Terre d'écueil

This animated short is a story about the eternal search for home. Hollow Land begins, as all such searches must, with the dream of utopia. Solomon and Berta are two seekers who arrive—their treasured bathtub improbably in tow—in a land that promises respite from their many journeys. From the first optimistic moments after their arrival, to the final haunting scene at sea, Hollow Land captures the state of being displaced—whether by circumstance or by choice.

Ce court métrage d'animation 2D raconte l'histoire d'un monstre qui rôde dans une maison, telle une ombre insaisissable venue troubler le sommeil d'un gamin et de ses deux sœurs. Avec une terrifiante habileté, il s'infiltre tour à tour dans leurs pensées pour réveiller leurs plus grandes peurs. Pour l'adolescente, la pire crainte serait de ne pas correspondre à l'idéal de beauté véhiculé par les médias.

D'où viennent ces monstres qui nourrissent leur sentiment d'insécurité? Pourquoi exercent-ils tant de pouvoir? Conçu pour de jeunes spectateurs, ce film d'animation plein d'humour favorisera les échanges sur l'origine des angoisses suscitées par l'image corporelle. Film sans paroles.

Film d'animation illustrant l'écrasement de l'homme moderne par le rouleau compresseur de la performance. Entre figuration et abstraction, Drux Flux s'inspire de L'homme unidimensionnel du philosophe Herbert Marcuse. Le cinéaste déconstruit les paysages industriels et met en cause la suprématie de la technique au dépend de l'humanité.

In this short abstract-impressionist film the animation and music were made simultaneously in an organic process of symbiotic creativity. Filmmaker Iriz Pääbo tells the highly subjective story of a complete hockey game using a new cinematic vocabulary she calls "animbits." Pääbo readily admits she is not the biggest fan of Canada's national game, so the great, though highly underappreciated NHL stalwart of the '60s and '70s, Eric Nesterenko, was her hockey muse in this artistic journey. A lyrical and wonderfully unorthodox interpretation of hockey.

This short newsreel highlights the battles faced by both Axis and Ally powers over the minds of the world through propaganda and information. Part of the World in Action series, this film includes footage of Winston Churchill, Benito Mussolini, and Adolf Hitler.

This short film from 1944 depicts the aftermath of World War II in Europe, with people desperate for food, clothing, and medical and agricultural supplies. It then captures the raison d’être for the United Nations Relief and Rehabilitation Administration, as they’re shown stepping up to help those in dire need.

This short satirical film, created entirely from archival footage, is about the British Empire—on which the sun never sets. The majority of the humour and wit is found in the interplay between image and sound: what we see during the formative days of the Empire, and what famous servants had to say about it. Edited by Oscar®-nominated experimental filmmaker Arthur Lipsett (Very Nice, Very Nice).

High Wire examines the reasons that Canada declined to take part in the 2003 US-led military mission in Iraq, shining a spotlight on the diplomatic tug of war that took place behind the scenes with our neighbours to the south, who have often adopted an interventionist foreign policy to serve their own economic and geopolitical interests. Canada’s historic refusal could have had disastrous consequences, but a number of key players and other analysts remind us of the terrible price we pay when diplomacy fails.

Vocational Training for Repats: Vocational training for Canadian veterans includes courses in the building trades, haircutting, mechanics and electronics, as well as home economics and hairdressing. Canadian Soap for UNRRA: Soap is manufactured in Canada for distribution throughout Europe by the United Nations Relief and Rehabilitation Administration. Railway Cars for Russia: Railway cars are produced in Canada and shipped to the Soviet Union to help rebuild the Russian transportation system.

In this animated short, the viewer is placed in a landscape whose scenery constantly morphs and mutates and the helter-skelter world evokes the chaos of modern life.

This feature documentary offers a rare glimpse into the frontlines of democracy building through the eyes of a Canadian mother and her daughter. In the heart of Kosovo, an international mission struggles to bring democracy to a land torn apart by bloodshed. There, Canadian lawyer Carolyn McCool works to build bridges between Kosovo Albanians and Serbs, while her 20-year-old daughter Kate travels with a musical roadshow to generate grassroots support for the election among the youth.