Fiammetta

Uncle Thomas: Accounting for the Days is about the special relationship between Regina Pessoa and her uncle. The film is a testament to her love for this eccentric, who was an artistic inspiration and played a key role in her becoming a filmmaker. A moving tribute to a poet of the everyday.

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This short film from 1965 paints a portrait of Ako, a 16-year-old girl who is trying to live in freedom while escaping the traditions of her country. Ako works at a bakery where others like her manipulate masses of dough while engaging in conversation and laughing. Filmed in a disjointed style, the images and dialogue are reminiscent of a dream.

This short film is a portrait of Nora Fenton, a 15-year-old girl who is sent to a home for problem teens because of her persistent defiance of parental authority and self-injurious behavior. Typifying the problems of emotional adjustment experienced by many adolescents, this story of conflict and rebellion shows how understanding, affection and firm parental guidance are the factors most needed in helping teens weather their most turbulent years.

By the age of four the child is curious about the world around him. To find out, he is asking thousands of questions. He is also learning not to be afraid. This film shows children in learning situations: on a nature hike; handling animals and other creatures; dealing with their peers. One particularly interesting example is that of Ingrid and Helen, twins who look alike but act differently.

WARNING: This film discusses the topic of OCD. Viewer discretion is advised.

This feature documentary explores the daily lives of individuals living with Obsessive Compulsive Disorder (OCD), a misunderstood anxiety disorder characterized by intrusive thoughts, nagging fears and ritualistic behaviour. From the outside, its sufferers have no physical disabilities and have every appearance of being as functional as the next person. But inside, a daily war is waged for survival.

The world at toddler's eye level. For months a baby lies in his crib looking at all those things just beyond his reach. Then he learns to move about, to crawl, to stand--and suddenly all those things are his to touch, to taste. This film observes a baby's natural curiosity, his way of 'getting into things' as part of the experience of learning and adapting. Differences in behaviour of the three babies are noted.

Trial and error and challenge, and the beginnings of communication. Robert is a little older than Debbie; both are of the same family. Both like to experiment, to copy and explore, but sometimes their aims run counter to one another. Their behaviour in this film is typical of the second year of life and illustrates the process of learning that goes on through every waking hour, and the kind of guidance a parent can give.

Quite far removed from infancy, yet not across the threshold of adolescence, children of ten to twelve present an absorbing study of adults-in-the-making. We watch the children of one family in various situations in the home, at school and in group play, and find that much of their conflicting behaviour is actually a normal part of the growing-up process.

This inspiring film is the story of how one woman has come to terms with her life as a survivor of incest. Sexually abused by her father from infancy to early adolescence, Shirley Turcotte is now in her thirties and has succeeded in building a rich and full life. In To a Safer Place, Shirley takes a further step to reconcile her past and present. The film accompanies her as she returns to the people and places of her childhood. Her mother, brothers and sister, all of whom were also caught up in the cycle of family violence, openly share their thoughts. Their frank disclosures will encourage survivors of incest to break through the silence and betrayal to recover and develop a sense of self-worth and dignity.

A poetic meditation by a man and a woman whose teenage son has threatened to end his lifee. What drives someone to that terrible extreme? In an effort to understand and demystify the phenomenon of suicide, the two parents search for answers within themselves. Their personal reflection is intercut with dramatic sequences, archival footage, animation, interviews and first-person accounts that look at suicide from an emotional, rational, cultural, social or medical perspective. Mireille Dansereau has made a sobering film that nevertheless expresses an abiding faith in life. In French with English subtitles.

The film looks into the meaning of various forms of conduct in children from six to nine years and suggests ways in which parents may guide them through a challenging, often trying phase of development. In a family with three children we observe how the parents cope with often baffling situations.