This short documentary takes a frank look at the difficulty of filmmaking before the digital era, when takes were precious and few. It’s pure havoc on a pier in the Halifax dockyards as a National Film Board crew attempts to film 1000 Halifax school children playing I Believe in Music on their ukuleles. The crew's efforts are confounded by two destroyers, one helicopter, several tugboats, bullhorns, walkie-talkies, and a rather critical lack of bathroom facilities.
This short film pays tribute to filmmaker Jean Pierre Lefebvre. A seminal figure in Canadian cinema, Lefebvre has received international acclaim for his innovative, thoughtful and fiercely independent films. Here, a montage consisting entirely of excerpts from his films offers a brief foray into the depths of a body of work that is ironic, critical, intuitive, sensual, and “political” in the broadest sense of the term.
Produced by the NFB in co-operation with the National Arts Centre and the Governor General's Performing Arts Awards Foundation on the occasion of the 2013 Governor General's Performing Arts Awards.
A feature documentary on Nigeria’s successful movie industry. The creative duo of Ben Addelman and Samir Mallal – the same team who made Discordia – profile the Lagos-based dream machine. Operating on low budgets and tight schedules, “Nollywood” specializes in a unique form of African B-movie that draws upon both traditional voodoo stories and contemporary urban themes.
In this feature-length film on the art of the documentary, director Pepita Ferrari interviews 33 leading documentarians and shows clips from over 50 films. From cinéma-vérité pioneers like Albert Maysles and Michel Brault to mavericks like Errol Morris and Nick Broomfield, it explores the challenges of capturing reality on film. Directors as diverse as Pakistani feminist Sabiha Sumar and new media guru Peter Wintonick reflect on ethical issues and the contested status of the “truth.”
Featured interviews include German iconoclast Werner Herzog; Chilean filmmaker Patricio Guzmán; British director Kim Longinotto and Alanis Obomsawin, the First Lady of First Nations cinema.
Visit Capturing Reality for additional interviews and background.
In this film Keaton rides across Canada on a railway scooter and, between times, rests in a specially appointed passenger coach where he and Mrs. Keaton lived during their Canadian film assignment. This film is about how Buster Keaton made a Canadian travel film, The Railrodder. In this informal study the comedian regales the film crew with anecdotes of a lifetime in show business. Excerpts from his silent slapstick films are shown.
This documentary film is an exploration of Québec’s feature film industry. The film takes a look at the people who have succeeded in this unique milieu (Geneviève Bujold is one) or failed; at its movies, which run the gamut from hard-core skinflicks to such highly acclaimed films as Mon Oncle Antoine, and at its audiences, which number in the millions.
When William Shatner gets a Lifetime Achievement Award from Canada's Governor General, he shows appreciation as only Shatner can. In this short film, the most famous space cadet in showbiz takes helm of our heritage and treats us to a memorable rendition of Canada's national anthem.
Produced by the National Film Board of Canada in co-operation with the National Arts Centre and the Governor General's Performing Arts Awards Foundation on the occasion of the 2011 Governor General's Performing Arts Awards.
Watch more NFB comedy here.
These provocative 20-minute movies made by high school students provide an insider's look at youth culture. Made by four 17-year-old directors with help from a professional crew, Salt is a four-part filmzine: four films, four flavours, four windows into youth culture that explore alternative education, Montreal's flourishing independent music scene, the troubling practice of self-mutilation and a quest for the punk subculture.
Sculpting Memory places Atom Egoyan in an audiovisual environment woven from the fabric of his own films―a conceptual move that references Egoyan’s adaptation of Beckett’s Krapp’s Last Tape while evoking Egoyan’s own work as a moving-image installation artist and his concern with the recording and displaying of images. Directed by Toronto-based writer/director Daniel Cockburn and produced by Justine Pimlott.
Produced by the NFB in co-operation with the National Arts Centre and the Governor General's Performing Arts Awards Foundation on the occasion of the 2015 Governor General's Performing Arts Awards.
A look into the creative process and frenzy behind the third edition of the NFB Animation Hothouse. This zippy, mini-documentary reflects the youthful iconoclasm of the six emerging filmmakers and Jason Lee, the documentary director.
This film was produced as part of our Hothouse emerging filmmaker’s program
In this short film, filmmaker Denis Villeneuve takes a playful stab at mass hypnosis. Celebrating the mesmerizing power of movies, he offers mischievous glimpses into a subconscious world inhabited by Bergman, Spielberg... and Bo Derek.
The audacious creative force behind Polytechnique and the Oscar®-nominated Incendies, Villeneuve has earned a place among the world's most influential young directors.
Produced by the National Film Board of Canada in co-operation with the National Arts Centre and the Governor General's Performing Arts Awards Foundation on the occasion of the 2011 Governor General's Performing Arts Awards.
This short film from director Gerald Potterton (Heavy Metal) stars Buster Keaton in one of the last films of his long career. As "the railrodder", Keaton crosses Canada from east to west on a railway track speeder. True to Keaton's genre, the film is full of sight gags as our protagonist putt-putts his way to British Columbia. Not a word is spoken throughout, and Keaton is as spry and ingenious at fetching laughs as he was in the old days of the silent slapsticks.
For more background information about this film, visit the NFB.ca blog.