changes in their communities.
This short documentary follows students from Toronto's Jesse Ketchum School as they take steps towards the greening of their schoolyard. Along the way they get how-to advice and inspiration from kids across the country; from Pauline Public School, where students raised $10,000, to Broadacres School, where a family of wild ducks found a home in their pond.
A Crack in the Pavement is a two-part video set that shows children, teachers and parents how they can work together to 'green' their school grounds and make positive changes in their communities
Visually seductive, this film uncovers a few hard truths under the packaging. Dr. Vladimir Krajina, botanist and teacher, is waging a successful battle in British Columbia for the creation of ecological reserves. He explains the importance of such sanctuaries and why people must know and respect nature's laws if the future needs of industry and the desire for a high quality of life are to be reconciled.
This feature-length documentary tells the story of two very different men brought together by New Brunswick's decision to hand the management of millions of acres of Crown land to six multinationals. One man is an Acadian woodlot owner retired after nearly 40 years in a pulp mill; the other is a painter and winemaker with homes in France and New Brunswick.
The activitists travel to Finland, home of UPM-Kymmene, one of the largest licence holders of New Brunswick Crown lands, to urge company officials to practise responsible forestry. They also go head-to-head with the provincial government to secure a new community-based forestry policy that is environmentally sustainable and produces more jobs than the highly mechanized techniques used today.
Shoal Lake 40 women talk about their struggles, and those of their parents and grandparents, in trying to raise their families in a hazardous state of enforced isolation. Everyone in the community has a harrowing story of a loved one falling through the ice while trying to get across the lake, with pregnant women and new mothers fearing for their babies and having no choice but to make the trek in dangerous conditions. The film shows the key role of the community’s women in demanding funding for the road from three levels of government, and how their reconnection to culture and ceremony give them the strength to keep going.
The hunters are the Innu people and the bombers are the air forces of several NATO countries, which conduct low-level flights over the Innu's hunting terrain. The impact of the jets is hotly debated by peace groups, Indigenous people, environmentalists and the military. But what is often overlooked are the many complex changes underway in Innu society, as social and technological changes confront a traditional hunting culture.
A compelling hybrid of drama and documentary, this feature film covers the events that led up to the infamous destruction of an extraordinary 300-year-old tree held sacred by the Indigenous Haida Nation of Haida Gwaii, British Columbia. Inspired by John Vaillant’s award-winning book The Golden Spruce, the film introduces us to the complex character of Grant Hadwin, a logging engineer and survivalist who lived and worked happily for many years in BCʼs ancient forests. Witnessing the devastation wrought by clear-cutting, Hadwin was finally driven to commit what some would say was an extraordinary and perverse act, one that ran contrary to all he had come to value. Interweaving speculation, myth and reality, the film charts Hadwin’s emotional crusade against the destruction of the world’s last great temperate rainforest and explores the possible motives for his unprecedented crime.
Hubert Reeves is an astrophysicist whose honours from the scientific community include the Albert Einstein award. But Reeves is known to the public as a wonderful popularizer of scientific ideas, possessed of an exceptional talent at combining science and humanism.
As a child growing up near Lac St-Louis in Quebec, Reeves was fascinated by nature and its relationship to the rest of the universe. This fascination led him to Cornell University, where he studied with some of the great scientific minds of the 20th century. A raconteur, Reeves tells stories about his remarkable professors, men like Hans Bethe, Philip Morrrison and Bob Wilson, whose research led to the atom bomb. Reeves also offers revealing anecdotes about Einstein, Niels Bohr, Oppenheimer and Teller.
With his usual enthusiasm, Reeves highlights milestones in astrophysics, showing us a view of the moon as seen by Galileo in 1609, and remarkable photos of galaxies colliding billions of light-years away. Along with stunning visuals, we listen as Reeves explains history and theory in a highly accessible way.
A committed ecologist, Reeves warns about the deterioration of our planet. In the face of explosive economic globalization, Reeves believes that the globalization of ecological movements offers hope.
