Stories from Our Land Vol. 2 - The Vending Machine

This short film explores why Inuit games were more than just fun to pass the time; it required the athletes to be in peak physical condition to perform these ancient feats of strength.

Stories from Our Land 2.0 is the latest edition of the NFB's Indigenous short film inititiative. This edition helped four Inuit youth hone the creative skills and tell their stories, offering viewers insightful perspectives on life in Nunavut.

In this short film, filmmaker Jobie Weetaluktuk mixes archival and new footage to make a statement about the appropriation of Inuit culture throughout history.

In this feature-length documentary, three generations of the Caribou Inuit family come together to tell the story of their journey as Canada's last nomads. From the independent life of hunting on the Keewatin tundra to taking the reins of the new territory of Nunavut on April 1, 1999, we see it all.

The film is the result of a close collaboration between Ole Gjerstad, a southern Canadian, and Martin Kreelak, an Inuk. It's Martin's family that we follow, as the story is told through his own voice, through those of the Elders, and through those of the teens and young adults who were born in the settlements and form the first generation of those growing up with satellite TV and a permanent home.

This short documentary serves as a quiet elegy for a way of life, which exists now only in the memories of those who experienced it. Bonnie Ammaaq and her family remember it vividly. When Bonnie was a little girl, her parents packed up their essentials, bundled her and her younger brother onto a long, fur-lined sled and left the government-manufactured community of Igloolik to live off the land, as had generations of Inuit before them.

This short film tells the story of Isaci Etidloie, a man well-known in the Arctic for his pedigree and prowess in shaping old rocks. His creations often serve to recount taboo stories and Inuit myths. Stories from Our Land 2.0 is the latest edition of the NFB's Indigenous short film inititiative. This edition helped four Inuit youth hone the creative skills and tell their stories, offering viewers insightful perspectives on life in Nunavut.

This short documentary serves as a quiet elegy for a way of life, which exists now only in the memories of those who experienced it. Bonnie Ammaaq and her family remember it vividly. When Bonnie was a little girl, her parents packed up their essentials, bundled her and her younger brother onto a long, fur-lined sled and left the government-manufactured community of Igloolik to live off the land, as had generations of Inuit before them.

Shot during 3 seasons, this documentary tenderly portrays village life in Puvirnituq, on the shores of Hudson Bay in northern Quebec, as well as the elements that forge the character of its people: their history, the great open spaces, and their unflagging humour.

This film was produced as part of an emerging filmmaker competition for Indigenous filmmakers. It was directed by Bobby Kenuajuak of Puvirnituq, age 23.

25-year-old Mosha Michael made an assured directorial debut with this seven-minute short, a relaxed narration-free depiction of an Inuk seal hunt. Having participated in a 1974 Super 8 workshop in Frobisher Bay, Michael shot and edited the film himself. His voice can be heard on the appealing guitar-based soundtrack. Released in 1975, Natsik Hunting is believed to be Canada’s first Inuk-directed film.

This short documentary filmed in Pangnirtung features 2 elders reminiscing about the dances held in their community 50 years ago. One of the elders is master accordion player Simeonie Keenainak, and soon he's making toe-tapping music with his instrument. In this celebration of the pleasures of music and dance, Keenainak plays for the enjoyment of friends, family, and the community at large.

Stories from Our Land: 1.5 gave 6 Nunavut filmmakers the opportunity to each create a 5-minute short. Each film had to be made without the use of interviews or narration while telling a northern story from a northern perspective. The project was a collaboration between the NFB and the Nunavut Film Development Corporation.

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In this evocative short documentary, Inuk singer-songwriter and humanitarian Susan Aglukark weaves together stories of artistry, family, and belonging as she explores the complex cultural shifts of the last 50 years of Inuit life. Turning her lens on the turbulence of colonial transition, director Nyla Innuksuk examines the forces that shaped Aglukark's voice and how that voice is now being translated for a new generation of Inuit artists.

Produced by the National Film Board of Canada in co-operation with the National Arts Centre and the Governor General's Performing Arts Awards Foundation on the occasion of the 2016 Governor General's Performing Arts Awards.