Through These Eyes

Shot during 3 seasons, this documentary tenderly portrays village life in Puvirnituq, on the shores of Hudson Bay in northern Quebec, as well as the elements that forge the character of its people: their history, the great open spaces, and their unflagging humour.

Released in 1977, this beautifully paced short was photographed, directed, edited and narrated by Mosha Michael — one of Canada’s first Inuk filmmakers. Michael offers a first-hand account of a three-week Arctic hunting excursion, a rehabilitative trip undertaken by young offenders and their families. Dropping anchor at various points throughout Frobisher Bay, they fish for cod, hunt for seal and caribou, and renew family and community ties. Shooting on a Super 8 camera and providing his own narration, Michael crafts an engaging document of Inuk life in the 1970s. An original score features performances by Kowmageak Arngnakolak and Michael himself.

This short documentary depicts the vast expanses of the great Northwest. It illustrates the old fur trade, new mining developments, the importance of church missions, the welfare of First Nations and Inuit peoples and the role of air transportation in drawing this huge territory into the mainstream of Canadian life.

Please note that this is an archival film that makes use of the word “Eskimo,” an outdated and offensive term. While the origin of the word is a matter of some contention, it is no longer used in Canada. The term was formally rejected by the Inuit Circumpolar Council in 1980 and has subsequently not been in use at the NFB for decades. This film is therefore a time-capsule of a bygone era, presented in its original version. The NFB apologizes for the offence caused.

This short documentary zooms in on Churchill, Manitoba, on the western curve of Hudson Bay. The town boomed for a while after it became the railhead seaport for the shipment of Prairie grain. It also changed the way of life of the First Nations and Inuit population. "Four levels of government," says one, "and the town's biggest industry is the liquor store." In this film, local inhabitants say what they think of the changes and why they decided to stay when others moved on.

Please note that this is an archival film that makes use of the word “Eskimo,” an outdated and offensive term. While the origin of the word is a matter of some contention, it is no longer used in Canada. The term was formally rejected by the Inuit Circumpolar Council in 1980 and has subsequently not been in use at the NFB for decades. This film is therefore a time-capsule of a bygone era, presented in its original version. The NFB apologizes for the offence caused.

In this feature-length documentary, 8 Inuit teens with cameras offer a vibrant and contemporary view of life in Canada's North. They also use their newly acquired film skills to confront a broad range of issues, from the widening communication gap between youth and their elders to the loss of their peers to suicide. In Inuktitut with English subtitles.

This short documentary looks at the government relocation of the Labrador Inuit and the effects on their culture and social structures.

Please note that this is an archival film that makes use of the word “Eskimo,” an outdated and offensive term. While the origin of the word is a matter of some contention, it is no longer used in Canada. The term was formally rejected by the Inuit Circumpolar Council in 1980 and has subsequently not been in use at the NFB for decades. This film is therefore a time-capsule of a bygone era, presented in its original version. The NFB apologizes for the offence caused.

This short documentary tells the story the once-thriving town of Okak, an Inuit settlement on the northern Labrador coast. Moravian missionaries evangelized the coast and encouraged the growth of Inuit settlements, but it was also a Moravian ship that brought the deadly Spanish influenza during the world epidemic of 1919. The Inuit of the area were decimated, and Okak was abandoned. Through diaries, old photos and interviews with survivors, this film relates the story of the epidemic and examines the relations between natives and missionaries.

This short documentary studies life in the village of Kangirsujuaq, Nunavik. In this community on the edge of the Arctic Ocean, children’s laughter fills the streets while the old people ponder the passage of time. They are nomads of the wide-open spaces who are trying to get used to the strange feeling of staying put. While the teenagers lap up Southern culture and play golf on the tundra to kill time, the Elders are slowly dying, as their entire culture seems to fade away.

Elisapie Isaac, a filmmaker born in Nunavik, decides to return to her roots on this breathtaking land. To bridge the growing gap between the young and the old, she speaks to her grandfather, now deceased, and confides in him her hopes and fears. Grappling with isolation, family relationships, resource extraction, land-based knowledges, the influence of Southern culture and the ongoing impacts of colonialism on Inuit ways of life, Elisapie Isaac offers a nuanced portrait of the North.

This short film from the Canada Vignettes series chronicles the history of Labrador's Inuit and the role of the Moravian missionaries.

Please note that this is an archival film that makes use of the word “Eskimo,” an outdated and offensive term. While the origin of the word is a matter of some contention, it is no longer used in Canada. The term was formally rejected by the Inuit Circumpolar Council in 1980 and has subsequently not been in use at the NFB for decades. This film is therefore a time-capsule of a bygone era, presented in its original version. The NFB apologizes for the offence caused.

In the summer of 1953, the Canadian government relocated seven Inuit families from Northern Quebec to the High Arctic. They were promised an abundance of game and fish, with the assurance that if things didn't work out, they could return home after two years. Two years later, another 35 people joined them. There they suffered from hunger, extreme cold, sickness, alcoholism and poverty. It would be thirty years before any of them saw their ancestral lands again. Interviews with survivors are combined with archival footage and documents to tell the poignant story of a people whose lives were nearly destroyed by their own government's broken promises.

In this feature-length documentary, three generations of the Caribou Inuit family come together to tell the story of their journey as Canada's last nomads. From the independent life of hunting on the Keewatin tundra to taking the reins of the new territory of Nunavut on April 1, 1999, we see it all.

The film is the result of a close collaboration between Ole Gjerstad, a southern Canadian, and Martin Kreelak, an Inuk. It's Martin's family that we follow, as the story is told through his own voice, through those of the Elders, and through those of the teens and young adults who were born in the settlements and form the first generation of those growing up with satellite TV and a permanent home.