Sculpting Memory places Atom Egoyan in an audiovisual environment woven from the fabric of his own films―a conceptual move that references Egoyan’s adaptation of Beckett’s Krapp’s Last Tape while evoking Egoyan’s own work as a moving-image installation artist and his concern with the recording and displaying of images. Directed by Toronto-based writer/director Daniel Cockburn and produced by Justine Pimlott. Produced by the NFB in co-operation with the National Arts Centre and the Governor General's Performing Arts Awards Foundation on the occasion of the 2015 Governor General's Performing Arts Awards.
Ideal for essays, debates and projects on the meaning of film and the creation of meaning. How does a film create order for Atom Egoyan? How do places and space create meaning in a film? Write about a film where the setting plays an essential part. What does Egoyan mean when he says that human experience is non-linear? Create a narrative that tells a story in a non-linear way. Write a review of one of Egoyan’s films.