How are you adapting to the pandemic? That’s the question Jérémie Battaglia and Vali Fugulin asked Canadian small and medium-sized business owners in April 2020 as part of the Pivot project led in partnership with the McGill Sustainability Systems Initiative. Out of these discussions, one major theme emerged — how COVID-19 has affected the eating habits of Canadians. Interest in local products and cooking exploded during the lockdown, but was it just a fad? Six months later, as the second wave was sweeping over the country, Jérémie wanted to continue the conversation with two of the business owners he met, restaurant owner Lil MacPherson and farmer Dave Kranenburg. Both have long advocated for the importance of making the agri-food industry more responsive and local. On a video-conference call, they reflect on the changes in behaviour we’re seeing and wonder if we might be witnessing a long-term paradigm shift in our relationship with food.
Some dreamers have the power to inspire us, bring us together, and help us reconnect with our humanity. Alain Philoctète, a Haitian artist and activist who settled in Quebec, returns to the country of his birth to develop a permaculture project with local farmers. There, he has an emotional reunion with family members and his former comrades in arms, whose ideals remain unshaken despite the lingering aftermath of the 2010 earthquake and political instability. However, Alain, who is suffering from cancer, has to undergo treatment in Montreal, where his loved ones provide the same degree of affection and solidarity as he receives in Haiti. Director Will Prosper films this inspiring dreamer on his hopeful quest, chronicling the challenges of exile and illness with the personal, knowing touch of a longtime friend. With a rich score composed by Jenny Salgado, Kenbe la, Until We Win offers a cinematic journey that will move viewers to ponder the importance of embracing ideals and passing them on.
More than a decade after the worldwide financial crisis of 2007–08, what does globalization mean today? Filmmaker-philosopher Jean-Daniel Lafond takes us behind the scenes of the International Economic Forum of the Americas, a massive annual gathering at which economists, financiers and politicians hold forth on the key issues of the day. Featuring first-hand testimonials by nearly two dozen influential men and women, The End of Certainties unfolds as a multi-voice meditation on the state of the world. This observational documentary offers a cogent assessment of globalization—and its ideals, disillusionment, fears and hopes—and the quest for a new humanism, characterized by greater inclusiveness and fairness.
This short documentary profiles a community engaged in developing sustainable living methods, including food production and small-scale solar and wind technology, on a farm in Massachusetts in the 1970s. Well before sustainability was a mainstream concern, these prescient innovators attempted to create a vision of a greener, kinder world. "Think small," say the New Alchemists. "Look what thinking big has done."
Please note: This film contains explicit language. Viewer discretion is advised.
John Ware Reclaimed follows filmmaker Cheryl Foggo on her quest to re-examine the mythology surrounding John Ware, the Black cowboy who settled in Alberta, Canada, before the turn of the 20th century. Foggo’s research uncovers who this iconic figure might have been, and what his legacy means in terms of anti-Black racism, both past and present.
Working in sublime self-isolation during the strange pandemic spring of 2020, avant-garde filmmaker Mike Maryniuk composes a surreal ode to rebirth and reinvention. Juxtaposing archival imagery with handcrafted animation, he conjures up a shimmering utopian dreamscape, a post-COVID world shaped by the primordial forces of nature—haunted by the genial spectre of Buster Keaton.
Part of THE CURVE, a collection of social distancing stories that bring us together. Enjoy more works from this series here .
Set to beautiful, pastoral images, We Are What We Eat introduces us to people bringing together their love of good food and passion for environmental protection. We meet wheat and strawberry producers, along with a wine grower and a chef — each doing things at their own pace, while resisting the demands of agribusiness.
This short documentary explores how the First Nations staple of wild rice is exported as a luxury food thanks in part to bush pilots. Follow the families of the Pauingassi band as they comb the reedy shores with brooms, paddles and baskets for manomim (wild rice).
This documentary deals with the gradual shift from the family farm to corporation-run farms, with all the ensuing problems and personal hardship. It is an incisive evaluation of what is happening in North American and worldwide agriculture today.
On the 320 acre Keloka Orchards, near Kelowna in the Okanagan Valley of southern British Columbia, apples are picked and forwarded to the Kelowna Growers Exchange for packing, cold storage and shipping throughout the world. Immigrants from countries in Europe and Asia work together to ensure a successful harvest on Canada's largest apple orchard, owned by George Porter.
Viewer Advisory: This film contains scenes of animal slaughter..
This feature documentary tells the story of a young couple’s year-long experiment in raising their own meat. On the abandoned farm property they just bought, they decide that if they’re going to eat meat, they should raise it themselves. Over 4 seasons, they get to know the animals, discover their personalities, treat them with respect and eventually slaughter them. Animals takes us deep into the heart of the animal-human relationship, with all its contradictions.
If we are what we eat, then we are having an identity crisis. Because food's journey from farm to plate is a strange one. An old woman has a simple relationship with her animals: she loves them, kills them, eats them. In town, people are first fascinated, then repulsed, by the intimacy between the old woman and their food. A film without words.