Shannon Amen

The Physics of Sorrow tracks an unknown man’s life as he sifts through memories of his youth in Bulgaria through to his increasingly rootless and melancholic adulthood in Canada.

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After Catherine’s fatal car accident, she speaks from the beyond to her grieving husband, Philip, who must endure the family ritual of the funeral. The Procession is an elegant poem in black, white, and pink that shows us how, despite the pressure to keep up appearances, love finds a way.

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Musician Catherine MacLellan—the daughter of Canadian singer/songwriting legend Gene MacLellan—grew up surrounded by her father’s music. He died by suicide when she was 14. Two decades after his loss, Catherine is finally ready to confront the hurtful mystery of her absent parent and embrace his musical legacy.

The Song and the Sorrow follows Catherine as she journeys to understand her father and face her own struggles with mental illness. Through archival footage and intimate interviews with friends, family members, and musicians who knew and played with Gene—including Anne Murray, Lennie Gallant, and the late Ron Hynes—the film reveals a troubled and loving man who was never at ease with fame or money.

Catherine is determined to lift the oppressive burden of silence that accompanies the stigma of mental illness and hopes that others can take strength and solace from her story.

Uncle Thomas: Accounting for the Days is about the special relationship between Regina Pessoa and her uncle. The film is a testament to her love for this eccentric, who was an artistic inspiration and played a key role in her becoming a filmmaker. A moving tribute to a poet of the everyday.

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When death haunts a high school in a small town in the late 1990s, everyone is forever transformed. In this gentle, prismatic film, Samara returns to the town she fled as a teen to re-immerse herself in the memories still lurking there, in its spaces and within the dusty boxes of diaries, photos and VHS tapes. 1999 is not a ghost story, but the ghosts are palpable at every turn. The snow-covered streets, the school’s hallways and lockers are preserved as in a dream. The absences left by the relentless teenage suicides still shimmer with questions, trauma and regret. Samara encounters people who are as breathtaking as they are heartbroken, and, finally, 16 years later, the community strengthens itself by sharing the long-silenced memories. Ultimately the film weaves together multiple voices in a collective essay on how grief is internalized—and how, as children, we so painfully learn to articulate our desire to stay alive.

This documentary looks at how children deal with a parent who has died by suicide. Meet 3 people who lost their fathers to suicide at an early age but learned the truth much later, after years of confusion, grief and guilt. In French with English subtitles.

Standing before an open window, a woman gazes at black clouds darkening the horizon. She loves two men—the one who shares her present, and the one who marked her past. Frozen, she struggles against surging memories evoked by objects, the sky—everything. In the clouds, a passionately intertwined couple appears.

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The NFB’s 74th Oscar®-nominated film.

This short film tells the story of Vaysha, a young girl born with one green eye and one brown eye. But colour isn’t the only thing that’s different about Vaysha’s gaze. While her left eye sees only the past; her right sees only the future. Like a terrible curse, Vaysha’s split vision prevents her from inhabiting the present. Blinded by what was and tormented by what will be, she remains trapped between two irreconcilable temporalities. “Blind Vaysha,” they called her.

In this metaphoric tale of timeless wisdom and beauty based on the eponymous short story by Georgi Gospodinov, filmmaker Theodore Ushev reminds us of the importance of keeping our sights on the present moment.

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In this poetic short, animator Franck Dion (Edmond was a Donkey) invites us to share the journey of Jacqueline, an elderly woman living with degenerative dementia. Jacqueline isn’t quite in her right mind anymore, but she’s determined to take the train to the seaside, as she has done every summer. Only this year, she’s constantly being followed by some woman who claims to be her daughter, and the trip takes some unexpected and phantasmagorical turns.

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Co-produced by Papy3D Productions, the National Film Board of Canada and ARTE France.

Combining hands-on techniques with digital and analog technologies, No Objects transfigures forms of expression, turning photographs into etchings and sound into motion. An ode to touch in which every gesture is magnified and the image can be heard, the film offers both a bracing and contemplative meditation on the tactile world.

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In this short animation based on Marie-Francine Hébert's 2003 book of the same name, a friendship unites two little girls from opposing clans in a village where tensions are mounting. The citizens with the red shoes clearly despise those without, and one fateful morning, one of the girls and her family are accosted at gunpoint by their oppressors. The little girl barely has time to grab her beloved pet fish before the men are herded to one side and the women and children to the other. So begins our protagonist's long and painful journey as she seeks shelter for herself, her mother, and her fish. This modern tale compassionately and poetically addresses intolerance and the consequences of war.

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