What gets lost when female voices are stymied during the creative process? Pairing intimate interviews with absurdist re-enactments, Joyce Wong crafts a tartly subversive look at patriarchy and racism in the film industry.
Deanne Foley profiles fellow Newfoundlander Mary Walsh, the Great Warrior Queen of Canadian comedy, musing on time wasted
Deanne Foley profiles fellow Newfoundlander Mary Walsh, the Great Warrior Queen of Canadian comedy, musing on time wasted as an object of desire and time well spent as the fearless agent of her own destiny. A joyous call to action.
Decades before the Truth and Reconciliation Commission, Shirley Bear was defying repressive colonial narratives with inspiring imagery of Indigenous womanhood. Catherine Martin profiles the Wolastoqiyik/Malecite artist known as Minqon Minqon (Rainbow Rainbow).
This feature documentary casts a curious and critical eye at North American discourses about motherhood since the mid-20th century. Through conversations with seven mothers, a fascinating selection of archival footage and stills from the 1950s, as well as some very candid and funny home movies, this film offers new ways of thinking about what it means to be a good mom.
Over five years, acclaimed filmmaker Andrea Dorfman follows the heartbreaking yet uplifting story of the girls of Meru and their brave steps toward meaningful equality for girls worldwide.
In Kenya, one in three girls will experience sexual violence before age 18, yet police investigations are the exception. In The Girls of Meru, a multinational team led by Canadian lawyer Fiona Sampson and Tumaini Shelter head Mercy Chidi Baidoo builds the case of 11 girls to pursue an unheard of legal tactic. Together they created legal history.
Shoal Lake 40 women talk about their struggles, and those of their parents and grandparents, in trying to raise their families in a hazardous state of enforced isolation. Everyone in the community has a harrowing story of a loved one falling through the ice while trying to get across the lake, with pregnant women and new mothers fearing for their babies and having no choice but to make the trek in dangerous conditions. The film shows the key role of the community’s women in demanding funding for the road from three levels of government, and how their reconnection to culture and ceremony give them the strength to keep going.
Using original animation, archival footage and personal interviews, this full-length documentary portrays the multiple relationships Canadian Muslim women entertain with Islam’s place of worship, the mosque. Islam is the fastest growing religion in the world. In North America, a large number of converts are women. Many are drawn to the religion because of its emphasis on social justice and spiritual equality between the sexes. Yet, many mosques force women to pray behind barriers, separate from men, and some do not even permit women to enter the building. Exploring all sides of the issue, the film examines the space – both physical and social – granted to women in mosques across the country.
Me and the Mosque was produced as part of the Reel Diversity Competition for emerging filmmakers of colour. Reel Diversity is a National Film Board of Canada initiative in partnership with CBC Newsworld.