Thomas

Raised in a refugee camp in the West Bank while her mother was in prison, Walaa dreams of becoming a policewoman in the Palestinian Security Forces (PSF). Despite discouragement from her family, even her beloved brother Mohammed, Walaa applies and gets in.  But her own rebellious behaviour and complicated relationship with her mother are challenging, as are the circumstances under which she lives.

Following Walaa from 15-21, with an intimate POV, What Walaa Wants is the compelling story of a defiant young girl navigating formidable obstacles, learning which rules to break and follow, and disproving the negative predictions from her surroundings and the world at large.

This feature documentary presents a thoughtful and vivid portrait of a community facing imposed relocation. At the centre of the story is a remarkably astute and luminous 12-year-old black girl whose poignant observations about life, the soul, and the power of art give voice to those rarely heard in society. Unarmed Verses is a cinematic rendering of our universal need for self-expression and belonging.

A blend of drama and documentary, this film follows several people caught up in the turmoil of the modern world. The drama centres on a woman who has burned out and who holds up her own despair – and her attempts to rebuild her life – as a mirror to the rest of us. With a blend of gravity and humour, Sylvie Groulx's film shows the absurdity of a society dedicated to the cult of speed at all costs.

A glimpse into the nature of loneliness. Frances Hyland plays the part of a small-town girl who enjoys position and respect in her community as the owner of a successful dress shop, but who wonders if marriage might not have been a better choice. Disturbed by thoughts of what might have been, she resolves to live each day as it comes.

Filmed in a squatter community of Labangon in Cebu, Philippines, Holding Our Ground is the inspiring story of a group of women who have organized collectively to pressure their government for land reform, to establish their own money-lending system and to create shelters for street kids. A story of grassroots organizing that can be a model in both hemispheres.

Inspired by a real-life news item, this animated short paints a pulsating portrait of a mixed-use, working-class neighbourhood where young families cross paths with prostitutes, their interactions leaving unpredictable ripples in the motley fabric of urban life.

The film reflects the dilemma of an urban family whose private world is no longer proof against strains from outside. The head of the family, a Montréal businessman tormented by a sense of failure, seeks a new self-image in an out-of-town affair. His college son is drawn to student causes and a night-club singer. The youngest boy, confused and insecure, wants to run away from it all; and the mother, caught in the middle, no longer feels adequate as everyone's guide and protector. It is a familiar theme portrayed in moving, human terms.

Richard Cardinal died by his own hand at the age of 17, having spent most of his life in a string of foster homes and shelters across Alberta. In this short documentary, Abenaki director Alanis Obomsawin weaves excerpts from Richard’s diary into a powerful tribute to his short life. Released in 1984—decades before the Truth and Reconciliation Commission—the film exposed the systemic neglect and mistreatment of Indigenous children in Canada’s child welfare system. Winner of the Best Documentary Award at the 1986 American Indian Film Festival, the film screened at New York’s Museum of Modern Art in 2008 as part of an Obomsawin retrospective, and continues to be shown around the world.

The phenomenon of perinatal grief has largely gone unrecognized; parents who live through the experience frequently find themselves isolated, with no resources to support them. Co-directed by Samuel-A. Caron and France Gallant, Moments of Life breaks the silence on this sensitive subject. We follow a group of bereaved parents who organize to offer support in their region, driven by a determination to reduce isolation. This film is both a conversation-starter and a source of hope and inspiration.

On the verge of being evicted, Theresa heads out to work panhandling on a familiar patch of concrete in downtown Toronto. Confiding in her caseworker, Bouchra, Theresa blames herself for her eviction and delivers a startling revelation.

This short film is a chapter from Here At Home, a web documentary about mental health and homelessness that takes us inside the Mental Health Commission of Canada's At Home pilot project.

In the chaos of the post-modern world we still need the village psychic. Throughout the Maritime provinces of eastern Canada, neighbourhood fortune-tellers and village wise-women are alive and well, and their practices have survived intact. These women often work at the kitchen table--and today, they're more sought-after than ever. They're seemingly average people who don't put on airs and affectations, but who go about doing some rather extraordinary things with very little fuss. Using herbal preparations, spells, astrology, or tools as simple as tea leaves and tap water, they look into the past, present and future -- and offer tips on coping with what life throws our way. It's a fascinating tradition--and director Donna Davies has been immersed in it since childhood. Join her in The Kitchen Goddess as she takes you on a personal visit into the worlds of seven Maritime psychics.