This feature documentary zooms in on a Grade 6 class in Quebec where a teacher is implementing an experimental teaching method aimed at preparing children to take up environmental challenges. Over the course of a year, Dominique Leduc’s students will learn to identify, analyze and resolve a problem that exists in their world. They also learn about the uncertainty faced by those who want change.
When Jennifer Abbott lost her sister to cancer, her sorrow opened her up to the profound gravity of climate breakdown. Abbott’s new documentary The Magnitude of All Things draws intimate parallels between the experiences of grief—both personal and planetary. Stories from the frontlines of climate change merge with recollections from the filmmaker’s childhood on Ontario’s Georgian Bay. What do these stories have in common? The answer, surprisingly, is everything. For the people featured, climate change is not happening in the distant future: it is kicking down the front door. Battles waged, lamentations of loss, and raw testimony coalesce into an extraordinary tapestry, woven together with raw emotion and staggering beauty that transform darkness into light, grief into action.
The growing resolve of a group of Montréal women, members of STOP (Society To Overcome Pollution), to do something about air pollution by factories in their city led to a campaign to focus public attention on the problem. Despite rebuffs of every kind, they persisted until they were able to bring newspapers, radio and television to bear on their fight. What they accomplished, and how they went about it, will interest urban audiences.
The fur trade is Canada's oldest industry, but today some people challenge the morality of killing animals for their fur. This film examines the public relations war raging between the industry and its opponents and takes an objective look at the ethical, environmental and economic issues raised by the debate. The struggle to win over public opinion has been joined by Indigenous peoples in Canada who fear that their way of life will be jeopardized if the fur industry is destroyed. The cycle of the industry is followed from the trapper's bush camp and the fur ranch to the final sale of a coat in the furrier's salon. Throughout the film, the conflicting opinions of fur industry representatives, animal rights activists and Indigenous people challenge the viewer to consider all aspects of this complex debate.
Pipelines, Power and Democracy is a striking documentary that follows the mobilization of ordinary people to thwart the ambitions of oil companies and halt, even if only temporarily, the advance of pipelines across Quebec. In the process, the film offers a sharp reminder that power can be accessible to all.
This documentary from the Shining Mountains series focuses on solutions to the conservation issues facing the Rockies. There, business, government and local residents are getting political and joining forces to ensure that the grizzly, the wolf and the caribou remain at home on their range. The film highlights a coalition known as 'Y2Y' - the Yellowstone to Yukon Conservation Initiative - whose aim to connect wildlife corridors through half a million square miles, with participation from industry stakeholders. From visits with old-time mountain man Andy Russell, to a Kaska-Dene youngster heading out on his first moose hunt, Clarkson takes heart in the wisdom of those who know best what it means to live in harmony with Nature.
This documentary from the Shining Mountains series asks a hard question: are we loving our mountains to death? In this installment, filmmaker Guy Clarkson examines human encroachment in our mountain regions. Between recreation, resource exploitation and residential development, how much pressure the mountains can withstand? Can we save it before it’s too late? The film takes us skiing down virgin slopes with a heli-ski pioneer, hill climb with snowmobilers and ride boundary trails with National Park wardens. We also meet a First Nations chief who sees her tribe's future in the development of a casino and golf course.
The Peace River Valley in British Columbia is an area of rich farmland threatened by the construction of a hydro-electric dam. This Borrowed Land gives the women who farm the Peace the chance to voice their growing concern over the conversion of farmland to uses not related to the production of food. They ask: "Will we leave our children enough land to grow food on?" They are firmly committed to their lifestyle despite the difficulties, both concrete and imponderable. A film about agriculture, ecology, land misuse, and stout-willed farmers who happen to be women.
This documentary looks at the risks of a proposed sour gas well near Clearwater River, in Rocky Mountain House, Alberta. Farmers and landowners all share concerns. Residents opposed to the well fear a deadly hydrogen sulphide leak. Shell Canada says it must drill to meet energy needs. When mediation talks break down, both sides anxiously await a ruling from Alberta's Energy and Utilities Board.