A short film adapted from the graphic novel of the same name, HARVEY depicts a young boy who candidly recalls the spring day when his world turned upside down. Filled with original little touches and told through the eyes of a child with an overflowing imagination, this luminous work by Janice Nadeau, featuring elegant music by Martin Léon, poetically examines bereavement and coping with the loss of a parent.
I, Barnabé takes a luminous look at a desperate man’s existential crisis. During a night of stormy drunkenness, he receives a visit from a mysterious bird and is forced to reconsider his life.
TRIGGER WARNING: This film contains the following subject matter: Suicide and self harm.
If you are affected by the topics addressed in the film, we encourage you to reach out to someone you trust.
If you’re in need of crisis support, please visit Crisis Services Canada
Shannon Amen unearths the passionate and pained expressions of a young woman overwhelmed by guilt and anxiety as she struggles to reconcile her sexual identity with her religious faith. A loving elegy to a friend lost to suicide.
An animator dissects his own body, extracting memories, emotions and fears that will nurture his work. As he cuts into his skin with a scalpel, various symbolic objects recalling his past emerge. Reaching the heart after cracking his ribs, he succeeds in identifying the burden he’s been dying to cast off.
Strength. Challenges. Courage. Modern Alchemy depicts a quest for self-knowledge that revolves around resilience, reconstruction and rebirth. A succession of colours, each more vibrant than the last, in which one stops breathing for a moment to find a path toward inner peace. A film from the Alambic collection, a creative lab by the NFB’s French Program Animation Studio that’s designed for emerging filmmakers.
“You know, when I was a boy, I fell in love with the Virgin Mary. It happened in a little Bavarian town called Altötting.” Mesmerizing, haunting, and deeply personal, Altötting is a coming-of-age story about love, faith, mortality, and shattered illusions.
It's summer and Ludovic is invited to his grandfather's farm. The little teddy bear finds Grandpa very saddened by the death of Grandma, and Ludovic is fascinated by a room filled with mementos. Grandma's portrait comes to life, and Ludovic is able to kiss and hug her. This poignant tale evokes the closeness and understanding between a grandfather and his little grandson who gradually learn to accept the death of a loved one.
In this short animation based on Marie-Francine Hébert's 2003 book of the same name, a friendship unites two little girls from opposing clans in a village where tensions are mounting. The citizens with the red shoes clearly despise those without, and one fateful morning, one of the girls and her family are accosted at gunpoint by their oppressors. The little girl barely has time to grab her beloved pet fish before the men are herded to one side and the women and children to the other. So begins our protagonist's long and painful journey as she seeks shelter for herself, her mother, and her fish. This modern tale compassionately and poetically addresses intolerance and the consequences of war.
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The NFB’s 76th Oscar®-nominated film.
How many obsessions can one family have? In Joanna Quinn and Les Mills’ Affairs of the Art, we reconnect with Beryl, the working-class heroine who not only reveals her own obsession with drawing but exposes the addictions of her eccentric family, which include pickling, screw threads and pet taxidermy.
Some of life's most profound questions are tackled by ten children ranging in age from six to eleven. They give their spontaneous views on God, the beginning of life, what happens to the spirit when one dies, where one's soul goes at night, and numerous other questions about life. The magic of animation and modern camera techniques illustrate the children's imaginative ruminations and conclusions. This is a delightful film for children and adults.
Mamie lives in Gaspésie in a house that faces away from the sea. Her granddaughter wonders: “Why isn’t Mamie interested in me or her other grandchildren? Why won’t she give me any affection or her beautiful blanket? What happened that made Mamie so indifferent?” Just like her home, Mamie shuts herself off and won’t let anyone into heart. If it’s true that we are the summary of our experiences and those we allow into our lives, what remains if we don’t let anyone in? In this wonderful animation of hand-painted watercolours, the filmmaker reaches back into her own childhood memories to share a personal and touching story about the break in “passing things on” between her and her grandmother. Mamie was directed by Janice Nadeau and co-produced by the NFB and Folimage.
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