Anniversary

For those curious to know the behind-the-scenes stages through which a film passes before it reaches the screen, this film explains the basic steps of motion picture film production. Script to Screen takes a mock-serious happening and follows it all the way through direction, photography, editing, sound effects, synchronization of sound and visuals, and various laboratory processes. Filmmaking is seen to be a craft of many hands and minds.

Part of the NFB Pioneers series with the Doc Channel, this episode deals with the Studio D, the first permanent, state-funded women's film unit in the world created in 1974. Studio D gave a number of women the unprecedented opportunity to work consistently on women-centred film projects. Features interviews with Gerry Rogers, Bonnie Sherr-Klein, Zoe Dirse, Susan Trow, Gail Singer, Dorothy Henault and Beverly Shaffer.

A clip montage for presentation at the National Action Committee on the Status of Women to commemorate the 20th anniversary of Studio D and the National Action Committee.

A freewheeling cinematic experience, this film is the work of two filmmakers who relate their perceptions of each other through their respective animation techniques. Images and words are paired in startling associations. Each does a visual portrait of the other, based on characteristic gestures and impressions. A combination of techniques and materials produces a film of rich visual texture shaped by the hands and heads of two very different people.

A detailed retrospective of the animation film at the National Film Board of Canada, of the techniques employed, and of the men and women who used and sometimes invented them. Documentary footage explains the techniques, and clips from NFB films illustrate the often spectacular results. Topics include Norman McLaren, hand-drawn-on-film and pixillation techniques, the "sing-along" animated songs of the 1940s, Alexandre Alexeieff's pinscreen, and Evelyn Lambart's fairytale improvisations.

This feature-length documentary shines a much-deserved spotlight on Evelyn Lambart, who stood side-by-side with Norman McLaren for 21 years. Dubbed The First Lady of Canadian Animation, Lambart was an accomplished animator in her own right. This compilation, playfully contextualized by filmmaker Donald McWilliams, aims to prove just that.

An opening address, a tribute and highlights of a long and productive career--McLaren on McLaren is Norman McLaren on camera. The occasion is the opening of a prestigious festival in Arnhem, the Netherlands, in November, 1983, marking the tenth anniversary of Holland Animation. The renowned animator pays homage to those who merged their arts with his, and to the National Film Board, which gave him forty-two years of artistic freedom.

Crisis, Lonely Boy, Chronicle of a Summer. You may not know these films, but you see their influences every day--in everything from TV news to music videos to Webcams. The cinéma vérité (or direct cinema) movement of the '50s and '60s was driven by a group of rebel filmmakers tired of stilted documentaries. They wanted to show life as it really is: raw, gritty, dramatic. Rich in excerpts from vérité classics, Cinéma Vérité: Defining the Moment is the first film to capture all the excitement of a revolution that changed movie-making forever. Director Peter Wintonick's Manufacturing Consent: Noam Chomsky and the Media is one of the bestselling documentaries of all time; co-producer Éric Michel won the Cannes Palme d'or for 50 ans, by director Gilles Carle, and co-producer Adam Symansky won an Oscar for Flamenco at 5:15.

Alanis Obomsawin talks about how she got her start at the NFB and the overarching importance of sound/story in her work.

This interview is part of Making Movie History: A Portrait in 61 Parts.

What gets lost when female voices are stymied during the creative process? Pairing intimate interviews with absurdist re-enactments, Joyce Wong crafts a tartly subversive look at patriarchy and racism in the film industry.

In this feature-length film on the art of the documentary, director Pepita Ferrari interviews 33 leading documentarians and shows clips from over 50 films. From cinéma-vérité pioneers like Albert Maysles and Michel Brault to mavericks like Errol Morris and Nick Broomfield, it explores the challenges of capturing reality on film. Directors as diverse as Pakistani feminist Sabiha Sumar and new media guru Peter Wintonick reflect on ethical issues and the contested status of the “truth.”

Featured interviews include German iconoclast Werner Herzog; Chilean filmmaker Patricio Guzmán; British director Kim Longinotto and Alanis Obomsawin, the First Lady of First Nations cinema. Visit Capturing Reality for additional interviews and background.