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Into the Light features the liberating life stories and powerful words of inspiring Quebec women of African origin who’ve regained control over their lives after suffering from domestic violence. The film transcends prejudice and breaks the silence, pulling back the curtain on a poorly understood, hidden world, while testifying to the tremendous power that comes from overcoming isolation and accepting one’s self. It’s a luminous dive into the quest for personal healing and universal humanity. This is Togo-born director Gentille M. Assih’s third documentary.

Consult the mini-lesson to find activities designed to help teachers lead discussions in the classroom.

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This documentary presents two Canadian women of Asian descent who are contemplating eyelid surgery. Maria and Sharon, of Philippino and Korean heritage respectively, believe their looks--specifically their eyes--get in the way of how people see them. Layering their stories with pop culture references to beauty icons and supermodels, filmmaker Ann Shin looks at the pain that lies deep behind the desire for plastic surgery.

Renee Thompson is trying to make it as a top fashion model in New York. She's got the looks, the walk and the drive. But she’s a black model in a world where white women represent the standard of beauty. Agencies rarely hire black models. And when they do, they want them to look “like white girls dipped in chocolate.”

The Colour of Beauty is a shocking short documentary that examines racism in the fashion industry. Is a black model less attractive to designers, casting directors and consumers? What is the colour of beauty?

This film is part of the Work For All series, produced by the National Film Board of Canada, with the participation of Human Resources and Skills Development Canada.

This short documentary tells the intensely personal story of Namrata Gill – one of the many real-life inspirations for Deepa Mehta’s Heaven on Earth – in her own words. After six years, Gill courageously leaves an abusive relationship and launches a surprising new career.

This bilingual film features the Commissioner of Official Languages and two intermediate school students. The Commissioner explains, in English and in French, the Official Languages Act, his duties and the activities of his Office under the Act. A number of light-hearted situations simulated in the film demonstrate how individual efforts can put Canada's two official languages on an equal basis.

An investigation into how language is changing in the age of COVID-19. The complete upheaval of social relationships today is leading to the reinterpretation of certain terms, which have suddenly taken on a fatal connotation. This film is a funeral mass in memory of the word “contact.”

Part of THE CURVE, a collection of social distancing stories that bring us together. Enjoy more works from this series here .

Black Mother Black Daughter explores the lives and experiences of black women in Nova Scotia, their contributions to the home, the church and the community and the strengths they pass on to their daughters.

A bold and eclectic cinematic style defines the work of filmmaker Michka Saäl and her friend, writer Nadine Ltaif as they journey from childhoods in the Middle East to their chosen home of Montréal. Saäl is Jewish, Ltaif is Arab. Together they overcome the divisive prejudices of their upbringing and embark on an engaging search for clarity, familiarity and historical significance among the immigrant communities of Montréal. Saäl uses super-8 home movies, old photographs, dramatizations and casual conversations to cross personal and political boundaries, giving voice to the varied ancestries of us all. In French with English subtitles.

This short documentary is about a young Cuban band that has recently moved to Canada. The members spend their days learning English and their nights playing and rehearsing their own blend of Cuban salsa music in clubs. The film follows the musicians, capturing their constant discussions about the political situation at home and the problems of citizen engagement in both communist Cuba and democratic Canada.

This film tells the moving story of one woman fighting for her rights and preserving her dignity. Made as part of the Work for All project in 2006, an NFB and HRSDC-Labour initiative to combat racism in the workplace. In French with English subtitles.

When a vintage bassinet appears at filmmaker Tiffany Hsiung and long-time fiancée Victoria Mata’s home, it sets off a chain reaction of emotions. The Bassinet is a gentle and affecting story about Tiffany’s personal struggle with the intersection of her sexual orientation and cultural identity, and the cross-generational burden of having a baby in the context of rigid social constructs of marriage and family.