Ce long métrage documentaire explore les défis de l’intégration mise à rude épreuve au Canada. De la République démocratique du Congo, certains ont transité par des camps de réfugiés en Ouganda ou en Tanzanie. La plupart se sont installés à Sherbrooke, au Québec, au début des années 2000. Aujourd’hui, faute d’emploi, plusieurs sont partis dans l’Ouest. Un couloir migratoire s’est ainsi constitué entre Sherbrooke et Brooks, en Alberta.
This documentary travels the migration corridor forged between Sherbrooke, Quebec, and the town of Brooks, Alberta, by French-speaking Africans. Most have come from the Democratic Republic of Congo, some by way of refugee camps in Uganda and Tanzania. Unable to find employment in Quebec, they travelled out West. An interweaving of personal stories and the filmmaker’s own trips back and forth through the corridor offer an honest look at how much work is yet to be done to successfully integrate these newcomers.
This documentary celebrates the vibrant culture and tenacious struggle of the Canadian Gypsy and introduces a new generation of Roma who claim their roots with pride. They call themselves by their rightful name, the Roma. Almost 80,000 call Canada home. Meet Julia Lovell, a passionate defender of Roma human rights, whose father is slowly gaining the confidence to reveal his heritage; and Karen Gray Boothroyd, a flamenco dancer just beginning to reclaim her Gypsy roots.
Over the course of a decade Brooks, Alberta, transformed from a socially conservative, primarily white town to one of the most diverse places in Canada as immigrants and refugees flocked to find jobs at the Lakeside Packers slaughterhouse. This film is a portrait of those people working together and adapting to change through the first-ever strike at Lakeside.
In community archives across British Columbia, local knowledge keepers are hand-fashioning a more inclusive history. Through a collage of personal interviews, archival footage and deeply rooted memories, the past, present and future come together, fighting for a space where everyone is seen and everyone belongs. History is what we all make of it.
Anne Marie Nakagawa's documentary examines what it means to have a background of mixed ancestries that cannot be easily categorized. By focusing on 7 Canadians who have one parent from a European background and one of a visible minority, she attempts to get at the root of what it means to be multi-ethnic in a world that wants each person to fit into a single category.
Finding a satisfactory frame of reference in our 'multicultural utopia' turns out to be more complex than one might think. Between: Living in the Hyphen offers a provocative glimpse of what the future holds: a departure from hyphenated names towards a celebration of fluidity and being mixed.
This documentary features Black women active in politics as well as community, labour and feminist organizing. They share their insights and personal testimonies on the double legacy of racism and sexism, linking their personal struggles with the ongoing battle to end systemic discrimination and violence against women and people of colour.
One Sunday in Canada visits an Italian community in the northwest sector of Montreal, where about half of the city's 150,000 Italians live. In the new suburbs where they are settling, the streets may have names like Venice, Naples, Genoa; and wherever men and women gather, there is the ebullience characteristic of the Latin. This is a Sunday on which special observances are held at the Italian church of Madonna della Difesa, and it is also the Sunday when Montreal's Cantalia soccer team challenges Toronto's Italia. A very human story of people adapting to life in a new environment.
This documentary paints a picture of Arab men that is vastly different from what we’re accustomed to. In this antidote to mainstream-media depictions of Arabs as terrorists and extremists, we get to meet Jay, Ghassan and their friends, who gather at Jamal’s Eden Barber Shop to discuss politics, religion and family over a cut and a shave. Often funny, sometimes sad, this engaging film documents the challenges these men face integrating into Canadian life while preserving their identity and culture.
This sharp and funny mockumentary uses role reversal to illustrate the realities of overt and systemic racism in the workplace.
This film is part of the Work For All series, produced by the National Film Board of Canada, with the participation of Human Resources and Skills Development Canada.
Director Mina Shum makes her foray into feature documentary by reopening the file on a watershed moment in Canadian race relations – the infamous Sir George Williams Riot. Over four decades after a group of Caribbean students accused their professor of racism, triggering an explosive student uprising, Shum locates the protagonists and listens as they set the record straight, trying to make peace with the past.