In this feature-length documentary, 8 Inuit teens with cameras offer a vibrant and contemporary view of life in Canada's North. They also use their newly acquired film skills to confront a broad range of issues, from the widening communication gap between youth and their elders to the loss of their peers to suicide. In Inuktitut with English subtitles.
This short documentary studies life in the village of Kangirsujuaq, Nunavik. In this community on the edge of the Arctic Ocean, children’s laughter fills the streets while the old people ponder the passage of time. They are nomads of the wide-open spaces who are trying to get used to the strange feeling of staying put. While the teenagers lap up Southern culture and play golf on the tundra to kill time, the Elders are slowly dying, as their entire culture seems to fade away.
Elisapie Isaac, a filmmaker born in Nunavik, decides to return to her roots on this breathtaking land. To bridge the growing gap between the young and the old, she speaks to her grandfather, now deceased, and confides in him her hopes and fears. Grappling with isolation, family relationships, resource extraction, land-based knowledges, the influence of Southern culture and the ongoing impacts of colonialism on Inuit ways of life, Elisapie Isaac offers a nuanced portrait of the North.
This short documentary looks at the government relocation of the Labrador Inuit and the effects on their culture and social structures.
Please note that this is an archival film that makes use of the word “Eskimo,” an outdated and offensive term. While the origin of the word is a matter of some contention, it is no longer used in Canada. The term was formally rejected by the Inuit Circumpolar Council in 1980 and has subsequently not been in use at the NFB for decades. This film is therefore a time-capsule of a bygone era, presented in its original version. The NFB apologizes for the offence caused.
In this feature-length documentary, 8 Inuit teens with cameras offer a vibrant and contemporary view of life in Canada’s North. They also use their newly acquired film skills to confront a broad range of issues, from the widening communication gap between youth and their elders to the loss of their peers to suicide.
Far from home and cut off from family and friends, Montreal’s Indigenous homeless population is the focus of No Address. Dreams of a better life in the big city can be met with harsh realities, as the individuals in this documentary recount. Often trying to flee circumstances created by colonialism and the effects of assimilation, the First Nations and Inuit people in this work share frank stories about their lives and the paths that took them to the streets of Montreal. Alanis Obomsawin presents an honest, stark portrayal of endemic homelessness while giving voice to those so often overlooked or made invisible on the streets of every city in Canada.
An American elementary school program from the 1970s, Man: A Course of Study (MACOS), looked to the Inuit of the Canadian Arctic to help students see their own society in a new way. At its core was The Netsilik Film Series, an acclaimed benchmark of visual anthropology from the National Film Board that captured a year in the life of an Inuit family, reconstructing an ancient culture on the cusp of contact with the outside world. But the graphic images of the Netsilik people created a clash of values that tore rifts in communities across the U.S. and revealed a fragile relationship between politics and education. A fiery national debate ensued between academic and conservative forces.
Through These Eyes looks back at the high stakes of this controversial curriculum. Decades later, as American influence continues to affect cultures worldwide, the story of MACOS resonates strongly.
Made in collaboration with the Inuit Tungavingat Nunamini, this film focuses on those dissident members of the Inuit community who rejected the agreement signed on November 11, l975, between the Northern Quebec Inuit Association, the Québec and federal governments, the James Bay Energy Corporation, the James Bay Development Corporation, Hydro-Québec and the Grand Council of the Crees, which took away Native rights to a territory of almost one million square kilometres. By their words and actions, the dissident Inuit of Povungnituk, Ivujivik and Sugluk express their strong desire to retain their land and their traditions. The filmmakers go into their homes, on the ice and the sea to record first-hand the lives of these northern people.
This short documentary filmed in Pangnirtung features 2 elders reminiscing about the dances held in their community 50 years ago. One of the elders is master accordion player Simeonie Keenainak, and soon he's making toe-tapping music with his instrument. In this celebration of the pleasures of music and dance, Keenainak plays for the enjoyment of friends, family, and the community at large.
Stories from Our Land: 1.5 gave 6 Nunavut filmmakers the opportunity to each create a 5-minute short. Each film had to be made without the use of interviews or narration while telling a northern story from a northern perspective. The project was a collaboration between the NFB and the Nunavut Film Development Corporation.
In the last forty years, Canada has seen a major population shift of Indigenous peoples to the urban centres like Toronto which has become home to the largest urban Indigenous population in the country (an estimated 65,000).
Today's urban Indigenous peoples (both those with a direct connection to land-based reservation life, and those who have always lived in cities) are developing an urban Indigenous culture. They are discovering ways to integrate important expressions of traditional culture into city life, including the tradition of the Elder: a person of great wisdom who dispenses advice, settles disputes, and acts as a model and arbitrator of acceptable behaviour.
Meet Vern Harper, Urban Elder, who walks the "Red Road" in a fast-paced, urban landscape. The camera follows Vern as he leads a sweat lodge purification ceremony, watches his 11-year-old daughter Cody at a classical ballet rehearsal, conducts a private healing ceremony, participates in a political march of 150,000 people, and counsels Indigenous prisoners at Warkworth Federal Prison.
In his own voice, Vern Harper tells the Urban Elder story of how he reaches into the past for his people's traditions, blending those old ways into the present so that the future can be a time of personal growth and spiritual strength.
Ages 15 to 17
Indigenous Studies - Identity/Society
Indigenous Studies - Issues and Contemporary Challenges
An excellent film for acquainting students with the various problems faced by Inuit communities: suicide, addiction, and issues related to the co-existence of traditions and modernity. The teacher can get a discussion started by asking the following question: do you think the co-existence of traditional and modern ways of thinking is at the core of the problems experienced by the inhabitants of this community? What is at stake for the community?