Histoires de bus

This funny short animation was written and created by Tali (At Home with Mrs. Hen) and is inspired by the filmmaker’s misadventures as a school bus driver in the Eastern Townships. Our protagonist dreams of becoming a bus driver in order to cruise down quiet country lanes and connect with nature, her young charges and their parents. But her idyllic view of her new job is sorely tested after she meets her surly boss, named Killer, and discovers that winding roads can prove treacherous in winter, especially with a faulty clutch. Through her cheeky humour and oblique look at the reality of people living in the Quebec countryside, Tali delivers a film that is unique, witty and touching.

Walter Homburger helped bring Glenn Gould and a succession of other great musicians to the attention of the world. Using shadow puppets and silhouettes, this short documentary captures the irrepressible spirit of a great impresario, manager and orchestra administrator who has devoted his life to furthering classical music in Canada.

This short documentary profiles an imaginative inventor and craftsman who makes whimsical stringed instruments out of unlikely items. In his hands, shovels, rakes, baseball bats, and stop signs become beautiful and functional guitars, violins, banjos, and fiddles.

After a near-death experience, retired machinist Lorne Collie embarked on his creative journey, and this heartening film offers a folksy, one-of-a-kind portrait of Collie's spirit and talent. Through weathered doc footage and hand-crafted animation, the film shows that Collie is having more fun than he’s had in a long time and feeling more than alive.

Sculpting Memory places Atom Egoyan in an audiovisual environment woven from the fabric of his own films―a conceptual move that references Egoyan’s adaptation of Beckett’s Krapp’s Last Tape while evoking Egoyan’s own work as a moving-image installation artist and his concern with the recording and displaying of images. Directed by Toronto-based writer/director Daniel Cockburn and produced by Justine Pimlott.

Produced by the NFB in co-operation with the National Arts Centre and the Governor General's Performing Arts Awards Foundation on the occasion of the 2015 Governor General's Performing Arts Awards.

This animated short evokes the experience of driving alone on an unlit rural road at night. Darkness is broken by the beam of headlights, creating dancing shadows that obscure what lies beyond the road.

The NFB’s 2nd Academy-Award winning film. In this short film, Norman McLaren employs the principles normally used to put drawings or puppets into motion to animate live actors. The story is a parable about two people who come to blows over the possession of a flower.

For more background info on this film, visit the NFB.ca blog.

The NFB's 58th Oscar®-nominated film.

This animated film paints a vivid portrait of two strangers intimately linked by the shared ceilings, floors and plumbing of their apartments. When an unexpected problem arises, these comfortable connections are compromised. Wendy Tilby uses a painstaking animation process involving painting on glass and stop-action filming. Strings is a film as beautiful as it is haunting. Without words.

This animated short presents a dilemma faced by a couple every time they go out to eat. Will their culinary differences douse the flames of romance, or will love prevail? Set to a rollicking doo-wop song by Canadian songwriter Alexander (Zander) Ary, the film brings Lynn Smith's gouache paintings to life as she animates directly under the camera. This short is a tasty comic narrative that skips along an array of tantalizing dishes. Vocalists Susie Arioli and Zander Ary each bring a unique interpretation to this funny, charming song.

This animated short is a comical tale that pokes fun at motherhood. It depicts the temper tantrums of a child and the efforts a mother makes to set her son on the right path. You don’t need to be a chicken to relate.

A freewheeling cinematic experience, this film is the work of two filmmakers who relate their perceptions of each other through their respective animation techniques. Images and words are paired in startling associations. Each does a visual portrait of the other, based on characteristic gestures and impressions. A combination of techniques and materials produces a film of rich visual texture shaped by the hands and heads of two very different people.

This experimental short animation is inspired by the NFB's Studio D (1975-1994), a production department aimed at creating filmmaking opportunities for women in Canada. Featuring a rhythmic soundscape and paint-on-glass animation, Assembly shows a woman’s hands cutting and editing a reel of film on a flatbed editing table as fragments of women walking in chains, protesting with placards, and speaking at podiums are inter-cut. We hear bursts of words and the percussive whir and click of the Steenbeck—until a “message” is finally revealed. The film is dedicated to the memory of Kathleen Shannon, a prominent editor and one-time Executive Producer of Studio D.