Dans ce court métrage documentaire, trois femmes francophones originaires du Sénégal, du Mexique et de la Belgique posent un regard sur leur expérience d’immigration à Vancouver, où elles élèvent seules leurs enfants. Avec force et résilience, ces femmes prennent le pari de reconstruire leur vie et d’offrir « cet autre possible » à leur enfant, tout en cherchant à faire leur place dans la société canadienne.
Ce film a été produit dans le cadre du concours Tremplin, en collaboration avec Radio-Canada.
In this short documentary, three French-speaking women (from Senegal, Mexico and Belgium) examine their own experiences as immigrants in Vancouver, where they raise their children alone. With strength and resilience, these women take up the challenge of rebuilding their lives to provide a “new world of possibility” for their children, while seeking to find their place in Canadian society.
This film was made as part of the Tremplin program, in collaboration with Radio-Canada.
At her family’s cabin on Wakaw Lake, Saskatchewan, renowned Fransaskois singer-songwriter Alexis Normand invites audiences into a series of candid exchanges about belonging and bilingualism on the Prairies. Weaving together old home movies with current conversations, French Enough illuminates the struggle and triumph of reclaiming francophone Canadian identity. As parents, children and grandchildren sing, play and celebrate, in both French and English, the act of carrying a language forward finally becomes a thing of freedom and joy.
This short documentary is a portrait of Sylvie Mazerolle, a young woman for whom dance is as vital and fundamental as breathing. Tracking her process, the film also takes a look at dance in her home province of New Brunswick. In French with English subtitles.
This documentary was made as part of the Tremplin program, with the collaboration of Radio-Canada.
A feature drama about a girl torn between two cultures, the English-speaking community of Vancouver where she grew up and the French-speaking Québec where the film opens. Her uncertainty extends to her lovers, one from Vancouver who wants to take her home and the other from Québec who would like to continue their pleasant, if inconclusive affair. The settings show a Québec winter and British Columbia spring.
Phil Comeau shines a spotlight on the Ordre de Jacques-Cartier, a powerful secret society that operated from 1926 to 1965, infiltrating every sector of Canadian society and forging the fate of French-language communities. Through never-before-heard testimony from former members of the Order, along with historically accurate dramatic reconstructions, this film paints a gripping portrait of the social and political struggles of Canadian francophone-minority communities.
Claude Jutra's sweeping portrait of village life in 1940s Quebec has been called one of the greatest Canadian films of all time. Recalling a time when the local general store was the crossroads of life, the film illustrates the way a young boy sees the world and those closest to him – first through the eyes of a teenager, and later, as events change him, through the eyes of an adult. In French with English subtitles.
In this experimental short, filmmaker Jeffrey St. Jules reconstructs the story of his grandparents and their rugged frontier existence in the logging towns of Northern Ontario. A blend of fiction and documentary, the film stitches together a fractured family history that is filled with both the joie de vivre and hardships reflective of Franco-Ontarian life.
This documentary presents two young women from Halifax who are organizing rock concerts to raise money for the group Eastcoast Against Racism. Bronwen and Yaffa believe that the universal language of music will help unite the community. At the same time, they struggle to renew their friendship with Scott, a former Ku Klux Klan member. This moving film is set against a vibrant soundtrack of punk and rap music.
Paraskeva Clark, artist, socialist, feminist, is her own woman at her own cost. This film is a cameo of an irascible and oftentimes touching artist whose work has won her a place in exhibitions and private collections. Born in Russia in 1898, she eventually married a Canadian and moved to Toronto. Because her canvases reflect a strong social conscience, she had to struggle hard to earn a place in the nation's ultra-conservative galleries.