This short documentary serves as a quiet elegy for a way of life, which exists now only in the memories of those who experienced it. Bonnie Ammaaq and her family remember it vividly. When Bonnie was a little girl, her parents packed up their essentials, bundled her and her younger brother onto a long, fur-lined sled and left the government-manufactured community of Igloolik to live off the land, as had generations of Inuit before them.
This short documentary serves as a quiet elegy for a way of life, which exists now only in the memories of those who experienced it. Bonnie Ammaaq and her family remember it vividly. When Bonnie was a little girl, her parents packed up their essentials, bundled her and her younger brother onto a long, fur-lined sled and left the government-manufactured community of Igloolik to live off the land, as had generations of Inuit before them.
This feature-length documentary chronicles the Sundance ceremony brought to Eastern Canada by William Nevin of the Elsipogtog First Nation of the Mi'kmaq. Nevin learned from Elder Keith Chiefmoon of the Blackfoot Confederacy in Alberta. Under the July sky, participants in the Sundance ceremony go four days without food or water. Then they will pierce the flesh of their chests in an offering to the Creator. This event marks a transmission of culture and a link to the warrior traditions of the past.
Kamala Todd's short film is a lyrical portrait of Cease Wyss, of the Squamish Nation. Wyss is a woman who understands the remarkable healing powers of the plants growing all over downtown Vancouver. Whether it's the secret curl of a fiddlehead, or the gentleness of comfrey, plants carry ageless wisdom with them, communicated through colour, texture, and form. Wyss has been listening to this unspoken language and is now passing this ancient and intimate connection down to her own daughter, Senaqwila.
In this short film, filmmaker Jobie Weetaluktuk mixes archival and new footage to make a statement about the appropriation of Inuit culture throughout history.
This short film portrays a family working together to make sleds. While the father expertly threads rope through runners and slats, expertly tying knots to hold them together, his wife and child work on their own stylized sleds. The film pays homage to the craft, while also capturing the sheer joy of downhill sled racing.
Stories from Our Land: 1.5 gave 6 Nunavut filmmakers the opportunity to each create a 5-minute short. Each film had to be made without the use of interviews or narration while telling a northern story from a northern perspective. The project was a collaboration between the NFB and the Nunavut Film Development Corporation.In this short film, hunter Joshua Atagooyuk stands by a seal's breathing hole. He hunches over, silent, waiting. The sun crosses the sky, hours pass, yet Atagooyuk remains, waiting for the right moment to strike.
Stories from Our Land: 1.5 gave 6 Nunavut filmmakers the opportunity to each create a 5-minute short. Each film had to be made without the use of interviews or narration while telling a northern story from a northern perspective. The project was a collaboration between the NFB and the Nunavut Film Development Corporation.This short documentary tells the story of Tony Chachai, a young Indigenous man in search of his identity. Moved by the desire to reconnect with his Atikamekw roots, he delivers a touching testimony on the journey that brought him closer to his family and community. On the verge of becoming a father himself, he becomes increasingly aware of the richness of his heritage and celebrates it by dancing in a powwow.
This film was produced as part of Tremplin NIKANIK, a competition for francophone First Nations filmmakers in Quebec.In this feature-length documentary by Alanis Obomsawin, it's the summer of 2000 and the country watches in disbelief as federal fisheries wage war on the Mi'kmaq fishermen of Burnt Church, New Brunswick. Why would officials of the Canadian government attack citizens for exercising rights that had been affirmed by the highest court in the land? Casting her cinematic and intellectual nets into history to provide context, Obomsawin delineates the complex roots of the conflict with passion and clarity, building a persuasive defence of the Mi'kmaq position.
The people of the Attawapiskat First Nation, a Cree community in northern Ontario, were thrust into the national spotlight in 2012 when the impoverished living conditions on their reserve became an issue of national debate. With The People of the Kattawapiskak River, Abenaki director Alanis Obomsawin quietly attends as community members tell their own story, shedding light on a history of dispossession and official indifference. “Obomsawin’s main objective is to make us see the people of Attawapiskat differently,” said Robert Everett-Green in The Globe & Mail. “The emphasis, ultimately, is not so much on looking as on listening—the first stage in changing the conversation, or in making one possible.” Winner of the 2013 Donald Brittain Award for Best Social/Political Documentary, the film is part of a cycle of films that Obomsawin has made on children’s welfare and rights.
Also available on the Alanis Obomsawin, A Legacy DVD box set
Ages 14 to 18
Civics/Citizenship - Human Rights
Geography - Human Geography
Geography - The Arctic
History - Canada 1946-1991
Indigenous Studies - Identity/Society
A documentary that features a family’s connection to land and resistance to government-manufactured communities. This film is ideal for generating discussion on the social conditions Inuit face in both the present and past. What was the intent of permanent government-controlled land bases (i.e., permanent settlements and reserves)? What are the short- and long-term social implications of forced relocation? What and why did Ottawa apologize for in 2019? What is forced relocation and how is it a tool of oppression and genocide? Why would a family choose to leave government-manufactured communities? Living off-grid is a new concept for some, but consider how the concept of off-grid living may have deep-rooted connotations for Indigenous people.