Each Day That Comes

The story of a young woman's schizophrenic breakdown, and of her recovery in a modern mental hospital. Inherent in the film is an appeal for greater public understanding of mental illness and for the removal of the stigma that still surrounds it. The film presents the case of a seemingly well-adjusted young woman, showing the disintegration of her personality and the psychiatric treatment that follows.

The case history of Margaret, a 23-year-old girl who has physical disorders with no physical causes. A psychiatrist shows her the root of her troubles--childhood overprotection and discouragement of her efforts to express herself, resulting in a crippling fear of failure and a complete inability to assert herself. When Margaret understands her problem, she develops new and healthier habits of behaviour.

Dramatizes the factors producing resentment and hostility in personal relationships. In the story of Clare we see how the death of her father and the later remarriage of her mother discouraged her from seeking affectional relationships with others. Although successful at college and in her business career, she feels the lack of fellowship and understanding. The factors behind this emotional inadequacy are reviewed by a psychiatrist.

A blend of drama and documentary, this film follows several people caught up in the turmoil of the modern world. The drama centres on a woman who has burned out and who holds up her own despair – and her attempts to rebuild her life – as a mirror to the rest of us. With a blend of gravity and humour, Sylvie Groulx's film shows the absurdity of a society dedicated to the cult of speed at all costs.

How and why feelings of depression carry over from childhood to overshadow adulthood are explained in the case of John Murray, an industrious and conscientious businessman. As his case history unfolds we see how persisting reactions to early emotional problems render him incapable of enjoying a happy, normal life.

The case history of a man whose life is crippled by behaviour patterns carried over from a too-dependent childhood. Through therapy he comes to understand the causes of his illness and fear.

In the chaos of the post-modern world we still need the village psychic. Throughout the Maritime provinces of eastern Canada, neighbourhood fortune-tellers and village wise-women are alive and well, and their practices have survived intact. These women often work at the kitchen table--and today, they're more sought-after than ever. They're seemingly average people who don't put on airs and affectations, but who go about doing some rather extraordinary things with very little fuss. Using herbal preparations, spells, astrology, or tools as simple as tea leaves and tap water, they look into the past, present and future -- and offer tips on coping with what life throws our way. It's a fascinating tradition--and director Donna Davies has been immersed in it since childhood. Join her in The Kitchen Goddess as she takes you on a personal visit into the worlds of seven Maritime psychics.

Don Owen’s groundbreaking short drama tells the story of two young women who go to the city to work in a dress factory, and who share a room to ease their expenses and their loneliness. The film shows the currents that brought them together and the facets of their natures that first made them seem compatible but eventually drove them apart. Their story reflects, to a degree, the situation of anyone who has ever shared the life of another.

Directed by John Kastner, this feature documentary about violence, mental illness, and the rights of victims tells the story of a troubled young man who stabbed a complete stranger 6 times in a crowded shopping mall while gripped by psychosis. Twelve years later, his victim, who miraculously survived, is terrified to learn that he’s out, living in the community under supervision. He’s applying for an absolute discharge, and if he succeeds, he’ll no longer be required to take the anti-psychotic drugs that control his mental illness. With unprecedented access to the patient, the victim, and the mental institution, the film looks at both sides of the debate and puts a human face on the complex ethical issues raised.

From stage hypnosis to group and individual therapies and long-term conditioning, Captive Minds: Hypnosis and Beyond explores the power of suggestion and its ability to influence behaviour--sometimes for life. By focusing on such disparate institutions as an Indian ashram, a United States Marines training camp, a monastery, and the Moonie cult, the film reveals the striking similarities in the indoctrination methods each uses to achieve long-term effects. It is a film that serves as a reminder that we are all vulnerable to persuasion, and one that provokes serious consideration of the far-reaching implications of any form of psychological manipulation.

In the voiceover for this animated short, a young woman attempts to describe herself, casting her life in the ideal light that society expects. The film’s imagery, however, tells a different story, poignantly illustrating the intense anxiety that comes with the quest for perfection and the pursuit of happiness. A film that’s both funny and moving, and above all, profoundly human.