I Can Make Art ... Like Maud Lewis

This short film is part of a series entitled I Can Make Art and focuses on the work of Emily Carr. In this film, kids examine Carr's unusual world and the inspiration for her haunting landscapes. Drawing on this inspiration, they then attempt to create a giant forest mural on a window in their school. The series is comprised of six short films that take a kid's-eye view of a diverse group of Canadian visual artists.

The NFB's 33rd Oscar®-nominated film.

This short film studies the works of one of Canada's greatest contemporary etchers - Newfoundland-born David Blackwood. The artist himself guides viewers through a step-by-step explanation of the etching process. Scenes of his hometown, examples of his own work and vivid tales of an old mariner recall the tragic seal hunts and a way of life that has now vanished.

This short film introduces kids to sculptor Ron Noganosh, who transforms items like rusted hubcaps and computer parts into art. Inspired by Ron's found-object sculptures, a group of primary school students discover how to turn "junk" into art. Part of the I Can Make Art series of 6 films that take a kids'-eye view on a diverse group of Canadian visual artists.

In this short film, sculptor and textile artist Kai Chan shares his artistic philosophy of economy and repetition with young artists who build extraordinary, complex 3D structures using simple materials and basic techniques. Part of the I Can Make Art ...series.

This documentary follows Haida artist Bill Reid, from British Columbia. A jeweller and wood carver, he works on a traditional Haida totem pole. We watch the gradual transformation of a bare cedar trunk into a richly carved pole to stand on the shores of the town of Skidegate, in the Queen Charlotte Islands of B.C.

This short documentary looks at the work of artist Arthur Lismer, a member of the Group of Seven, emphasizing his contribution to art education and to Canadian art. At the Montreal Art Centre we see how children learn the independence of creative self-expression in art.

Set against a background of her paintings and the Yarmouth, Nova Scotia, landscapes they depict, this short documentary is a portrait of the life and work of one of Canada's foremost primitive painters, Maud Lewis. Emerging from her youth crippled with arthritis, Lewis escaped into her painting at the age of 30. She had never seen a work of art and had never attended an art class but her paintings captured the simple strength, beauty and happiness of the world she saw - a world without shadows.

Marcelle Ferron was a Quebec-born painter and stained glass maker, and a dominant figure in contemporary art in Quebec and Canada. Frequent stays in a dull, dark hospital room due to a childhood illness left her with a passion for light and colour that is evident in her abstract painting and modern stained glass creations.

In I Can Make Art Like Marcelle Ferron, students are exposed to contemporary abstract art and discover Ferron's luminous world. Inspired by her extraordinary art, they create their own works, experimenting with the texture and transparency of cellophane and paint.

Awash in colour and bold design, I Can Make Art Like Marcelle Ferron captures her passion and reinforces the important legacy of this groundbreaking artist.

I Can Make Art is a series of six short films that take a kids'-eye view on a diverse group of Canadian visual artists.

This short documentary focuses on prairie sculptor Joe Fafard. If there's one thing Joe knows, it's cows. He knows the way they tuck in their forelegs to lie down to ruminate and the way a calf romps in the barnyard. He also knows his friends and neighbours in the farming community of Pense, Saskatchewan—and he sculpts them all in clay, as eloquent and quirky miniatures. Joe's work has been exhibited throughout Canada as well as in Paris and New York, and this film offers a glimpse into his process, his aesthetic, and the charming prairie community in which he lives.

This animated short features a night watchman who, with his dog Fang, discovers that museums are not just a collection of dusty old artefacts. With humour, the film shows how the past is very much alive and connected to our present.

For Miller Brittain, variously described as a mystic, a war hero, a madman and a drunk, there was only one constant--art. Born in Saint John, New Brunswick, in 1912, he painted most of the time in or near that city. Personal, social and religious upheavals were all reflected in his art, in aching, obsessive works that people didn't understand, and much of the time didn't buy, though now they are worth thousands. The film is a powerful reconstruction of the life and career of this misunderstood Maritime painter, and his relation to other Canadian artists.