Un jeune homme vaniteux et arrogant ose pénétrer dans la maison constituée d’os de Baba Yaga. La suite vous donnera des cauchemars.
Ce court métrage d'animation 2D raconte l'histoire d'un monstre qui rôde dans une maison, telle une ombre insaisissable venue troubler le sommeil d'un gamin et de ses deux sœurs. Avec une terrifiante habileté, il s'infiltre tour à tour dans leurs pensées pour réveiller leurs plus grandes peurs. Pour l'adolescente, la pire crainte serait de ne pas correspondre à l'idéal de beauté véhiculé par les médias.
D'où viennent ces monstres qui nourrissent leur sentiment d'insécurité? Pourquoi exercent-ils tant de pouvoir? Conçu pour de jeunes spectateurs, ce film d'animation plein d'humour favorisera les échanges sur l'origine des angoisses suscitées par l'image corporelle. Film sans paroles.
A vain and arrogant youth dares to enter Baba Yaga’s living house of bones. What emerges will forever fill our nights with terror.
This animated short poses some interesting questions: what if buildings pulsed, trees tapped out beats, or shadows could whistle a tune? Through the creative interpretation and animation of the city's natural rhythms, Orange orchestrates a contagious urban dance.
Produced as part of the 5th edition of the NFB’s Hothouse apprenticeship.
In this short animation film Dale Hayward brings to life his watercolour on paper.
Produced as part of the fourth edition of the NFB’s Hothouse apprenticeship.
Reflection is an exploration of Montreal through an abstract lens. Director Sylvie Trouvé examines how reflected images pervade our surroundings, how our senses filter out these ghost images and, finally, how the camera can capture emotions created by a shimmering puddle or a sparkling coloured glass surface. At the same time, Trouvé raises a new awareness of our urban environment. The editing, which animator Theodore Ushev collaborated on in a spirit of mutual emulation, embraces an animation aesthetic that fully respects the filmmaker’s artistic vision. While examining our relationship with images, this exploration of the city blurs the distinction between real-life shots and animation. Indeed, though inspired by reality, the film is thoroughly immersed in the world of animation.
In this animated short, Roch Carrier recounts the most mortifying moment of his childhood. At a time when all his friends worshipped Maurice "Rocket" Richard and wore his number 9 Canadiens hockey jersey, the boy was mistakenly sent a Toronto Maple Leafs jersey from Eaton's. Unable to convince his mother to send it back, he must face his friends wearing the colours of the opposing team. This short film, based on the book The Hockey Sweater, is an NFB classic that appeals to hockey lovers of all ages.
While the townspeople in the village square raucously celebrate Christmas, a homeless man rescues a discarded box from the garbage. The box turns out to be magical, and it takes him on a spiritual journey far more fantastic than any of the villagers are likely to experience.
In this animated short, based on a story by Paul Yee, Maylin cooks mouth-watering meals at her father's restaurant in Chinatown, but her father and brothers take all the credit. When a dignitary from China visits and tastes one her dishes, Maylin finally earns recognition.
This film is part of the Talespinners collection, which uses vibrant animation to bring popular children’s stories from a wide range of cultural communities to the screen.
A variation on a fable by Aesop ("The Lion and the Mouse") in which a mouse aids a mighty lion who had once spared his life. This children's film casts real animals – with a big brown bear in the role of the lion, and proves that little friends can prove to be great friends indeed.
This documentary invites you to join acclaimed playwright David Fennario for a performance of his funny and touching one-man play Banana Boots.
The film recounts Fennario’s memories of Montreal’s Verdun and Point Saint-Charles districts, follows him on a journey to Belfast for the Irish premiere of his hit play Balconville, and details his move from major theatrical performances to community theatre, where he sought to "create theatre that can be used to fight back."
Backyard Theatre is a documentary about playwright Michel Tremblay and director André Brassard’s flavourful brand of Quebec theatre, which captured the earthy wit and joual (slang) of Montreal's East End working-class neighbourhood. The film features impromptu improvisation by the cast of Les belles-soeurs and Demain matin, Montréal m'attend, two genre-defining plays.