L' arbre qui se souvient

In 1992 a young Iranian student hanged himself on the outskirts of a small Ontario town. Having escaped the Ayatollah's regime and found a new home in Canada, he could not escape his past. In this film, Masoud Raouf documents the experiences of Iranian-Canadians - former political prisoners like himself - who were active in the Iranian democratic movement and continue to struggle with the past.

For more background information about this film, please visit the NFB.ca blog.

In 1937, tens of thousands of Haitians and Dominicans of Haitian descent were exterminated by the Dominican army on the basis of anti-black racism. Fast-forward to 2013: the Dominican Republic’s Supreme Court stripped the citizenship of anyone with Haitian parents, retroactive to 1929, rendering more than 200,000 people stateless. Director Michèle Stephenson’s new documentary follows the grassroots campaign of a young attorney named Rosa Iris, as she challenges electoral corruption and fights to protect the right to citizenship for all people.

Celebrate Black Canadian cinema with the NFB. Explore our collection of films from Black filmmakers across Canada.

Monika Delmos's documentary captures a year in the life of two teenage refugees, Joyce and Sallieu, who have left their own countries to make a new life in Ontario. Joyce, 17, left the Democratic Republic of Congo to avoid being forced into prostitution by her family. Sallieu, 16, had witnessed the murder of his mother as a young boy in wartorn Sierra Leone.

Delmos follows them as they bear the normal pressures of being a teenager while simultaneously undergoing the refugee application process. She shows how the guidance and support of a handful of people make a real difference in the day-to-day lives of these children.

This historical drama tells the story of Qin Shihuang, who unified China’s vast territory and declared himself emperor in 221 B.C. During his reign, he introduced sweeping reforms, built a vast network of roads and connected the Great Wall of China. From the grandiose inner sanctum of Emperor Qin's royal palace, to fierce battles with feudal kings, this film re-creates the glory and the terror of the Qin Dynasty, including footage of Qin's life-sized terra cotta army, constructed 2,200 years ago for his tomb. The First Emperor of China was shot entirely in IMAX.

This short documentary is a portrait of Martine Duviella, whose parents were forced to flee Haiti during the Duvalier regime. Here, Duviella recounts the story of her activist father and through him seeks to retrieve the forgotten past of a generation that sacrificed itself trying to free Haiti. In French with English subtitles.

This documentary was made as part of the Tremplin program, with the collaboration of Radio-Canada.

A moving and graphic portrait of the people of wartorn Beirut in their day-to-day struggle to survive in the rubble and despair. Filmed shortly after the 1982 massacres at Sabra and Chatila, the film gives a vivid picture of the plight of these people and of any people who are too poor to escape the ravages of war.

This feature-length film introduces viewers to Soraida, a Palestinian woman who lives in Ramallah. In her neighbourhood the women do not all wear veils, the men do not rattle off empty political slogans, the young people do not strap bombs to their belts, and the children play together like kids everywhere. Taking us into the daily existence of Soraida, her family and neighbours, the film compels us to ask fundamental questions about life in the Middle East.

The NFB's 63rd Oscar®-nominated film.

Shui-Bo Wang's feature documentary is a visual autobiography of an artist who grew up in China during the historic upheavals of the ‘60s, '70s and '80s. A rich collage of original artwork and family and archival photos presents a personal perspective on the turbulent Cultural Revolution and the years that followed. For Shui-Bo Wang and others of his generation, Tiananmen Square was the central symbol of the new China – a society to be based on equality and cooperation. This animated documentary artfully traces Shui-Bo's roots and his own life journey as he struggles to sort through ideology and arrive at truth.

This 1957 documentary short offers an analysis of South Africa's acute race problem, an issue that causes dissension not only within its borders but within the Commonwealth and beyond. In South Africa, a country of 14 million people, 4 out of 5 people are black. The film gives a dispassionate appraisal of the motivations behind the policy of apartheid and of whether the practice of segregation provides a satisfactory, long-term solution.

In this documentary, Paul Cowan delivers unprecedented access to the United Nations Department of Peacekeeping, and the determined and often desperate manoeuvres to avert another Rwandan disaster, this time in the Democratic Republic of Congo (the DRC). The film cuts back and forth between the United Nations headquarters in New York and events on the ground in the DRC. We are with the peacekeepers in the 'Crisis Room' as they balance the risk of loss of life on the ground with the enormous sums of money required from uncertain donor countries. We are with UN troops as the northeast Congo erupts and the future of the DRC, if not all of central Africa, hangs in the balance. As Secretary General Kofi Annan tells the General Assembly at the conclusion of The Peacekeepers: "History is a harsh judge. The world will not forgive us if we do nothing." Whether the world's peacekeeper did enough remains to be seen.

Under the guise of a pretty fairy tale, this animated short makes a strong political statement. Animated paper cut-outs enact a drama in which a dictator imposes his delusions on his unfortunate subjects. The humour is black and, despite the absence of dialogue, the message is crystal clear.